Lethal Weapon 2 Movie Review is here, and this week we're diving back into one of the greatest action sequels of all time on The Movie Review Podcast, where we don't take the movies or ourselves too seriously. Join Whitey and Damo as they revisit the explosive 1989 classic that proved lightning really can strike twice. With bigger action, bigger laughs, and one unforgettable diplomatic immunity speech, Lethal Weapon 2 remains a benchmark for the buddy cop genre.

After the gritty success of the original film, director Richard Donner returned with Mel Gibson and Danny Glover to deliver a sequel that shifted gears without losing what made the franchise special. Instead of doubling down on the darkness, Lethal Weapon 2 leans heavily into comedy while still delivering spectacular action set pieces, memorable villains and the chemistry that made Martin Riggs and Roger Murtaugh one of cinema's greatest partnerships.

Whitey and Damo discuss whether Lethal Weapon 2 is actually better than the original, and why so many fans continue to rank it among the greatest sequels ever made. Is it worthy of being mentioned alongside Aliens, Terminator 2, and The Empire Strikes Back? Or has nostalgia been doing some heavy lifting?

As always, the boys break down everything that makes the film unforgettable. From the outrageous opening car chase and the destruction of Murtaugh's family station wagon, through to the South African villains hiding behind diplomatic immunity, every iconic scene gets the Born to Watch treatment.

Of course, no discussion of Lethal Weapon 2 would be complete without Leo Getz. Joe Pesci steals almost every scene he's in, introducing one of the franchise's funniest and most quotable characters. Whitey and Damo chat about how Leo changed the series' tone forever, while debating whether the increased focus on comedy was ultimately a strength or a weakness.

There is also plenty of appreciation for Mel Gibson at the absolute peak of his powers. Charismatic, reckless and endlessly entertaining, Riggs remains one of the defining action heroes of the 1980s. Danny Glover's dry reactions provide the perfect balance, proving once again why this pairing remains one of Hollywood's greatest double acts.

Naturally, the boys can't help themselves when it comes to picking apart the film's logic. Why are the LAPD driving family station wagons during high-speed pursuits? Where did that helicopter suddenly appear from? Why does a caravan explode like it's filled with rocket fuel? And how does every South African henchman seem to carry an entire arsenal beneath a sports coat?

The laughs continue with another legendary Snobs Report, a look back at some forgotten gems from 1989, discussion around Richard Donner's incredible directing career, and a celebration of just how good cinema was during the final years of the 1980s. There are plenty of side trips into other classics, including The Omen, Uncle Buck, The Dream Team and more, because one movie conversation is never enough on Born to Watch.

As always, you'll get the Good, the Bad and the Ugly, Film School for F-Wits, trivia, behind-the-scenes stories, box office numbers, memorable performances and plenty of arguments over whether the sequel really surpasses the original.

Whether you grew up watching Lethal Weapon 2 on VHS, caught it at the cinema back in 1989, or you're discovering it for the very first time, this episode is packed with nostalgia, laughs and classic Born to Watch banter.

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The Crow (1994) Review is finally here, and the Born to Watch boys are diving headfirst into one of the most iconic cult films of the 1990s. Directed by Australian filmmaker Alex Proyas and forever linked to the tragic death of Brandon Lee during production, The Crow has become far more than just another comic book adaptation. It's a film surrounded by myth, emotion and an unforgettable soundtrack, but does the movie itself still deserve its legendary reputation?

Whitey is joined by Gow, Damo and returning fan favourite Adam "Strangles" Strang as they revisit the dark, rain-soaked streets of Detroit to find out whether Eric Draven's tale of love, revenge and redemption still flies more than three decades later.

From the opening scene, the boys tackle the elephant in the room. Has The Crow become more famous because of Brandon Lee's tragic passing than because of the movie itself? It's a question that sparks one of the episode's biggest debates as they separate the film from the legend surrounding it.

There is no denying the visual impact. Alex Proyas creates one of cinema's most distinctive gothic worlds, drenched in perpetual darkness, flickering fire and endless rain. Whitey argues it could be one of the best-looking films of the decade, while the panel discusses whether the relentless black colour palette enhances the atmosphere or simply makes it impossible to see what's happening half the time.

Brandon Lee delivers a performance filled with charisma, physicality and vulnerability as Eric Draven, a murdered musician brought back from the dead by a mysterious crow to seek revenge on the gang responsible for killing him and his fiancée. Along the way, the boys question the film's mythology, wonder why so little is explained about the supernatural rules and debate whether audiences are expected to simply accept everything without asking questions.

The laughs continue as the conversation drifts into grandad slippers, Skippy, Video Ezy memories, terrible engagement rings, goth fashion, VHS collections and one of Damo's most detailed Snorbs Reports yet. As always, no tangent is off limits.

The cast also comes under the microscope. Michael Wincott's gloriously over-the-top Top Dollar, Ernie Hudson's compassionate Sergeant Albrecht and the unforgettable David Patrick Kelly all receive plenty of love, while the panel reflects on Brandon Lee's short but promising career and imagines what Hollywood might have looked like had tragedy never struck.

As the discussion unfolds, comparisons are made to other revenge classics, including John Wick, The Warriors and Darkman, while Whitey questions whether the film spends enough time developing its central love story for audiences to truly care about Eric's mission.

The boys also explore the incredible year that was 1994, discussing how The Crow stacked up against cinematic heavyweights like Pulp Fiction, Forrest Gump, The Shawshank Redemption, Speed and The Lion King. It's another reminder of just how stacked one of Hollywood's greatest years really was.

Of course, it wouldn't be Born to Watch without the regular favourites. IMDb ratings, Rotten Tomatoes scores, box office numbers, Question Time, the Snorbs Report, hilarious listener interaction and plenty of brutal honesty all feature as the team works towards the all-important final verdict.

So, does The Crow still deserve its place among the greatest cult movies ever made? Has its reputation been elevated by tragedy, or is it genuinely one of the defining films of the 1990s? Join Whitey, Gow, Damo and Strangles as they break down every crow, every quote and every questionable fashion choice in another laugh-out-loud episode of Born to Watch.

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Any Given Sunday Review | Born to Watch Podcast

Our Any Given Sunday Review takes the Born to Watch boys back to 1999 for Oliver Stone's chaotic, testosterone-fuelled dive into the world of professional football. Featuring Al Pacino, Jamie Foxx, Dennis Quaid and peak Cameron Diaz, Any Given Sunday promised everything a sports movie fan could want. But does it still hold up, or is this one all style and no substance?

Whitey, Dan and special guest Will strap on the shoulder pads and revisit Oliver Stone's divisive NFL epic. What starts as a love letter to sports movies quickly turns into an examination of shaky cameras, over-the-top editing, giant egos and one of the most exhausting viewing experiences the boys have tackled in a while.

Al Pacino brings his trademark intensity as veteran coach Tony D'Amato, desperately trying to hold together the Miami Sharks while battling a ruthless owner, rebellious players and a rapidly changing game. Jamie Foxx bursts onto the scene as Willie Beamen, the backup quarterback who suddenly becomes a superstar, while Dennis Quaid delivers a solid performance as ageing veteran Cap Rooney.

Along the way, the boys discuss why Oliver Stone seems determined to assault your eyeballs with every editing trick imaginable. From subliminal gladiator imagery to frantic camera work and changing film stock, Whitey wonders whether the movie is trying too hard to be profound. Dan compares it to Natural Born Killers and argues that Stone's style overwhelms the actual story.

The conversation naturally branches out into memories of 1999, drunken phone calls, encounters with Elizabeth Berkley, backup quarterbacks becoming heroes, and whether there is a more pressure-filled position in sport than an NFL quarterback.

There's also plenty of appreciation for the stacked cast. James Woods shines as the dodgy doctor, LL Cool J delivers one of the biggest dickheads in sports movie history, and Lawrence Taylor proves real athletes can occasionally act. Meanwhile, Cameron Diaz splits the room, with Whitey refusing to give prime Diaz a quickfire vote despite the objections of everyone else.

As always, the boys go deep into the IMDb ratings, box office numbers and critical reviews before throwing around comparisons to Varsity Blues, Office Space, American Beauty and other classics from the legendary year of 1999.

But the biggest question remains. Is Any Given Sunday a genuine sports classic, or is it simply a two-and-a-half-hour migraine wrapped in slow motion and Kid Rock?

One thing is certain. Whether they're discussing football strategy, Oliver Stone's obsession with gladiators or the horrors of professional athlete fashion, Whitey, Dan and Will once again prove that no movie is safe when it lands on Born to Watch.

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