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土地開発と不動産事業で成り上がった昭和の旧華族、烏丸家。その嫡男として生まれた治道は、多数のビルを建て、東京の景観を変えていく家業に興味が持てず、祖父の誠一郎が所有する宝刀…

Aloysius Archer er en ærlig mand, han er krigsveteran fra Anden Verdenskrig, og så er han netop blevet prøveløsladt efter at have været fængslet for en forbrydelse, han ikke havde begået. Udstyret med en lang liste med regler for prøveløsladte begynder han sit nye liv i Poca City. Han får et job som gældsinddriver for byens største forretningsmand. Men jobbet viser sig ikke at være så ligetil, som det ser ud.

When Clio – a former actress and current struggling private detective – manages to score a key role in the town’s Christmas pantomime, she’s secretly delighted. At last, perhaps, her talents will be recognized? It’s all going dramatically well, until their esteemed director is found murdered on the opening night. And Clio knows it’s up to her to find out who the mistletoe murderer is. She knows her best chance of capturing the culprit is to bring her best friends Amber and Jeanie into the cast. Even if the best way to sneak them in is to carefully conceal them both in a pantomime cow costume.

Schnell findet das Team um die Hauptkommissare Lukas Sommer und Robert Drosten heraus, dass der Maler Blut benutzt, um seine Kunstwerke zu vollenden. Unter Zeitdruck versuchen die Polizisten, eine Spur zum Blutmaler zu finden, denn er hat bereits das nächste Opfer entführt. Ohne sich gegen ihn wehren zu können, liegt eine junge Frau von der Außenwelt abgeschnitten in einem dunklen Zimmer und wartet auf ihren Peiniger.

"Ich will dich nicht töten", sagte der geheimnisvolle fremde Mann mit dem kantigen Gesicht und den tiefliegenden Augen. "Ich will nur eines. Öffne dieses Tor!" Seine Haut war grauschwarz, sein Haar schimmerte fettig, als wäre es mit Pomade eingerieben.

Detective Sergeant Tony Heaton has been living a lie for thirty years. Plagued by his failure to solve a brutal slaying in a peaceful seaside town, Tony is weeks from retirement when a new piece of evidence comes to light. He knows the case better than anyone on the planet, and is perfectly positioned to dive straight back in. But DS Heaton doesn’t need to solve the case. He already knows who the killer is, so as those around him sift the truth from the lies, he must work to stay one step ahead. The truth must stay hidden, even if that means lying to himself.

Charismatic, handsome, and fiercely loyal, Isaac Bell is a no-nonsense private detective at the Van Dorn Detective Agency. Travelling all over early 20th century America in pursuit of justice for his clients, chasing down a steam train in a sports automobile is all in a day’s work for Bell. And while he’s on the trail of thieves, killers, and sometimes much worse, he’ll have to use his every last wit to stay ahead of those he seeks, and to stay alive . . .

Old spies grow ridiculous, River. Old spies aren't much better than clowns. Or so David Cartwright used to say, but he forgot to add they can be dangerous too, especially if they've fallen on hard times - as Diana Taverner learns when the past lands on her desk. An operation carried out during the height of the Troubles laid bare the ugly side of state security, and those involved are threatening to expose details. But every threat hides an opportunity, and the would-be blackmailer is soon being used as Taverner's solution to a much newer problem.