The Velvet Underground & Nico Album Review – Heroin, Feedback, and Bananas
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The Velvet Underground & Nico Album Review – Heroin, Feedback, and Bananas
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In this episode I dive headfirst into The Velvet Underground & Nico — the album that flipped 1960s pop on its head, shoved a banana on the cover, and whispered “I’m not like the other girls” while staring dead-eyed into the void. From the hazy bells of “Sunday Morning” to the 8-minute sonic meltdown of “European Son,” I cover every track, every squawk of feedback, every vaguely German sigh.
Is it pop music? Is it performance art? Is it just Lou Reed mumbling while a mannequin named Nico chants over a piano stuck in purgatory? Yes. Yes to all of it.
It’s a record that helped invent punk, noise rock, and possibly existential dread. I don’t always enjoy it, but I respect the hell out of it — the way you respect a raccoon that’s figured out how to open your fridge.
Press play and find out what happens when you squeeze pop music through a syringe.
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