『Catching the Big Fish』のカバーアート

Catching the Big Fish

Meditation, Consciousness, and Creativity

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Catching the Big Fish

著者: David Lynch
ナレーター: David Lynch
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このコンテンツについて

In this “unexpected delight” (The Boston Globe), visionary filmmaker, musician, and actor David Lynch describes his personal methods of capturing and working with ideas, and the immense creative benefits he has experienced from the practice of meditation.

David Lynch’s Catching the Big Fish provides a rare window into the internationally acclaimed filmmaker’s methods as an artist, his personal working style, and the immense creative benefits he has experienced from the practice of meditation.

Catching the Big Fish comes as a revelation to the legion of fans who have longed to better understand Lynch’s personal vision. And it is equally compelling to those who wonder how they can nurture their own creativity.

Catching Ideas

Ideas are like fish.

If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper.

Down deep, the fish are more powerful and more pure. They’re huge and abstract. And they’re very beautiful.

I look for a certain kind of fish that is important to me, one that can translate to cinema. But there are all kinds of fish swimming down there. There are fish for business, fish for sports. There are fish for everything.

Everything, anything that is a thing, comes up from the deepest level. Modern physics calls that level the Unified Field. The more your consciousness—your awareness—is expanded, the deeper you go toward this source, and the bigger the fish you can catch.


—from Catching the Big Fish

©2006 Bobkind Inc. (P)2006 Penguin Audio, a member of Penguin Group (USA) Inc. All rights reserved.
アート エンターテインメント・有名人 エンターテインメント・舞台芸術 スピリチュアリティ 代替医療・補完医療 個人的成功 創造性 瞑想 自己啓発

批評家のレビュー

“The quirky helmer known for Boy Scout demeanor and twisted tales shares his creative vision in a surprisingly gentle tome informed by the underlying teachings of Transcendental Meditation. But don’t worry: David Lynch, one-time creator of “The Angriest Dog in the World” comic, keeps the proselytizing to a minimum. He addresses topics ranging from working with wood (for it) to director’s commentaries (against) in deceptively simple, yet ultimately affirming, chapters. There’s much for fans and aspiring filmmakers to enjoy.” (Variety)

“With this book, Lynch offers us a rare glimpse into his own head. In the process, he reveals just enough biographical information, philosophy of film, and general behind-the-scenes dirt (including the connection between Lynch's Lost Highway and O. J. Simpson)to keep the attention of those more interested in Lynch's films than in his consciousness.” (Booklist)

"Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you've got to go deeper, says David Lynch the idiosyncratic filmmaker whose creations include Eraserhead, Blue Velvet, Mulholland Drive, Inland Empire, and the cult TV classic, Twin Peaks. He claims that he has savored the pleasures of diving deep thanks to a 33-year practice of Transcendental Meditation (TM). He describes the fun of gathering what he calls 'firewood' (all kinds of ideas and things for a film), the joy he takes in seeing an aging building or a rusted bridge, and the respect he has for Fellini and Kubrick. Lynch loves making movies and diving deep, and this testament bears witness to both loves.” (Spirituality & Practice)

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