The Morningside
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The Morningside
ナレーター：
Carlotta Brentan
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ナレーター：
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Carlotta Brentan
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著者：
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Téa Obreht
このコンテンツについて
When Silvia and her mother finally land in a place called Island City, after being expelled from their ancestral home in a not-too-distant future, they end up living and working at The Morningside, a crumbling luxury tower where Silvia's aunt, Ena, serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family's past. Silvia knows almost nothing about the place she was born and spent her early years; nor does she know why she and her mother had to leave. But in Ena there is an opening: a person willing to give a young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia's lonely and impoverished reality.
Enchanted by Ena's stories, Silvia begins seeing the world with magical possibilities, and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building; she has her own elevator entrance, and only leaves to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia's mission to unravel the truth about this woman's life, and her own haunted past, may end up costing her everything.
Startling, inventive, and profoundly moving, THE MORNINGSIDE is a novel about the stories we tell, and the stories we refuse to tell, to make sense of where we came from, and who we hope we might become.©2024 Téa Obreht (P)2024 Random House Audio
批評家のレビュー
With elements of folklore and magic realism, this novel contends with interesting philosophical questions such as the relationship between superstition, guilt and grief. It is also a moving exploration of the immigrant's tale whereby the daughter must instruct her mother in their new world. An accomplished novel (Brigid O'Dea)
Magic realism and dystopian sci-fi infuse a powerfully imagined tale of exile, belonging and, ultimately, hope (Hephzibah Anderson)
Dystopian fiction at its most unnervingly captivating - submerged highways, tree-colonised train tracks, wheeling flocks of urban cranes. But this is also an increasingly serious look at the future, both unimaginable and all too near at hand, where reasons to be hopeful are hard to come by - and yet where humanity continues to find a way (Stephanie Cross)
This novel is an ingenious, inventive coming-of-age story. Very moving with a mystery at its heart (Adele Parks)
I marveled at the subtle beauty and precision of Obreht's prose. . . Read in the context of today's conflicts and injustices, climate emergencies, and political and racial divisions - together more dystopian than any dystopian novel - the book surprised me most with its undercurrent of hope (Jessamine Chan, author of The School for Good Mothers)
The Morningside is like nothing I've read - at once playful and profound, harrowing and tender, a sparklingly original story of coming of age in a broken world (Karen Thompson Walker, author of The Dreamers)
Imagine a Ballardian dystopia injected with a double dose of magic realism, so that the pages seem to glow. . . . An ideal novel in which all is invented and everything is true. I loved it (Ed Park, author of Same Bed Different Dreams)
Obreht is such an expert and generous storyteller, infusing The Morningside with the pleasures of folklore and fairy tale while simultaneously diving deep into the silences and irreconcilable contradictions in the stories we inherit about the past (Karen Russell, author of Orange World and Other Stories)
Fresh and immensely gripping, The Morningside is a rich saga of migration and the search for belonging, bravely imagining our capacity for survival and love in an uncertain future. . . . A stunning achievement (Claire Vaye Watkins, author of I Love You But I've Chosen Darkness)
I marveled at the subtle beauty and precision of Obreht's prose. . . Read in the context of today's conflicts and injustices, climate emergencies, and political and racial divisions-together more dystopian than any dystopian novel-the book surprised me most with its undercurrent of hope (Jessamine Chan, author of The School for Good Mothers)