This chapter marks the beginning of the Count’s grand dinner at Auteuil. Bertuccio has decked out the home in preparation, save for one room, which the Count will show his guests after the food has been served. The Count sees that Lucien Debray, Chateau-Renaud, the Baron Danglars (angry from his losses on the market), Hermine Danglars, Villefort and Heloise, and Major and Andrea Cavalcanti arrive.
As in the previous scene in the theater, the narrator (and the Count) have arranged things so that all the most important characters are present in the same place. Of course, the Count has also made sure that this is not just any location, but the house in which Villefort and the Baroness Danglars had their illicit tryst many years ago.
Active Themes
Justice, Revenge, and God’s Will Theme Icon Changes of Identity and Station Theme Icon Debt and Gratitude Theme Icon
Literary Devices
Imagery

As he calls for Bertuccio, the Count reveals how these characters intertwine with the servant’s story of a Corsican vendetta. Bertuccio, shocked, sees that Hermine Danglars, the Baron’s wife, is in fact the woman with whom Villefort was having an affair, and who bore a child out of wedlock. Furthermore, Villefort is in fact still alive, which means that Bertuccio did not murder him when he stabbed him in the garden, and Andrea Cavalcanti is really Benedetto himself, Bertuccio’s adopted son who caused so much mayhem in his home life. At this, however, the Count demands that Bertuccio silently serve the dinner, betraying nothing of what he’s learned.

The Count does as he said he would do and goes on a trip to visit the telegraph operator nearby. First, he notices that the operator spends a great deal of time tending the garden at the foot of the telegraph tower. Then, when he observes the man working in the tower, he learns from the man that operators are paid very little, and that, if they make any mistakes in relaying information to the next post, they are docked a substantial amount of their next month’s pay.
The Count is especially skilled at getting people to do what he wants, by convincing them that their interests align with his own. Here, the Count demonstrates what could potentially be a reason for the operator to mind his station at all times – that he is punished if he misses a message. Then, in the next scene, the Count will make an offer that would more than compensate for any penalty the operator might suffer in this scenario.

The Count arrives, again paying a visit to Villefort and his wife. He finds them both dismayed at the idea that their daughter has been disinherited from 900,000 francs, but Villefort insists to his wife and the Count that the marriage between Valentine and Franz is to go on, and that to change it now would be to bring down rumor and scorn on Valentine’s name. Heloise notes that Noirtier, a wealthy man, is giving away money that could go to Edouard, who carries on the family name. But Villefort insists that the right course here is to ensure that Valentine and Franz marry. The Count asks why Villefort cares so much about this wedding, and Heloise notes that the D’Epinay family, who are Royalists, have had a long-standing dispute with the Noirtiers, who are Bonapartists, and that he hopes to bury this dispute with the marriage.
It is revealed why Villefort cares so much about the wedding of Franz and Valentine – he hopes to move beyond the hatreds of Royalists and Bonapartists that have existed in his family for some time. And indeed, these hatreds have existed in France for at least two generations, as the novel has demonstrated in other contexts. What was in France a problem of two different governments and approaches to democracy, becomes here a problem between two different families, which Villefort hopes to reconcile via his daughter’s marriage. Villefort has therefore taken one of the primary preoccupations of his professional life, and made it one of his personal and family life.


The Count agrees that this is the best course, then takes his leave from the Villeforts, saying that he is off to indulge a strange pastime of his—he is going to go observe a telegraph structure in Paris, a technology of which he is enamored. Before he leaves, he confirms that the Villeforts will be joining him that weekend in Auteuil, at the house of the former Saint-Merans family. Villefort expresses surprise and trepidation that the Count has bought this structure, as even his wife knows that Villefort never wanted anything to do with Auteuil. It seems clear that Villefort is somehow involved in the strange business of murder and mayhem recounted by Bertuccio some weeks ago to the Count. But Villefort swallows these objections and promises that he and his wife will be present that Saturday.