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The Heart and Other Monsters
- A Memoir
- ナレーター： Marina Pratt
- 再生時間： 4 時間 6 分
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The Heart and Other Monsters
批評家のレビュー
"Impossible to put down. It haunts me still." (Alex Marzano-Lesnevich, author of The Fact of a Body: A Murder and a Memoir)
"Visceral [...] Part story of America’s opioid crisis, part grief memoir, and part tale of a possible murder, Andersen’s deeply personal book roils with anger and empathy that, at its very heart, is a lament for the profound hole left in the wake of a sister’s tragic death." (The Daily Beast, 'Best Summer Reads')
"Combining the agonizing emotional intensity typical of narratives about losing a sibling with the memoiristic style of a murder investigation successfully complicates the reading experience. A literary grief memoir combined with a skillfully unfolded murder mystery." (Kirkus, starred review)
あらすじ・解説
Bloomsbury presents The Heart and Other Monsters by Rose Andersen, read by Marina Pratt.
A riveting, deeply personal exploration of the opioid crisis - an empathic memoir infused with hints of true crime.
In November 2013, Rose Andersen’s younger sister Sarah died of an overdose in the bathroom of her boyfriend’s home in a small town with one of the highest rates of opioid use in the state. Like too many of her generation, she had become addicted to heroin. Sarah was 24 years old.
To imagine her way into Sarah’s life and her choices, Rose revisits their volatile childhood, marked by their stepfather’s omnipresent rage. As the dysfunction comes into focus, so does a broader picture of the opioid crisis and the drug rehabilitation industry in small towns across America. And when Rose learns from the coroner that Sarah’s cause of death was a methamphetamine overdose, the story takes a wildly unexpected turn.
As Andersen sifts through her sister’s last days, we come to recognize the contours of grief and its aftermath: the psychic shattering which can turn to anger, the pursuit of an ever-elusive verdict, and the intensely personal rites of imagination and art needed to actually move on.
Reminiscent of Alex Marzano-Lesnevich’s The Fact of a Body, Maggie Nelson’s Jane: A Murder, and Lacy M. Johnson’s The Other Side, Andersen’s debut is a potent, profoundly original journey into and out of loss.