新着

Welcome to "Emotional Preparation Volume II", the latest installment in Simon Blake's acclaimed series dedicated to empowering performers with the emotional tools necessary for genuine and captivating artistry. This volume delves into the vast landscape of human emotion, providing actors, musicians, and creatives with an expansive resource of 325 carefully curated emotions to enrich their performances and deepen their creative expression.

Still grieving the loss of her husband, Delia reconnects with a man from her past—and suddenly finds herself living inside her own romantic comedy. What begins as an unlikely spark soon blossoms into a love story that defies the odds, even in the face of life’s most difficult challenges.

Written by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. From designing and fitting wigs to managing lightning-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production.

Casting directors want you to do well, feel confident about the audition and in turn give the director the confidence they need to choose you. The insights and reassurances throughout this book provide a little-seen glimpse into the world of casting, helping you to understand how casting directors and directors view the process and what purpose the audition serves. Casting director Sam Stevenson draws on her rich experience, from both her time as deputy head of casting at the National Theatre and her varied freelance career, to delve into the challenges and possibilities that you might face.

Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.