(S4- Ep 28) The Rolling Stones- Their Satanic Majesties Request (Decca)

Released December 8, 1967, Recorded between February 9-October 23, 1967

Their Satanic Majesties Request (1967) is The Rolling Stones’ most adventurous and experimental album, showcasing their willingness to explore new musical landscapes. Embracing the psychedelic spirit of the late 1960s, the band incorporated unconventional instrumentation—such as the Mellotron, dulcimer, and tabla—creating a richly textured sonic experience. Songs like “She’s a Rainbow” and “2000 Light Years from Home” highlight the group’s flair for melody and atmosphere, while Bill Wyman’s “In Another Land” adds a unique and playful touch. The 3D lenticular cover art, designed by Michael Cooper, captures the album’s vibrant, otherworldly tone. With contributions from notable collaborators like John Paul Jones and even uncredited vocals by Lennon and McCartney, the record stands as a collaborative and stylistic milestone. Their Satanic Majesties Request captures a moment of bold creativity in the Stones’ career, offering a colorful, immersive journey that continues to intrigue and inspire listeners decades later.

Signature Tracks: "She's A Rainbow," "In Another Land," "2000 Light Years From Home"

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(S4 Ep 27) The Jimi Hendrix Experience Axis: Bold as Love

Released December 1967 and recorded mostly May -June 1967 (Reprise in the USA and Polydor in the UK)

Axis: Bold As Love is the Jimi Hendrix Experience’s pivotal second album. Produced by Chas Chandler and engineered by Eddie Kramer, it arrived just seven months after Are You Experienced, showcasing Hendrix’s rapid artistic growth. The album bridges raw psychedelia and the jazz-inflected soul of Electric Ladyland, with standout tracks like “Little Wing,” “Spanish Castle Magic,” and the epic closer “Bold as Love.” Studio innovations—including stereo panning, backward guitar, and flanging—are evident on tracks like “EXP.” Though less commercially successful than its predecessor, Axis is now hailed as a masterpiece. Hendrix's lyrical introspection, technical guitar wizardry, and the trio’s cohesive interplay marked a new direction for rock. The album’s blend of soul, blues, and psychedelia cements Hendrix as one of the most innovative artists of the 1960s, rivaled only by The Beatles.

Signature Tracks: "Little Wing," "Castles Made of Sand," "Bold As Love"

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(S4 Ep 26) The Beatles -Magical Mystery Tour

Released in the US on November 27, 1967, In the UK in December 1967, Recorded April 25 - November 1969 (Parlophone/Capitol)

Magical Mystery Tour, released in 1967, is one of The Beatles’ most experimental and imaginative records. Originally a UK double EP tied to their film of the same name, the U.S. version expanded it into a full album by adding iconic singles like “Strawberry Fields Forever” and “Penny Lane.” The record blends psychedelic rock, orchestral pop, and surrealism, continuing the innovative spirit of Sgt. Pepper. Highlights include Lennon’s dreamlike “I Am the Walrus,” McCartney’s nostalgic “The Fool on the Hill,” and Harrison’s hypnotic “Blue Jay Way.” Though initially met with mixed reactions, especially due to the film’s confusing TV debut, the album has since gained recognition for its influence, particularly on the evolution of music videos. It also marked the debut of Apple Corps branding. With vivid songwriting, genre fusion, and rich instrumentation, Magical Mystery Tour captures The Beatles at their creative peak, offering a colorful and surreal snapshot of late-’60s pop experimentation.

Signature Songs: "Hello, Goodbye", "Strawberry Fields Forever", "All You Need Is Love"

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Pasquale Grasso, an Italian-born jazz guitarist, is celebrated for his virtuosic technique and deep bebop roots. Grasso has captivated jazz audiences worldwide by blending intricate harmonies with a clean, classic tone. Legendary guitarist Pat Metheny praised him in Vintage Guitar magazine, stating, “The best guitar player I’ve heard in my entire life is floating around now, Pasquale Grasso.” This acclaim reflects Grasso’s artistry, showcased on his trio album Fervency (Sony Music Masterworks), which features bassist Ari Roland and drummer Keith Balla. A protégé of Barry Harris, Grasso developed perfect pitch and began playing by ear at a young age. George Benson, Charlie Christian, and Bud Powell influenced him, and he refined his craft in Italy before relocating to New York at the age of 19. In addition to solo work, he collaborates with Grammy-winning vocalist Samara Joy. Named DownBeat’s 2024 Rising Star Guitarist of the Year, Grasso continues to shape modern jazz with reverence for its traditions.

(S4 Ep25) The Doors - Strange Days

Released September 25, 1967, Recorded between May-August 1967 (Elektra)

Strange Days, The Doors’ ambitious sophomore album, blends dark, poetic themes with groundbreaking production. Opening with the eerie Moog-driven title track—one of rock’s earliest uses of the synthesizer—the album dives into surrealism, alienation, and existential dread. Highlights include hits like “People Are Strange” and “Love Me Two Times,” the experimental “Horse Latitudes,” and the 11-minute epic “When the Music’s Over.” Jim Morrison’s lyrics, often lifted from his notebooks, showcase a maturing vocal performance. At the same time, Ray Manzarek’s keyboards, Robby Krieger’s inventive guitar, and John Densmore’s jazz-inflected drumming create a rich sonic palette. Despite a mixed initial reception, Strange Days is now regarded as a milestone in psychedelic rock, influencing subsequent genres such as gothic and post-punk. The album’s avant-garde cover, atmospheric production by Bruce Botnick, and dense, evocative songwriting confirm The Doors as one of America’s most innovative 1960s bands, far more than just Morrison’s myth.

Signature Songs: "Love Me Two Times," "People Are Strange," "When The Music's Over"

Full Album: YouTube Spotify

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(S4 EP23) Moody Blues - “Days of Future Past” (Derem Records)

Released November 17, 1967. Recorded May 9-Nov 3, 1967

Days of Future Passed (1967) by The Moody Blues is a landmark concept album that fused rock with orchestral music, marking a pivotal moment in the evolution of progressive rock. Initially commissioned by Decca Records to showcase stereo sound with a rock adaptation of Dvořák’s New World Symphony, the band instead created an original work that follows a symbolic day from dawn to night. Featuring the London Festival Orchestra and pioneering use of the Mellotron by Mike Pinder, the album blends lush orchestration with introspective songwriting. Highlights include Justin Hayward’s “Nights in White Satin” and “Tuesday Afternoon,” both emotionally resonant and enduringly popular. The album's innovative structure, poetic lyrics, and seamless integration of classical elements redefined the LP as an artistic format. Days of Future Passed remains a foundational piece in the history of progressive music, influencing bands like Genesis and Yes, while solidifying The Moody Blues’ legacy as sonic visionaries.

Signature Songs: "Dawn: Dawn is A Feeling", "The Afternoon: Forever Afternoon" "The Night: Nights In White Satin"

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(S4 Ep22) Cream - Disreali Gears (Reaction Records)

Released November 2, 1967, Recorded May 11-15 (1967)

Released in November 1967, Disraeli Gears marked a pivotal moment in Cream’s evolution from a blues-based trio to psychedelic rock pioneers. Recorded in just three and a half days at Atlantic Studios in New York, the album blends surreal lyrics, experimental sounds, and distorted guitar tones into a cohesive and groundbreaking work. Produced by Felix Pappalardi (from Mountain), the record features standout tracks like “Sunshine of Your Love,” with its iconic bass riff, and “Tales of Brave Ulysses,” one of the first songs to feature a wah-wah pedal. The album was a commercial breakthrough, reaching No. 5 in the UK and No. 4 in the U.S., eventually selling over 6.8 million copies worldwide. Its vibrant, psychedelic cover art by Martin Sharp became as iconic as the music itself. Tracks like “Dance the Night Away” and “SWLABR” highlighted the band’s willingness to experiment, while “Outside Woman Blues” and “Take It Back” maintained their blues roots. The synergy of Eric Clapton’s innovative guitar work, Jack Bruce’s powerful vocals and bass, and Ginger Baker’s inventive drumming made Disraeli Gears a defining album of the era. Its legacy is a cornerstone of psychedelic rock and a testament to Cream’s lasting impact on modern music.

Signature Song "Strange Brew." "Sunshine of Your Love," Tales of Brave Ulysses

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(S4 EP 21) Wayne Shorter’s -Apple Apple (Blue Note)

Released October 1967 - Recorded February 3 and 24, 1966

Wayne Shorter’s Adam’s Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock’s intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam’s Apple is one of the finest examples of mid-’60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter’s catalog and the post-bop era..

Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"

Full Album: YouTube Spotify

Playlist: YouTube