Desperate Networks
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30日間の無料体験を試す
期間限定
プレミアムプラン3か月
月額99円キャンペーン開催中
聴き放題対象外タイトルです。プレミアムプラン登録で、非会員価格の30％OFFで購入できます。
期間限定：2025年12月1日(日本時間)に終了
2025年12月1日までプレミアムプランが3か月 月額99円キャンペーン開催中。300円分のKindle本クーポンも。
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オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
会員登録は4か月目以降は月額1,500円で自動更新します。いつでも退会できます。
オーディオブック・ポッドキャスト・オリジナル作品など数十万以上の対象作品が聴き放題。
オーディオブックをお得な会員価格で購入できます。
30日間の無料体験後は月額￥1500で自動更新します。いつでも退会できます。
Desperate Networks
ナレーター：
Dean Olsher
￥1,700 で購入
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ナレーター：
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Dean Olsher
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著者：
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Bill Carter
このコンテンツについて
In a time of sweeping media change, the four major networks struggle for the attention of American viewers increasingly distracted by cable, video games, and the Internet. Behind boardroom doors, tempers flare in the search for hit shows, which often get on the air purely by accident.
The fierce competition creates a pressure-cooker environment where anything can happen . . .
NBC’s fall from grace—Once the undisputed king of prime time, NBC plunged from first place to last place in the ratings in the course of a single season. What will be the price of that collapse—and who will pay it?
CBS’s slow and steady race to the top—Unlike NBC, CBS, under the leadership of CEO, Leslie Moonves, engineered one of the most spectacular turnarounds in television history. But in this ruthless world, you’re only as good as last week’s ratings . . . .
ABC’s surprising resurrection—Lost and Desperate Housewives—have brought ABC the kind of success it could only dream of in the past. So why don’t the executives responsible for those hits work there any more?
The End of the News As We Know It—In a stunningly short period of time, all three of the major network news anchors—Dan Rather, Tom Brokaw, and Peter Jennings—signed off, leaving executives scrambling for a way to keep network news relevant in an era of 24/7 information.
Crazy Like Fox—They’re outrageous, unconventional, and occasionally off-putting, but more and more people are watching Fox shows. Most of all they keep watching American Idol. How did Simon Cowell snooker himself into a huge payday? Stay tuned . . .©2006 Bill Carter (P)2006 Random House, Inc. Random House Audio, a division of Random House, Inc.
批評家のレビュー
Praise for Bill Carter’s The Late Shift:
“Bill Carter has written a detailed and remarkably gripping account . . . unfailingly balanced, thoroughly researched, filled with scoops and fresh insight. It takes us deep into the bizarre high-stakes world of broadcasting . . . . A powerful story, and ultimately a sad one, filled with casualties as well as winners.”
—New York Times Book Review
“Bill Carter’s book goes behind the scenes to spin a tale of ambition and intrigue worthy of, if not Shakespeare, then at least the mighty Carson-Art Players at their ditsy, Elizabethan best.”
—Boston Globe
“In his fascinating new book, Carter [spins] a tale of passion, ambition, in-fighting, and runaway ego worthy of Shakespeare.”
—Los Angeles Times
“Page after remarkably well-reported page of why Johnny retired, how Leno ended up with the job, and who shafted Dave. If you crave this sort of inside-the-halls-of-media-power story, Carter gives you every last detail.”
—New York magazine
“Bill Carter draws a script from the turbulent world of late-night talk shows as theatrical and cautionary as any prime-time melodrama . . . [He] unearths juicy nuggets, each related with the sure, suspense evoking hand of a thriller novelist . . . . ‘A.’”
—Entertainment Weekly
“The quest to take Johnny’s place is chronicled in fascinating depth and detail by Bill Carter . . . . His story is both authoritative and definitive—a vivid, behind-the-scenes, blow-by-blow account.”
—New York Times
“Carter’s book is a definitive account of how Leno won the battle for Tonight, then lost the ratings war after Letterman moved to CBS . . . . Anyone who wants to know how the TV industry works at its highest level will find a wealth of information.”
—Philadelphia Inquirer
“Bill Carter has written a detailed and remarkably gripping account . . . unfailingly balanced, thoroughly researched, filled with scoops and fresh insight. It takes us deep into the bizarre high-stakes world of broadcasting . . . . A powerful story, and ultimately a sad one, filled with casualties as well as winners.”
—New York Times Book Review
“Bill Carter’s book goes behind the scenes to spin a tale of ambition and intrigue worthy of, if not Shakespeare, then at least the mighty Carson-Art Players at their ditsy, Elizabethan best.”
—Boston Globe
“In his fascinating new book, Carter [spins] a tale of passion, ambition, in-fighting, and runaway ego worthy of Shakespeare.”
—Los Angeles Times
“Page after remarkably well-reported page of why Johnny retired, how Leno ended up with the job, and who shafted Dave. If you crave this sort of inside-the-halls-of-media-power story, Carter gives you every last detail.”
—New York magazine
“Bill Carter draws a script from the turbulent world of late-night talk shows as theatrical and cautionary as any prime-time melodrama . . . [He] unearths juicy nuggets, each related with the sure, suspense evoking hand of a thriller novelist . . . . ‘A.’”
—Entertainment Weekly
“The quest to take Johnny’s place is chronicled in fascinating depth and detail by Bill Carter . . . . His story is both authoritative and definitive—a vivid, behind-the-scenes, blow-by-blow account.”
—New York Times
“Carter’s book is a definitive account of how Leno won the battle for Tonight, then lost the ratings war after Letterman moved to CBS . . . . Anyone who wants to know how the TV industry works at its highest level will find a wealth of information.”
—Philadelphia Inquirer
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