『#161 From Nonfiction to Paranormal Women’s Fiction: Genre-Switching and the Freedom of Self-Publishing with Olga Mecking』のカバーアート

#161 From Nonfiction to Paranormal Women’s Fiction: Genre-Switching and the Freedom of Self-Publishing with Olga Mecking

#161 From Nonfiction to Paranormal Women’s Fiction: Genre-Switching and the Freedom of Self-Publishing with Olga Mecking

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 Can nonfiction writers reinvent themselves as novelists? NIksen author Olga Mecking proves it’s possible—with a new series that blends Dutch folklore, female power, and the freedom of self-publishing. Estelle Erasmus is joined by Olga Mecking, a writer, journalist and occasional translator. Originally from Poland, she now lives with her German husband and three multilingual children in the Netherlands. She has written for The New York Times, The Washington Post, The Atlantic, The Guardian and the BBC, among others. The US edition of her book, NIKSEN. EMBRACING THE DUTCH ART OF DOING NOTHING was published in 2021 by Houghton Mifflin Harcourt. NIKSEN has also appeared in 14 languages and several countries around the world. When not writing or thinking about writing, Olga can be found reading books, drinking tea, and doing nothing. In this episode: Defining Paranormal Women’s Fiction and why midlife heroines matter. [2:20] World-building from reality (the Netherlands) + clear rules of magic. [5:43] Designing a series to avoid continuity traps (time jumps = sanity). [7:42] The self-pub learning curve: covers, formatting, and launch pacing. [10:10] A scene-by-scene method: every scene has an event → reaction → decision that drives the next scene. [16:17] Watch on YouTube: https://youtu.be/zX83GnRBR-Y Connect with Olga: Substack: https://substack.com/@olgamecking?utm_source=user-menu Instagram: https://instagram.com/olgamecking Get More from Estelle: Webinar Register for a free online Editor-on-Call NYU event on October 29th: Inside Slate an Unfiltered Conversation with Senior Editor, Rebecca Onion.https://events.nyu.edu/event/368190-editor-on-call-inside-slate-an-unfiltered. New Substack post: Why Every Memoir Needs the “Echo Effect”. https://estelleserasmus.substack.com/p/why-every-memoir-needs-the-echo-effect 🎤 TEDx Talk: How to Get Noticed in Your Writing and Beyond Estelle blends personal storytelling with actionable strategies for standing out—starting with a chaotic moment involving Thomas the Tank Engine. 📺 Watch, comment, and share 📬 Newsletter + FREE Pitching Guide Find out more about this episode and get Estelle’s free pitching guide when you sign up for her newsletter: https://estelleserasmus.com/podcast About Estelle: Estelle Erasmus is an award-winning journalist, author of Writing That Gets Noticed (named a “Best Book for Writers” by Poets & Writers), and host of Freelance Writing Direct—2025 Podcast of the Year (Education), American Writing Awards. A Contributing Editor for Writer’s Digest and adjunct professor at NYU, her work has appeared in The New York Times, The Washington Post, WIRED, PBS/Next Avenue, The Independent, and AARP: The Magazine. She’s served as editor-in-chief of five national magazines. Explore More: 📘 Writing That Gets Noticed – Buy the book | Audiobook 📰 Subscribe on Substack: https://estelleserasmus.substack.com Latest posts: “Why Every Memoir Needs the “Echo Effect”. When Writers Are the Ones Blocking the Page: 6 Ways to Move Forward (and An Offer); “How to Get Published in Cosmopolitan or Seventeen” 🎧 More episodes: Freelance Writing Direct Podcast Read Estelle’s latest article How to Use the Internet to Become Your Own Private Investigator (Next Avenue/PBS) Follow Estelle: Instagram: @EstelleSErasmus TikTok: @EstelleSErasmus Twitter: @EstelleSErasmus BlueSky: @estelleserasmus.bsky.social
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