
The City and Its Uncertain Walls
A Novel
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ナレーター:
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Brian Nishii
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NEW YORK TIMES BESTSELLER • A GLOBE AND MAIL BEST BOOK OF THE YEAR • A REAL SIMPLE BEST BOOK OF THE YEAR • NEW YORK TIMES BESTSELLER
From the author of Norwegian Wood and Hard-Boiled Wonderland and the End of the World comes a love story, a quest, an ode to books and to the libraries that house them, and a parable for our peculiar times.
"Haruki Murakami invented 21st-century fiction." —The New York Times • "More than any author since Kafka, Murakami appreciates the genuine strangeness of our real world." —San Francisco Chronicle • "Murakami is masterful." —Los Angeles Times
When a young man’s girlfriend mysteriously vanishes, he is heartbroken – and determined to find the imaginary town where he suspects she has taken up residence. Thus begins a lifelong search that takes the man into middle age, to a job in a remote library with mysteries of its own, and on a journey between the real world and this otherworld: a shadowless city where unicorns roam and willow trees grow.
There he finds his beloved working in a different library – a dream library. But she has no memory of their life together and, as the seasons pass and the man grows more uncertain about the porous boundaries between these two worlds, he must decide what he is willing to lose.
A love story, a quest, an ode to books and to the libraries that house them, The City and Its Uncertain Walls is a parable for these strange times– and singular and towering achievement by one of modern literature’s most important writers.
"Truth is not found in fixed stillness, but in ceaseless change/movement. Isn't this the quintessential core of what stories are all about?” —Haruki Murakami, from the afterword
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批評家のレビュー
“It is with unabashed joy that I am here to report: The City and Its Uncertain Walls, Murakami’s first novel in six years, is also one of his best. It feels at once sweeping and intimate, grand and tender, quiet and charged with feeling. The City and Its Uncertain Walls is a paean to books, reading, and libraries, an investigation into the relationship between romance and realism, and a timely fable about how relationships, societies, and communities both protect themselves against threats and foster beauty and truth.”—Priscilla Gilman, Boston Globe
“Spellbinding. . . . [An] oddly irresistible fable. . . . [The] eerie landscape of snows, forests and torrents is beautifully evoked as Mr. Murakami the seasoned storyteller of loss, loneliness and passing time takes charge. The action dawdles, then leaps, with a trademark blend of soap opera and sublimity. In deadpan, slow-burn, quietly hypnotic prose, delicately conveyed in Mr. Gabriel’s translation, our narrator settles into a becalmed life as guardian of the small-town library stacks. . . . Mr. Murakami understands these parallel territories of the mind not simply as escapism but as a precious refuge for those who ‘had never put down roots in this world.’ He conjures the charm, and also the harm, of all-consuming obsessions. In the perfect walled town, no cats prowl, because ‘nothing unneeded’ can exist there.”—Boyd Tonkin, The Wall Street Journal
“[Murakami’s] imagination is one of a kind, and his blend of pop culture, postmodernism and Japanese mythology is a wholly unique contribution to literature.”—Jonathan Russell Clark, The Washington Post