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Broadway Bound: The Musicals That Never Came to Broadway

Broadway Bound: The Musicals That Never Came to Broadway

著者： Robert W. Scheider & Broadway Podcast Network
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 Join Broadway historian, director, and all around MT nerd Robert W. Schneider for a wild and exhaustively researched celebration of the musicals that had set their sights on Broadway but missed the mark. The second season of Broadway Bound is called "YOU'RE ONLY AS GOOD AS YOUR LAST" explores ten Broadway Bound musicals that were written by major songwriters. From a foul mouthed Little Orphan Annie to dancing woolly mammoths, Broadway Bound: The Musicals That Never Came To Broadway is sure to open your eyes to some of the most bizarre, brilliant, and bold musicals that tried to get themselves on the Great Bright Way!Broadway Podcast Network アート エンターテインメント・舞台芸術 世界
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  • Up From Paradise (1983)

    Up From Paradise (1983)
    2025/06/24
    I never miss an Arthur Miller musical! Yes, you read that correctly. Arthur Miller, the voice of gritty American realism, whose plays confronted capitalism, communism, and catastrophe one day woke up and decided to be the next Jerry Herman. You see what happened was.... Well, you will need to listen to our episode about UP FROM PARADISE to find out! Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 26 分
  • All About Us (1999)

    All About Us (1999)
    2025/06/11
    What do Leonard Bernstein, James Joyce, woolly mammoths, Bebe Neuwirth, the ice age, and Mario Cantone all have in common? They all tried to succeed by the skin of their teeth in John Kander, Fred Ebb, and Joseph Stein's musical adaptation of Thornton Wilder's meta-theatrical experience titled The Skin of Our Teeth, Thornton Wilder's The Skin of Our Teeth, Over and Over, All About Us..... Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 17 分
  • Grover’s Corners (1987)

    Grover’s Corners (1987)
    2025/05/27
    In 1960, Tom Jones and Harvey Schmidt created theater history when their whimsical musical, The Fantasticks, the little show that no one believed in, opened and would not close until forty years later. Twenty-seven years later they would say “Smart New York money says we're not what's happening at the moment. We are perceived as the past. The perspective of us needs to be altered,” and so they plunged head first into musicalizing the play that had inspired them to create theater in the first place, Thornton Wilder’s Our Town. But why, almost forty years later, no one will ever get to hear it? See what happened was…..well, guess you will need to find out for yourself when we explore how the geniuses behind The Fantasticks struggled against the tides of British imports to bring musical life to Grover’s Corners, with a cast of characters ranging from Gene Kelly to Angela Lansbury to Peter Pan herself, Mary Martin. If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 2 分

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