『Games without Rules』のカバーアート

Games without Rules

The Often-Interrupted History of Afghanistan

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期間限定:2026年10月19日(日本時間)に終了
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Games without Rules

著者: Tamim Ansary
ナレーター: Tamim Ansary
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Today, most Westerners still see the war in Afghanistan as a contest between democracy and Islamist fanaticism. That war is real, but it sits atop an older struggle between Kabul and the countryside, between order and chaos, between a modernist impulse to join the world and the pull of an older Afghanistan—a tribal universe of village republics permeated by Islam.

Now, Tamim Ansary draws on his Afghan background, Muslim roots, and Western and Afghan sources to explain history from the inside out and illuminate the long, internal struggle that the outside world has never fully understood. It is the story of a nation struggling to take form, a nation undermined by its own demons while, every forty to sixty years, a great power crashes in and disrupts whatever progress has been made. Told in conversational, storytelling style and focusing on key events and personalities, Games without Rules provides revelatory insight into a country at the center of political debate.

©2012 Tamim Ansary (P)2012 Blackstone Audio, Inc.
アジア 世界 中央アジア 中東
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批評家のレビュー

“In Games without Rules, Tamim Ansary has written the most engaging, accessible and insightful history of Afghanistan. With gifted prose and revealing details, Ansary gives us the oft-neglected Afghan perspective of the wars, foreign meddling, and palace intrigue that has defined the past few centuries between the Indus and Oxus. This brilliant book should be required reading for anyone involved in the current war there—and anyone who wants to understand why Afghanistan will not be at peace anytime soon.”

(Rajiv Chandrasekaran, author of Little America: The War within the War for Afghanistan)

“A breezy, accessible overview of centuries of messy Afghan history, including the present military quagmire…Lively instruction on how Afghanistan has coped, and continues to cope, with being a strategic flash point.”

(Kirkus Reviews)
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