Come (1994)
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Come (1994)
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In August 1994, Prince released Come, an album shrouded in tension, ambiguity, and rebellion. By this time, Prince had entered open conflict with Warner Bros. Records, publicly declaring that his birth name was no longer his identity and adopting the unpronounceable Love Symbol instead. He shaved the word “Slave” into his face and staged the “death of Prince” in press images, going so far as to superimpose his portrait onto a tombstone for the album’s cover art. The inscription read:
Prince, 1958–1993. May he rest in peace.
For Prince, Come was not just another release — it was a funeral. He declared it the “last Prince album,” made to fulfill a contractual obligation, even as he poured his true creative energy into the parallel project The Gold Experience. Yet dismissing Come as a throwaway would be a mistake. Beneath the shadow of label politics lies a dark, moody, and daring collection that reflects Prince at a crossroads, balancing erotic obsessions with meditations on mortality.