Honey
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。プレミアム会員登録で、非会員価格の30%OFFで予約注文できます。聴けるのは配信日からとなります。
¥2,400で今すぐ予約注文する
-
ナレーター:
-
著者:
-
Imani Thompson
このコンテンツについて
The killer debut novel of 2026.
'Phenomenal. The voice is utterly singular, the writing is stunning' LOUISE O'NEILL
'Wow, basically' HARRIET TYCE
'A marvel of a novel, a story that breathes beyond its pages' ORE AGBAJE-WILLIAMS
The first time, Yrsa doesn't intend to kill.
But the Cambridge professor sitting opposite has manipulated her friend, stolen her research. When she flicks the bee into his Sanpellegrino, she thinks he'll get a nasty sting.
Then he's dead. And Yrsa, who – let's face it – has been bored for a while, is alive.
It's a sweet feeling, finally having some control.
Comic, sexy, addictive, unpredictable, Honey launches an exciting new voice in fiction.
The essential next listen for fans of Butter, My Sister the Serial Killer, Such a Fun Age, Luster or Boy Parts.
©2026 Imani Thompson (P)2026 HarperCollins Publishers批評家のレビュー
'Phenomenal. The voice is utterly singular, the writing is stunning, and it's just so clever and sharp. It reminded me of Promising Young Woman (except it didn't pull *any* punches) with a touch of Such a Fun Age and Never Saw Me Coming' Louise O'Neill
'Wow, basically. It’s a cracking read, crackling with energy and wit, but full of tension and pathos, too. The writing is brilliant and, for a stone-cold killer, Yrsa is a warm and engaging protagonist. A one-sit read' Harriet Tyce
'It would feel slightly cheap or easy to call Imani Thompson’s Honey, ‘whip smart’ and ‘wildly entertaining’ because it’s so much more. It’s an incisive and very human look at the world as it is today but also as it seems always to have been. It’s a hugely talented writer examining power dynamics in various facets of society, the concept of ‘justice’ and to whom it belongs; it’s a story about the uniquely complex and frustrating intersection of race, gender and class, the equally rewarding and un-rewarding world of academia and of course, trauma. Not trauma in the exploitative way, but in the way that closes people off to others, that seeks to self-soothe and medicate, that curls in on itself in order to protect others yet never taking time to preserve itself. Honey is a marvel of a novel, a story that breathes beyond its pages, makes you laugh, makes you angry and makes you want to learn in equal measure. It’s a book that quite frankly, should be studied, as should Imani Thompson’s brain, incredible thing that it is!' Ore Agbaje-Williams, author of The Three of Us