The School of Night
The dark and electrifying new novel from ‘one of the finest writers alive’ New York Times
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Rory Alexander
London. 1985. A city rife with possibility and desire. One young man who wants it all.
Kristian Hadeland, newly arrived in the city, seethes with ambition and contempt. His family in Norway never understood him; his fellow photography students bore him. But he knows he and his art are destined for more.
Then he meets Hans, an eccentric artist. Hans makes the future Kristian yearns for feel tangible. But success comes at a price. And when Kristian does the unthinkable, will he be prepared to pay it?
'A damned masterpiece' Sunday Times
'An almost dangerously immersive reading experience that will completely take over your life... utterly captivating' Martin MacInnes
'Addictive and eerie' Guardian
‘Engrossing, dark and amusing' Rachel Kushner
'Mysterious, unsettling, thought provoking, unpredictable and darkly entertaining' Colin Barrett
‘Dark and precise about the underside of human desire and connection. . . painfully funny’ Megan Nolan
© Karl Ove Knausgaard 2025 (P) Penguin Audio 2025
批評家のレビュー
There is nothing in contemporary publishing to remotely compare to Knausgaard's Morning Star series. Knausgaard has always been brilliant on families and the domestic, on the minutiae of the everyday and the quiet, lonely rituals and habits of personality. But in combining this with elements of genre and even pulp fiction - crime-thriller, horror and the occult - he has unleashed something entirely new, an antic and almost dangerously immersive reading experience that will completely take over your life. There is something obliterative about its intensity; I read hundreds of pages on a bus journey in slow-moving traffic, completely oblivious to everything around me.
The first of the series set in London, The School of Night is by turns bleak, funny and horrifying, but never less than utterly captivating. Knausgaard seems to have struck on an endlessly generative seam, resulting in an almost deranged hypergraphia, and there appears no limit to where he may take us next.