Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, has had a monumental week, continuing to make waves both in Puerto Rico and around the globe. Just days ago, he concluded his record-breaking first-ever concert residency in Puerto Rico, titled No Me Quiero Ir de Aquí, which ran from July 11 to September 20 at the José Miguel Agrelot Coliseum in San Juan. Over 31 nights, he transformed “El Choliseo” into a temple of nostalgia and cultural celebration, with every show highlighting music from his highly-praised sixth album, Debí Tirar Más Fotos.
Fans saw surprise guest appearances from legendary and rising stars alike, including Gilberto Santa Rosa, Young Miko, Tainy, Farruko, Arcángel, Yandel, Sech, Residente, and Mora. Each night’s setlist evolved, weaving in traditional Puerto Rican genres like plena, bomba, and salsa, all fused with his signature modern reggaeton and trap sound. Notably, the final bonus show, “Una Más,” on September 20 was livestreamed worldwide on Amazon Prime Music, Prime Video, and Twitch, making history by tying the concert to the eighth anniversary of Hurricane Maria, adding emotional weight and a message of resilience to already electrified performances.
His new album, Debí Tirar Más Fotos, which dropped in January right before Three Kings Day, continues to dominate conversations months later. The record’s 17 tracks, including viral sensations like DtMF and TURiSTA, have become generational anthems about nostalgia, the shifting identity of Puerto Rico, and cherishing fleeting moments. The accompanying short film for the album, featuring poignant storytelling by acclaimed Puerto Rican filmmaker Jacobo Morales, deepened listeners’ emotional connections. The album cover itself, with its iconic empty monobloc chairs, has sparked interpretation and discussion about lost memories and evolving culture across social media.
Tracks like DtMF, now boasting over a billion Spotify streams, fuel a viral TikTok trend in which users share reflective slideshows of loved ones and old haunts with the chorus “I should have taken more photos while I had you” as the soundtrack. According to Nique.net, Debí Tirar Más Fotos is also being studied at Emory and Yale University for its impact on Puerto Rican society and economy, due in part to Bad Bunny’s drawing an estimated $200 million in economic activity to the island through his long series of residency and festival shows.
This week also saw continued buzz from his surprise holiday single, Pitorro de Coco, a melancholic heartbreak anthem named after the iconic Puerto Rican rum, which was released alongside the album announcement. Bad Bunny’s influence outside of music was also on full display as snippets from his cameo in the trailer for the upcoming Adam Sandler film Happy Gilmore 2 circulated widely. Further cementing his status as a global superstar, Billboard and Pollstar reports show his “Most Wanted Tour” is the seventh highest-grossing tour of 2024, pulling in over $210 million.
Listeners can expect even more as Bad Bunny has already teased new music to come, with fans speculating about collaborations and directions for his evolving sound. As the year enters its final stretch, the impact, artistry, and cultural significance of Bad Bunny show no sign of slowing.
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