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We Our the Music Bros and we have a dream to become Music artist

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

This is where archives of The JoeTex Evening Show will be uploaded. The show is based in San Antonio, TX and airs Monday nights 7-9PM CST on KSYM-FM

DJ mixes from Keith Bowden including trance, progressive, electro, house, and techno.

Murat Koç

Ella researches wide-ranging topics such as pop culture, internet trends, and social issues and discusses with a guest it through the lens of being a philosophy major at Queen’s University.

Podcast oficial del Indie Fest Campeche, creado para hacer comunidad entre los diferentes actores independientes de la música, el arte y la cultura de Campeche y el sureste mexicano. Nos encuentras en Apple Podcast, Spotify, Deezer, iHeartRadio y más. Escríbenos a rumboindie@lacaverna.net

「歡迎光臨Jazz98，聆聽爵士之詩」 這裡是FM98.1 每周六日晚上，讓詩詩和您一起，聽著爵士樂、聊聊生活、說說故事、享受一整晚的好時光！今晚，您想聽點什麼？歡迎光臨Jazz98 聆聽爵士之詩 -- Hosting provided by SoundOn

Baby Goat is a weekly podcast hosted by Dumbfoundead and Andrea Jin. We showcase musicians, comics, artists, actors, kpop stars, chefs, and people from all walks of life!

Hola amigos nos gusta crear programas musicales en modo radio

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way.

Grammy winner John JR Robinson's bestselling memoir, "King of the Groove - How One Dream Transformed into 60 Years of Making Legendary Music," is captivating listeners with behind-the-scenes stories from his unprecedented six-decade career. This book plays a part in helping others to find new ways to believe in themselves. The memoir, featuring a foreword by the late, Quincy Jones offers listener and listeners an intimate glimpse into Robinson's journey from small-town Creston, Iowa into a legacy of over 500 million records sold, proving that rhythm isn't just what he does—it's who he is.

Entre surcos de vinilo y vermú. Un espacio de música y esparcimiento para tiquismiquis. Y un programa que podríamos denominar de historias de la música pop. Un término tan amplio que nos deja espacio suficiente para elegir temáticas y explicarlas de tal forma que pensarás que Abe Simpson es un señor que sintetiza. El programa es libre e independiente y se emite cada viernes a las dos de la tarde en Radio Enlace, en el 107.5 de la FM o a través de radioenlace.org. Toda la información de cada episodio la puedes consultar ampliada en https://surcosdevinilo.com/

CHECK US OUT EVERY SATURDAY 10 AM CThttps://mycitymymusic.com/jazz-in-the-am-radio

From the storied ache of mbube harmonies of the ‘40s to the electronic boom of kwaito and the amapiano and house explosion of the ‘00s, this book explores vignettes taken from across South Africa’s popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

"Dearly Beloved, we are gathered here today to get through this thing called life." When Prince spoke those words over celestial organ sounds in the opening moments of "Let's Go Crazy," he wasn't just inaugurating yet another Billboard Hot 100 hit—one of forty-seven in his career; he was also giving voice to the deep-seated and richly complex spiritual underpinning of his art.