『Kill Orbit』のカバーアート

Kill Orbit

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Kill Orbit

著者: Joel Dane
ナレーター: David Shih
¥1,750で会員登録し購入

30日間の無料体験後は月額¥1500で自動更新します。いつでも退会できます。

¥2,500 で購入

¥2,500 で購入

このコンテンツについて

A hostile fleet. A planet killer. And one shot to make it right.

In this gripping new military science-fiction novel, a battle-tested infantry squad pursues an inhuman enemy into the vacuum of space.


Maseo Kaytu's squad is yanked from a much-deserved furlough by an emergency deployment off-planet. But why is Command sending grunts into the "Big Empty"? Without CAVs, without backup--hell, without gravity--the squad is more vulnerable than ever. Tasked with a mission that only they can complete, they track the enemy across the killing vastness of space, from a bizarre interplanetary warehouse to the hidden heart of a research habitation...and beyond.

But the enemy is tracking them, too. Scanning, calculating, preparing. Kaytu joined the military to redeem the bad choices of his past, yet now--trapped in hostile territory--he learns that soldiers face the hardest choices of all.
SF ファンタジー 冒険 大衆小説 戦争・軍事 軍事

批評家のレビュー

Praise for Joel Dane

"I picked it up, I started reading. I kept reading. This is that kind of book, intense, involving, with intriguing world development. Recommended. Joel Dane is a writer to watch."--C.J. Cherryh, author of the Foreigner series

"Joel Dane's Cry Pilot is a hyperkinetic and unflinching battle narrative that never loses sight of the truth of being a soldier: the squad comes before all else. Told with momentum and immediacy, Cry Pilot is authentic, exciting, and excellent." --Marko Kloos, author of Terms of Enlistment

"In Cry Pilot, Joel Dane has imagined a fascinating high-tech future Earth where ecological collapse and runaway evolution have conspired to create enemies no army has ever encountered before. Told through the eyes of a young soldier seeking to escape a grim past, the action-packed plot holds tight to a human dimension."--Linda Nagata, author of The Red Trilogy

“Awesome read! The language takes you into the world of the story. The first-person voice invites you to internalise the world of the character, a time and place strangely prescient. Joel Dane has created a uniquely familiar world reminiscent of the Mesozoic Era of large predators, only in the future. I look forward to seeing what he writes next.” – Nico Lathouris, screenwriter, Mad Max: Fury Road
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