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La parabola spirituale e umana di Leone XIV, il primo Papa americano della storia. Con la capacità di sintesi del grande giornalista, grazie a un linguaggio semplice ed efficace, Giorgio Dell'Arti ci offre un ritratto a tutto tondo del nuovo pontefice. Dalla laurea in matematica alle prime missioni in Perù, passando per la nomina a Prefetto dei Vescovi e alla fatidica fumata bianca del maggio 2025, la sua vita si dipana come un affresco, ricco di vita e di esperienze.

Before Americans got their news from television, they got it from LIFE, the weekly magazine that set the standard for photojournalism. In LIFE Story Gerald Moore—a writer and editor who worked at the magazine in the last glory years before TV made it obsolete—recalls the dizzying excitement and glamour of LIFE’s fast-moving, powerful approach to spreading the news. Moore covered the major stories of the late 1960s and early 1970s: LSD, assassinations, the 1968 Democratic convention in Chicago, the McCarthy campaign, urban riots, the My Lai massacre, and the beginnings of feminism.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.

War Is Not Just for Heroes rescues the incredible true stories of United States Marine Corps. Written by one marine, Claude R. "Red" Canup, a combat correspondent in the Pacific during World War II, these dispatches and private letters provide insight into the grind of war and ordinary men and women who carried out their duty. Thoughtfully edited and contextualized by a preface and prologue by his daughter, Linda M. Canup Keaton-Lima, War Is Not Just for Heroes combines documentary and biography to provide the human dimensions of those in combat and those who reported out.

Following the Front is a compilation of WWII dispatches written by Sidney A. Olson for TIME and LIFE magazines, 1944-1945. Olson, who joined Time Inc. in 1939 and served as a senior editor there, asked to be assigned overseas as a war correspondent. In mid-December, 1944, he received his accreditation from the War Department and sailed for London. Attached to the European Theater of Operations (ETO), Olson followed the Allied Forces as they pushed the Nazis back into Germany. He typed up his reports and cabled them to his editors in New York.