A Clergyman’s Daughter
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
プレミアムプラン4か月 月額99円キャンペーン開催中
A Clergyman’s Daughter
￥2,630 で購入
-
ナレーター：
-
Richard Brown
-
著者：
-
George Orwell
Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity. After a series of degrading adventures—picking hops in Kent, sleeping among the down-and-outers in Trafalgar Square, spending a night in jail, and teaching in a grubby day school for girls—she is rescued. But although she regains her life as a clergyman’s daughter, she has lost her faith.
©1936 the Estate of Sonia Brownell Orwell (P)1991 Blackstone Publishing批評家のレビュー
“The most sorrowfully funny piece of literature I can recall reading. The pathos of Dorothy’s life becomes so real, one loses all feeling of detachment…This is what social fiction must be––not dialectic, but idea transmuted into experience.”
(Kansas City Star)“Destined to become a classic…A beautiful example of the chilling somberness, sharp-toothed satire, and humor that were part of the Orwell genius.”
(Milwaukee Journal)“Orwell’s compassion for Dorothy Hare, ensnared by faith, birth, and gender to toil thanklessly as her minister father’s unpaid curate, is admirable, and his evocation, early in the novel, of a woman’s consciousness totally subsumed by the mostly trivial demands of others stands shoulder to shoulder with the best feminist fiction.”
(Amazon.com, editorial review)“Thanks to his masterful writing, Dorothy becomes a real person and her fate deeply significant. Richard Brown’s narration does justice to the text.”
(Library Journal)