Twelfth Night
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Twelfth Night
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As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection. Olivia is also the target of two other romantic schemes. Her pompous steward, Malvolio, has persuaded himself that Olivia has fallen for him but is too diffident to reveal her passion. Her dissipated uncle, Sir Toby Belch, has plans to set up a match for her with Sir Andrew Aguecheek, a feeble-minded squire. Viola/Cesario falls in love with Orsino and Olivia with Cesario, but all of the parties are obliged to hide their feelings. Having survived the shipwreck, Sebastian now appears on the scene and contracts a secret marriage with Olivia, who believes him to be Cesario. In the final act, Viola reveals her true identity …
Featuring Emma Faye as Viola, Kendra Murray as Olivia, Cate Barratt as Sir Toby Belch, Alan Weyman as Sir Andrew Aguecheek, Lillian Rachel as Malvolio, Marty Krz as Feste and Laura Richcreek as Orsino. Also featuring the voices of Claudia Anglade, Linda Barrans, PJ Morgan, Denis Daly and John Burlinson.
Songs arranged by Alan Weyman and Marty Krz
Audio edited by Denis Daly
Text kindly provided by playshakespeare.com
(P)2023 Voices of Today批評家のレビュー
“Twelfth Night is perhaps the most graceful and harmonious comedy Shakespeare ever wrote. It is certainly that in which all the notes the poet strikes, the note of seriousness and of raillery, of passion, of tenderness, and of laughter, blend in the richest and fullest concord. It is like a symphony in which no strain can be dispensed with, or like a picture veiled in a golden haze, into which all the colours resolve themselves.”
“Romantic pathos, as in Much Ado About Nothing, is the dominant note of the main plot of Twelfth Night, but Shakespeare neutralises the tone of sadness by his mirthful portrayal of Malvolio, Sir Toby Belch, Sir Andrew Aguecheek, Fabian, the clown Feste, and Maria, all of whom are his own creations. The ludicrous gravity of Malvolio proved exceptionally popular on the stage.”