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  • On the record

    On the record
    2025/10/03
    "I was picked to cover Punjab in 1984 and that's how my journey began. After that, I was sucked into the lives of people living with everyday violence. For me, it was about being a storyteller and about the sociology and the psychology of violence and why it had taken root in the different conflict zones that I've mapped. I'm talking about conflicts that are still relevant. I've tried to trace them from where they started, how they started, and why it's still so easy, four decades later, to stoke the embers. What makes young men turn their bodies into missiles? This has kept me going for 41 years. I've never been pulled by the force of religion. I don't question other people's faith but I've seen religion play a part in fuelling violence. I've never wanted my face to be my calling card. So, except for two years when I worked with TV, I've always been a print journalist. I enjoy the anonymity of print. All I've ever tried to do is be an archive. This book is part of that archive. Along the way, I've learnt it isn't just conflict which is murky; politics makes it murkier." - Harinder Baweja, senior journalist and author, 'They Will Shoot You, Madam' talks to Manjula Narayan about the conflicts she's covered including Punjab, Kashmir, the Mumbai attacks and Afghanistan, the people she's encountered from Chhota Rajan and KPS Gill to Yasin Malik, and about the fascinating and still unknown backstories that set her book apart. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 9 分
  • A desi love story: adventures with Indies

    A desi love story: adventures with Indies
    2025/09/26
    "I love travelling and I was sad to leave my dogs all the time. I had to find a way of travelling with them so Indian Railways came into the picture. Our first journey was from Nizamuddin in Delhi to Madgaon in Goa and the dogs were really well behaved. They really took to it. Tigress fell in love with the pantry! Since then we've done over 75 train journeys across India and by the end of it there was me and my husband and son and three dogs! When you travel with your dogs, you have to chart your own course, make your own map and do it at your own pace and you can really do that in India on the railways. Also, Indies are so much fun and so intelligent, I really hope more people rescue and adopt them. We live in a very hypocritical society. If a pandit says feed a dog or a cow to get something, only then will people do it because it means they will gain somehow! Otherwise, we don't care about anything beyond our own unit; we don't care about the immediate surroundings, the trees, the garbage... These animals too are invisible to most people and many view them as a nuisance. To change this we have to raise kind kids. I hope this book will change the way people view Indian dogs. I wanted to write a very positive, very funny book about them." - Divya Dugar, author, Chaos in a Coupe talks to Manjula Narayan about the great joys of rattling around the country with her family, the magic of Indian railways and slow travel, and the unconditional love of canine companions Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 9 分
  • Of birds, bees and educated fleas

    Of birds, bees and educated fleas
    2025/09/19
    "Humans don't really know what we are doing. Mostly, we are blundering along. A lot of animals that were once looked upon favourably and bred - like the pigeon for sending messages - are now considered as pests. It is really because of human intervention that many of these animals and birds have become abundant"- Deepa Padmanaban, author, Invisible Housemates, talks to Manjula Narayan about familiar creatures found in and around our homes like geckos, rats and ants, stuffing her book with amazing factoids about everything from incest-averseness among cockroaches to how India once exported rhesus macaques for scientific research, and how the elimination of sparrows in China was one of the factors that led to the Great Famine Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 分
  • Hymn to Hanuman

    Hymn to Hanuman
    2025/09/11
    "As a child I lived in a hostel away from my parents and I was always scared so my parents told me to recite the Hanuman Chalisa. That's how the text entered my life. Recently, I met a delegation from Trinidad and Tobago who said that the one thing they desperately needed was a singable translation of Indian spiritual texts as they can no longer read the original Awadhi or Hindi. So then I decided to do a translation that was not only literary but could also be sung with music. The Hanuman Chalisa teaches us ultimate humility; to approach everything with the notion that you do not know anything. Everytime I read it, it has a fresh angle. That's the beauty of Tulsidas' work. It's a tool for mindfulness and focus and it's also a text of diplomacy. It is amazingly condensed and layered and I'd like people to explore it not only as a spiritual text but also as an introduction to Indian sutra traditions."- Abhay K, poet, diplomat, translator of The Hanuman Chalisa Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分
  • Following her own beat

    Following her own beat
    2025/09/05
    "When we write about music history, we are mostly talking about artists. There are also fewer biographies, autobiographies and memoirs by instrumentalists. But can the instrument itself become the protagonist to tell us our story? This has been one of my concerns as a practitioner. The ghatam is present in music across the country. It is an instrument with personality and has a central role in folk music. But, in classical music, it takes a back seat. My quest was to foreground a lot of things that are not spoken about in writing about music. This is an attempt to make visible things that are not visible to readers and listeners. These microstories would be good for people to know. This book also comes from a strong conviction that women need to write their own stories; otherwise they don't get written. Difficult things come back to you while writing a memoir but you also make many beautiful discoveries on the way. For me, my ghatam embodies everything that has gone before. My entire life is held in the pot now; it holds my singing as well. All the things I used to express a singer, I now express on the matka," says Sumana Chandrashekar, author, Song of the Clay Pot; My Journey With the Ghatam, Here, she talks to Manjula Narayan about everything from her relationships with her guru Sukanya Ramgopal, her guru's guru Vikku Vinayakram, and master ghatam maker Meenakshi Amma to how appearance plays a big role in the image of a performing artist, misogyny in Carnatic music circles, and the effect of unplanned urbanisation on instrument making. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 分
  • Brayed of tongue

    Brayed of tongue
    2025/08/29
    "Generally in India, the moment you see deviant behaviour, you immediately label the person 'mad'. But at least now, in some circles, the attitude towards seeking psychological help is changing. Some of these stories show how women with mental health issues become especially vulnerable. We see this so often in news articles. So these stories are right out of the society we live in." - Nabanita Sengupta and Nishi Pulugurtha, editors, Bandaged Moments; Stories of Mental Health by Women Writers from Indian Languages, talk to Manjula Narayan about putting together this collection of 26 stories from 17 Indian languages, what's lost and found in the process of translation, and about presenting in English the accurate cultural nuances of such varied tongues as Telegu, Hindi, Malayalam, Marathi and Tamil and dialects like Magahi, Bhojpuri and Silchar Bangla. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    56 分
  • Of public chaos and amateur Indians stranded on islands of privilege

    Of public chaos and amateur Indians stranded on islands of privilege
    2025/08/21
    "I feel India's politics is the revenge of the poor; it's why things are the way they are. They might not look at it as a violent act but it emerges from some kind of violence against us, the middle class. Whatever politicians do, usually there is local support. So it's a peep into human nature. We were always paying a price to escape India. Now, it costs a lot of money to fully escape. Now, it seems even if you pay 200 crores for a flat, you can't escape the air! We look much poorer than we are while most nations look much richer than they are. Unconsciously, India has developed an optical device to comfort the poor to whom public places belong. If there's too much order in India it would upset the poor. India's public chaos is the only thing going for them; it kind of resembles their lives. What the elite wants is some kind of aesthetics, which they are unable to persuade the political class to execute" - Manu Joseph, author, Why The Poor Don't Kill Us; The Psychology of Indians talks to Manjula Narayan about urban chaos, poverty being relative, and why intellectuals are invariably wrong Learn more about your ad choices. Visit megaphone.fm/adchoices
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    47 分
  • Of Hawa Hawai and writing for his life

    Of Hawa Hawai and writing for his life
    2025/08/15
    "People know about what sometimes happens to girls growing up in the kotha; but no one knows what happens to boys. Nobody's written about it as such so I thought I might as well do it. A kotha for tawaifs is not a place for sex work. There aren't really any pimps. If they turn up at the gates in the evening it's to usher in patrons for the song and dance, the entertainment, not for soliciting sex. The kotha is run entirely by women. As they know the world outside, they know how to protect their young ones. It is a protective bubble. But then, you grow up and see that the world is not as kind as your mother who is doing so much to keep you away from those elements. My mother would not dance in front of me because she did not want me to be influenced by her art. She wanted me to focus on my studies. So I used Sridevi on television to be my role model, to teach me the dance that my mother was denying me because she wanted a better life for me. Whether it was being the naagin from Nagina or thunder thighs in Tohfa, back then, Sridevi was everywhere. I looked at her and said she's my guru, my masterni, my mother! Even now, there isn't a day when I don't think of Sridevi. The tawaifs enjoyed my performances and clapped when I danced but it was different at boarding school, being a queer schoolboy. But education gave me the voice of privilege that I didn't have. Now, I'm lucky that my profession became my therapy. Writing healed me"- Manish Gaekwad, author, Nautch Boy; A Memoir of My Life in the Kothas, talks to Manjula Narayan about growing up surrounded by courtesans, unlearning the false sense of privilege he picked up at boarding school, and the power of writing Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分