"What can one say about a masterpiece? Refracting and recombining Christ's journey in the Gospels with the contemporary queer experience—very often the author's own—Anthony Oliveira commingles the earthly and the divine in a deliciously daring work that defies categorization. God is love, we are told, and Dayspring celebrates and interrogates that love in all its forms, illuminating the sacred and the profane in equal measure. Bracing and breathtaking, it is a glorious gift to the soul and the senses. This is a magnificent debut!"—David Demchuk, author of Red X

“Are you ready to be saved, slain, and resurrected by the power of the written word? Are you ready to redefine the meaning of sacredness in the name of all that is queer and holy? It is time to read Dayspring by Anthony Oliveira. This incredible work of verse not only defies genre, but reinvents it entirely, bending space and time to tell the story of Jesus (as you have always imagined, but never seen Him) and the disciple He loved in poetic language that evokes all the passion of the Psalms. Astonishingly beautiful and unrepentantly sexy, this is a book that is sure to both heal and challenge its readers in all the most important ways. To open its pages is to open your heart to a vision of love that is as deeply, tragically, and courageously human as it is divine.”—Kai Cheng Thom, author of Falling Back in Love with Being Human

“Anthony Oliveira’s literary debut delivers a deluge of erotic and sensuous love that challenges our expectations of religious devotion. ‘the body is a leaky vessel’ announces the beloved disciple in a melancholic meditation on the crucifixion, and Dayspring, in all its carnality, overflows with the passion of Oliveira’s appeal for a Christian love that is unapologetically queer. In a masterful display of literary experimentation that explodes the boundary between verse and prose and that shuttles its readers between pre- and postmodernity, Dayspring highlights the eroticism of the Christian mystical tradition and, like Hadewijch, Mechthild, and Teresa before it, teaches that ecstatic love can be both joyful and excruciatingly painful, sacred and profane, human and divine.”—Kris J. Trujillo, Assistant Professor, Department of Comparative Literature and Director of Studies, Center for the Study of Gender and Sexuality, The University of Chicago