• 114: Edward Carey (Edith Holler)

  • 2025/01/27
  • 再生時間： 52 分
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114: Edward Carey (Edith Holler)

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  • Charlie and Edward Carey (Edith Holler) talk at length about the arts and the theatre in the context of his book and in general. They also talk about Norwich as Edward's book is his love letter to the city. Please note there is a mild swear word in this episode. A transcript is available on my site General references: Edward's previous episode on this podcast is number 52 Wikipedia's article on Norwich Robert Louis Stevenson's essay on toy theatres is called A Penny Plain And Twopence Coloured and is available on Project Gutenberg The downloadable theatre on Edward's website (scroll down, on the left) Luigi Pirandello's Six Characters In Search Of An Author My episode with Melissa Fu is number 59 Books mentioned by name or extensively: Edward Carey: Edith Holler Gaston Le Roux: The Phantom Of The Opera Jeanette Winterson: The Passion Julian Of Norwich: Revelations Of Divine Love Robert Louis Stevenson: Memories And Portraits Xavier de Maistre: Voyage Around My Room Buy the books: UK || USA Release details: recorded 2nd September 2024; published 27th January 2025 Where to find Edward online: Website || Twitter || Facebook || Instagram Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:29 The starting point of Edith Holler - lockdown, not being able to go to the theatre, and Brexit. We then move on to the fictional missing children in the book 05:22 Norwich as both a location and inspiration 12:01 Further notes on creating Edith herself, and then we discuss interpretations 18:41 More on the drawings and card theatre 21:05 The other characters 25:10 The Iron Curtain that separates theatre crew and theatre goers 29:01 The language of the novel 30:37 Was there something in particular that lead to you setting the book in the Edwardian period? 33:23 Being in Edith's head 34:27 Beetle Spread! 38:30 Did you ever consider having Edith leave the theatre? 39:20 The undercrofts and the importance of moving the story underground. We then continue on to discuss further theatrical influences on both the novel and ourselves 47:12 The photograph of a woman at the very end of the book 48:59 Edward explains why he won't tell us about what he's currently working on Photo credit: Elizabeth McCracken Disclosure: If you buy books linked to my site, I may earn a commission from Bookshop.org, whose fees support independent bookshops
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Charlie and Edward Carey (Edith Holler) talk at length about the arts and the theatre in the context of his book and in general. They also talk about Norwich as Edward's book is his love letter to the city. Please note there is a mild swear word in this episode. A transcript is available on my site General references: Edward's previous episode on this podcast is number 52 Wikipedia's article on Norwich Robert Louis Stevenson's essay on toy theatres is called A Penny Plain And Twopence Coloured and is available on Project Gutenberg The downloadable theatre on Edward's website (scroll down, on the left) Luigi Pirandello's Six Characters In Search Of An Author My episode with Melissa Fu is number 59 Books mentioned by name or extensively: Edward Carey: Edith Holler Gaston Le Roux: The Phantom Of The Opera Jeanette Winterson: The Passion Julian Of Norwich: Revelations Of Divine Love Robert Louis Stevenson: Memories And Portraits Xavier de Maistre: Voyage Around My Room Buy the books: UK || USA Release details: recorded 2nd September 2024; published 27th January 2025 Where to find Edward online: Website || Twitter || Facebook || Instagram Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:29 The starting point of Edith Holler - lockdown, not being able to go to the theatre, and Brexit. We then move on to the fictional missing children in the book 05:22 Norwich as both a location and inspiration 12:01 Further notes on creating Edith herself, and then we discuss interpretations 18:41 More on the drawings and card theatre 21:05 The other characters 25:10 The Iron Curtain that separates theatre crew and theatre goers 29:01 The language of the novel 30:37 Was there something in particular that lead to you setting the book in the Edwardian period? 33:23 Being in Edith's head 34:27 Beetle Spread! 38:30 Did you ever consider having Edith leave the theatre? 39:20 The undercrofts and the importance of moving the story underground. We then continue on to discuss further theatrical influences on both the novel and ourselves 47:12 The photograph of a woman at the very end of the book 48:59 Edward explains why he won't tell us about what he's currently working on Photo credit: Elizabeth McCracken Disclosure: If you buy books linked to my site, I may earn a commission from Bookshop.org, whose fees support independent bookshops
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