『Post Mortem II』のカバーアート

Post Mortem II

Post Mortem II

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As the current wave of disruption, manifesting itself through various conversations about artificial intelligence swirling around us (which, from our perspective, would be better described as a »Reflective Intelligence«), builds into a cultural crescendo reminiscent of Hokusai’s Great Wave off Kanagawa. Indeed, when, as a kind of embarrassment of thought, even the leading figures in its epistemological field conjure up a dys-utopian race toward civilizational collapse (as with Geoffrey Hinton), it’s easy to overlook how the Computer’s intellectual roots in our Machine Culture date back to the 18th century. And because of this, reflecting back on Digitalisation's origins in the crackling rift of Writing’s electrification becomes even more essential. We’re pleased to share this brief conversation between us about reading between the lines regarding Electrification, Massification, and the shifting definition of Writing in the early chapters of Martin’s Short History of Digitalisation.

Hopkins Stanley and Martin Burckhardt

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