『The Kid』のカバーアート

The Kid

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The Kid

著者: Sapphire
ナレーター: Sapphire
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このコンテンツについて

Fifteen years after the publication of Push, one year after the Academy Award-winning film adaptation, Sapphire gives voice to Precious's son, Abdul.

In The Kid bestselling author Sapphire tells the electrifying story of Abdul Jones, the son of Push's unforgettable heroine, Precious.

A story of body and spirit, rooted in the hungers of flesh and of the soul, The Kid brings us deep into the interior life of Abdul Jones. We meet him at age nine, on the day of his mother's funeral. Left alone to navigate a world in which love and hate sometimes hideously masquerade, forced to confront unspeakable violence, his history, and the dark corners of his own heart, Abdul claws his way toward adulthood and toward an identity he can stand behind.

In a generational story that moves with the speed of thought from a Mississippi dirt farm to Harlem in its heyday; from a troubled Catholic orphanage to downtown artist's lofts, The Kid tells of a twenty- first-century young man's fight to find a way toward the future. A testament to the ferocity of the human spirit and the deep nourishing power of love and of art, The Kid chronicles a young man about to take flight. In the intimate, terrifying, and deeply alive story of Abdul's journey, we are witness to an artist's birth by fire.

アフリカ系アメリカ人 大衆小説 成長 文芸小説

批評家のレビュー

“[P]owerful… affecting and harrowing.”—Michiko Kakutani, The New York Times

“A devastating voice, demanding and raw . . . an accomplished work of art.”—The Los Angeles Times

“The breathtaking velocity and visceral power of her prose soars off the page…The Kid gives us a story and a narrative voice which, like his mother’s before him, should definitely be heard.”—The Guardian (UK)

“[Sapphire] remains fearlessly committed to telling uncomfortable truths… Like Push, The Kid is deeply moving and unflinching.”—Essence

The Kid’s unflinching authenticity makes it tough yet ultimately rewarding to read.”—People

"Steely-eyed, full-frontal daring."—Philadelphia Inquirer
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