The Great Movies II
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ナレーター:
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Jonathan Todd Ross
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著者:
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Roger Ebert
このコンテンツについて
Films featured in The Great Movies II
12 Angry Men · The Adventures of Robin Hood · Alien · Amadeus · Amarcord · Annie Hall · Au Hasard, Balthazar · The Bank Dick · Beat the Devil · Being There · The Big Heat · The Birth of a Nation · The Blue Kite · Bob le Flambeur · Breathless · The Bridge on the River Kwai · Bring Me the Head of Alfredo García · Buster Keaton · Children of Paradise · A Christmas Story · The Color Purple · The Conversation · Cries and Whispers · The Discreet Charm of the Bourgeoisie · Don’t Look Now · The Earrings of Madame de . . . · The Fall of the House of Usher · The Firemen’s Ball · Five Easy Pieces · Goldfinger · The Good, the Bad and the Ugly · Goodfellas · The Gospel According to Matthew · The Grapes of Wrath · Grave of the Fireflies · Great Expectations · House of Games · The Hustler · In Cold Blood · Jaws · Jules and Jim · Kieslowski’s Three Colors Trilogy · Kind Hearts and Coronets · King Kong · The Last Laugh · Laura · Leaving Las Vegas · Le Boucher · The Leopard · The Life and Death of Colonel Blimp · The Manchurian Candidate · The Man Who Laughs · Mean Streets · Mon Oncle · Moonstruck · The Music Room · My Dinner with Andre · My Neighbor Totoro · Nights of Cabiria · One Flew Over the Cuckoo’ s Nest · Orpheus · Paris, Texas · Patton · Picnic at Hanging Rock · Planes, Trains and Automobiles · The Producers · Raiders of the Lost Ark · Raise the Red Lantern · Ran · Rashomon · Rear Window · Rififi · The Right Stuff · Romeo and Juliet · The Rules of the Game · Saturday Night Fever · Say Anything · Scarface · The Searchers · Shane · Snow White and the Seven Dwarfs · Solaris · Strangers on a Train · Stroszek · A Sunday in the Country · Sunrise · A Tale of Winter · The Thin Man · This Is Spinal Tap ·Tokyo Story · Touchez Pas au Grisbi · Touch of Evil · The Treasure of the Sierra Madre · Ugetsu · Umberto D · Unforgiven · Victim · Walkabout · West Side Story · Yankee Doodle Dandy
批評家のレビュー
“Ebert’s enthusiasm and . . . straightforward prose are ideal for examining films . . . You remember why he’s the only film critic ever to win the Pulitzer Prize.” —New York Post
“[T]hese pieces reflect Ebert’s long, thoughtful, informed familiarity with these films. His impeccable credentials as an accessible populist encourage thinking that his recommendations . . . may be taken to heart by mainstream moviegoers who avidly follow his newspaper and TV reviews.” —Booklist
“An appreciation of the greatest movies by the greatest movie enthusiast . . . I read this book with pleasure, enlightenment, and a desire to see many of the movies again, because I had missed what Roger saw.” —Paul Theroux
“[T]hese pieces reflect Ebert’s long, thoughtful, informed familiarity with these films. His impeccable credentials as an accessible populist encourage thinking that his recommendations . . . may be taken to heart by mainstream moviegoers who avidly follow his newspaper and TV reviews.” —Booklist
“An appreciation of the greatest movies by the greatest movie enthusiast . . . I read this book with pleasure, enlightenment, and a desire to see many of the movies again, because I had missed what Roger saw.” —Paul Theroux
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