CAUGHT STEALING
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
CAUGHT STEALING
-
ナレーター：
-
著者：
このコンテンツについて
Today on Art of the Cut we speak with Oscar-nominated editor, Andrew Weisblum, ACE, about cutting Darren Aronofsky’s film, Caught Stealing.
Andrew’s been on Art of the Cut before to discuss The French Dispatch, Alice Through the Looking Glass, and tick, tick, BOOM! - for which he was nominated for an Oscar and won an ACE Eddie. He was also nominated for an Oscar for editing Black Swan. His other work includes Wolfs, The Whale, Mother, and Isle of Dogs.
Today’s discussion is about the value of editing on-set, the benefits of having the editor speak into the script, and the dangers of reading the source material.
If you'd like to read along with this podcast and see clips, trailers and stills from the movie, visit the Boris FX blog site:
Borisfx.com/blog/aotc