『Behind the Keyboard with Kait Ballenger』のカバーアート

Behind the Keyboard with Kait Ballenger

Behind the Keyboard with Kait Ballenger

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In this "Behind the Keyboard" interview, we get writing, publishing, and book marketing advice from traditionally-published author Kait Ballenger, author of Original Sinner and many other books.Interview TranscriptJ. G. Gates Hi and welcome to Behind the Keyboard where we explore the writing process of some of our favorite authors. Today we have Kate Ballinger with us. Kate is an award-winning author of dark romantasy and paranormal romance. She is obsessed with tales of morally gray, sometimes villainous heroes, and can't resist a spicy redemption arc. When Kate's not busy writing kinky paranormal fantasy, she can usually be found with her nose buried in someone else's naughty books. She lives in Florida's Bible Belt with her husband and two adorable sons, and she will gladly use that belt to whip you. Kate, welcome. Thank you for being here. Kait Ballenger Thanks so much for having me. J. G. Gates So let's dive right in. So my first question is kind of open-ended, deliberately tell us a little bit about your writing process. Just like walk us through what it's like for you to approach a book from beginning to end. Kait Ballenger So it's definitely changed over the course of my career. I tend to be more of like a discovery writer or a panster as some people call it. I like discovery writer because it sounds like nicer. But I will say at the beginning of my career, I would plot out bigger plot beats like before I even started, right? Looking at like what's the inciting incident turning point one, right? J. G. Gates That's true. Kait Ballenger I can go through some of the bigger story arc structure and only then would I start to put pin to page. But I've leaned into my discovery writer-ness. we have a cat appearing with us. Welcome, pet friends. But I've leaned more into this discovery writer even more as I've started. J. G. Gates Good. Embrace the cats, please. Of course. Kait Ballenger …Continuing in my career. And so for the original Sinner series specifically, this was very much a joy project for me. It was a passion project. So it just was like, I was going on vibes at the start of it. Like I had like a couple songs that were like, you know, sparking inspiration and like varying ideas for scenes. But when I sat down, I was really just kind of letting it free flow. I do tend to edit a lot as I go. So like once I drafted a scene before I move on to the next one, the following day if I come back to it I will go through and I will edit the previous scene as a means of almost getting back in the mindset of where I was previously. So there ends up being a lot of like iteration in the process even though I'm a discovery writer so my drafts really come out relatively clean at the end because I do so much editing, but it just kind of helps me get back in the mindset of where I was going with the story. But, very much a panster. J. G. Gates I love that. And it's so interesting, because I feel like that's one of the pieces of advice that you see people say is like, never edit as you go, right? Like always, like get it on paper, get the whole thing done. Don't worry about editing as you go. But I think, you know, what you're saying makes sense to like when you sit back down again, it takes a minute to get back into the world. So like, you know, why not reread that past scene, do a little revision on it, and then you're like fully back into the world to continue ahead. Kait Ballenger Exactly, , and like and I definitely do that in like chunks too because like I follow basically the W plot method and so like and I love using that and so I break the book basically into four acts and so like I Iterate the pages like as I'm writing the first act of like okay I'm editing and I'll go back to stuff that I've already edited even and kind of read through it like make little notes like as I'm going and then once I get to the end of that section and that section's polished then I go on to the next section. And I know a lot of writers definitely give that advice of like, don't edit as you go, but for me, it helps me get back in the mindset, it helps me continue on in the story, and then when I'm finished, I have a really polished draft that is like basically ready to go off to my editor. So for me, the writing would not go faster if I didn't do the editing. The editing is a part of that process. I don't know if you're familiar with Becca Syme and her Write Better Faster courses, but I always just, I trust my intuition on that. That's the way it works best for me. And so my advice to writers is always to just go with, find what works best for you, trust your intuition, because it's going to be different for every writer. J. G. Gates That's so true. There's really as many varied processes as there are writers out there, right? You mentioned the W plot method. Can you tell us what that is a little bit? Because I'm not familiar with it either. I haven't heard of that myself, so. Kait Ballenger ...
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