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"Recuerdo la mañana en que conocí a Octavio Paz. Fue el 11 de marzo de 1976, en el Panteón Jardín, cuando un grupo de amigos despedíamos al gran ensayista Daniel Cosío Villegas [...] Me acerqué a él para proponerle la publicación en su revista Plural de un ensayo mío sobre el ilustre liberal recién desaparecido. Días después, mi nombre apareció junto al suyo, pero nunca sospeché que ese vínculo sería permanente."

ليس هذا عملا أدبيا فلسفيا تاريخيا دينيا شخصيا فقط، وإنما هو جيل.. عصر.. دنيا الأديب الكبير أنيس منصور الحائز على جائزة الدولة التشجيعية سنة 1963 وجائزة الدول التقديرية سنة 1982 .. وفي هذه الدنيا كل ملامح الجيل ، وعذاب العصر وحيوية التاريخ ، وروعة الفلسفة وحرارة الدين .. ثم هذا الضياع الذي عاشه أنيس منصور هو وجيله من الشبان.. وكان الأستاذ عباس العقاد هو العملاق والمثل الأعلى.. الهدف والطريق ... البداية والنهاية . أو كان البداية وكان قيب النهاية فيد التقى به وسمعه وبكى عليه وتحيرت قدماه بين كل عباقرة العصر الأحياء والأموات..

مقالات للكاتب الكبير أنيس منصور يحكي فيها عن مواقفه مع الرئيس الراحل جمال عبد الناصر وبعض الطرائف له مع السادات، وكيف اكتشف حياة موسيقار الأجيال محمد عبد الوهاب عندا اقترب منه والكثير من الحكايات تجدها داخل هذا الكتاب. استمع الآن إلى كتاب "ليلة في بطن الحوت" فقط وحصريًا على تطبيق كتاب صوتي

مقالاتٌ ممتعة بقلم الأديب الكبيير إبراهيم عبد المجيد سيرة الكاتب مع السينما في طفولته وحكاياته مع دور العرض بمختلف درجاتها. ذكريات مع أفلام بعينها فلم تكن السينما للروائي الكبير مجرد "مشوار" رائعًا مع الأصدقاء ولكن السينما تاريخ للوطن وتجسيد لروحه.

1990ರ ದಶಕದಲ್ಲಿ ಜಾಹಿರಾತು ಜಗತ್ತಿನಲ್ಲಿ ಮಿಂಚಿದ ಕಪ್ಪು ಶಿಲೆಯಂತ ಸುಂದರಿ ವಾರಿಸ್ ಡೆರಿಸ್ ನಳ ಆತ್ಮಕಥನ 'ಡೆಸರ್ಟ್ ಫ್ಲವರ್'ನ ಕನ್ನಡಾನುವಾದ. ವಾರಿಸ್ ಡೆರಿಸ್ ಜಗತ್ತಿನ ಜಾಹಿರಾತು ಲೋಕದಲ್ಲಿ ಅಚ್ಚಳಿಯದ ಹೆಸರು. 1990ರ ದಶಕದಲ್ಲಿ ಪ್ರಸಿದ್ಧ ಸೌಂದರ್ಯವರ್ಧಕ ಉತ್ಪನ್ನಗಳ ಬಹುರಾಷ್ಟ್ರೀಯ ಕಂಪನಿಯಾದ ರೆವಲಾನ್ ಸಂಸ್ಥೆ ತನ್ನ ಉತ್ಪನ್ನಗಳಿಗೆ ಕಡೆದ ಕಪ್ಪು ಕಲ್ಲಿನ ಶಿಲೆಯಂತಿದ್ದ ವಾರಿಸ್ ಡೆರಿಸ್ ಳನ್ನು ಅನೇಕ ವರ್ಷಗಳ ಕಾಲ ಜಾಗತಿಕ ಮಟ್ಟದಲ್ಲಿ ರೂಪದರ್ಶಿಯಾಗಿ ನೇಮಕ ಮಾಡಿಕೊಂಡಿತ್ತು. ಹಾಗಾಗಿ ಕಪ್ಪನೆಯ, ತೆಳ್ಳಗಿನ, ಪುಟ್ಟ ಬಾಯಿಯ ಈ ಸುಂದರಿಯ ಮುಖ ಜಗತ್ತಿನ ಬಹುಪಾಲು ಜನತೆಗೆ ಅಪರಿಚಿತವಾಗಿ ಉಳಿದಿಲ್ಲ.

What happens when magazine editors behave worse than the celebrities they feature? Shock, comedy, and farce, expertly chronicled in Jeremy Murphy's Too Good to Fact Check, a firsthand account of his ten years traveling with stars as the editor of a glossy magazine. In between taking Julianna Marguiles to the Côte d'Azur, Neil Patrick Harris aboard the Orient Express, and LL Cool J to Paris among other locales, the author lived a wild, decadent life that rivaled anyone he was covering, and recounts the most outrageous moments in colorful, candid detail.

Dramatis Personae is a four part autobiographic collection, published by Yeats in 1936 and detailing incidents, events, and people he met who influenced his artistic development as a poet. The first section is Dramatis Personae and describes Yeats' meetings with Lady Augusta Gregory at Coole Park, Galway, which eventually led to the creation of the Irish National Theatre Society and the opening of the Abbey Theatre in 1904.

American Notes for General Circulation is Dickens' vivid, sharp, engaging account of his 1842 visit to the United States. This travelogue blends keen observations with sharp social commentary, offering Dickens’ reflections on the American landscape, politics, and society. Dickens explores the bustling cities, vast wilderness, and the cultural contradictions of a young nation in its infancy. At once humorous, critical, and insightful, American Notes paints a complex portrait of America during a transformative period.

Der bekannteste Berliner Polizeireporter. Der Schriftsteller und Reporter Leo Heller tauchte in den 1920er-Jahren tief in die Berliner Unterwelt ein. Jeder Ringbruder, jeder Kneipenwirt, jedes "leichte Mädchen“ kannte Heller, der in seinen Reportagen seine Leserinnen und Leser mitnimmt auf seine nächtlichen Streifzüge. Seine beeindruckenden Milieustudien wurden von der Autorin Bettina Müller wieder entdeckt, die einen biografischen Essay zu Leo Heller anfügt.

For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhood and the question of legacy, or, as she put it, 'what it’s been worth.'

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

From the age of twelve, Alison Mau wanted to be a journalist like her father. He was a beer-swilling, straight-talking Aussie who was rough around the edges but could quote passages of Hamlet at will. He taught Ali everything—from how to skin a rabbit and throw a punch to how to craft a sharp sentence—and she craved his validation as she navigated the sexist badlands of Australian print and television journalism through the 1980s and '90s.

In April 1929, the body of British artist Olive Branson was found submerged in a water tank outside her farmhouse in a picturesque Provence village. Dressed only in a pink shirt and stockings, she had a bullet hole between her eyes and a revolver by her side. Was it suicide – or murder? The initial investigation concluded suicide, but under pressure from Olive’s family to conduct a murder enquiry, city detective Alexandre Guibbal was brought in to reopen the case.