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What is love? The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another. Love is perhaps best expressed through poetry.

The question is asked by each of us, but the answer remains elusive. Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

Ralph Waldo Emerson was born in Boston, Massachusetts on 25th May 1803, the son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. Emerson was the second of five sons who survived into adulthood. His father died before Emerson was eight, and the young boy was raised by his mother and other female members of the family. Emerson's formal schooling began at the Boston Latin School in 1812 when he was nine. In October 1817 at 14, Emerson went to Harvard College.

Paul Laurence Dunbar was born on 27th June 1872 in Dayton, Ohio. His parents had been slaves in Kentucky before the Civil War. Dunbar wrote his first poem at age six and gave his first public recital at age nine. By 16, he was already published as a poet in The Herald, a local newspaper. After completing his formal schooling in 1891, Dunbar was employed as an elevator operator, at four dollars a week. His hopes of a legal career floundered on a lack of funds and racial discrimination. However, he wrote his poetry and took every opportunity to publish.

James Weldon Johnson was born in Jacksonville, Florida, on 17th June 1871. His mother, Helen, a musician and a public school teacher, initially home-schooled him, giving him a love of both English literature and European music. At 16, his education moved to Atlanta University, and he graduated with a degree in 1894. In 1904 Johnson helped in Theodore Roosevelt's presidential bid. On winning, Roosevelt appointed him as US consul at Puerto Cabello, Venezuela, in 1906 and then Nicaragua from 1909.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.

Herman Melville was born in New York City on August 1st 1819, the third of eight children. At the age of seven, Melville contracted scarlet fever which was to permanently diminish his eyesight. At this time Melville was described as being 'very backwards in speech and somewhat slow in comprehension.' His father died when he was 12, leaving the family in very straitened times. Just 14, Melville took a job in a bank paying $150 a year that he obtained via his uncle Peter Gansevoort, who was one of the directors of the New York State Bank.

This group of 19th-century American poets was the first to rival their British counterparts in popularity. Gathered around their New England roots, they were also known as the Schoolroom or Household poets and comprised of Henry Wadsworth Longfellow, William Cullen Bryant, John Greenleaf Whittier, James Russell Lowell and Olivier Wendell Holmes, Sr. Occasionally Ralph Waldo Emerson was included, although his poetic philosophy differed in some key aspects.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

Bob Hope's monologue for The Pepsodent Show was the result of his hiring from his own pocket - he had an extravagant salary from the sponsor - of a team of eight writers to write top-notch jokes and skits. His comic timing turned him into a sensation. The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. Now it's time to cut the talk and get ready for laughs. It’s time for Bob Hope and his guests.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

The problem with the dark is you don’t really know what’s lurking in there. Something hiding? Something menacing? Or just an inky dome for the stars to twinkle on? Writers rarely let us dwell on the latter. No, they would much rather they put our nerves on edge, that our skin would begin to crawl and that the cold sweat of fear propels our pulse and heartbeat to nightmare-inducing trauma. I think they’re ready.

London’s East End has over the centuries been a magnet for immigration, innovation, culture, crime and a vast spectrum of other things. It is often seen as both part of and yet very distinct from the vast metropolis of London. Today it has been transformed from the often grimy, derelict and overcrowded area, that many of these stories describe, into a landscape of gentrification, sleek and shiny buildings and a booming economy. But here such noted talents as Arthur Morrison, Henry W. Nevinson, William Pett Ridge and Thomas Burke show the East End as it really was.

21st Precinct was a very dramatic police drama and based on the workings of a true life police department. From the opening phone call, the listener is right in the middle of the drama, privy to the actual workings from start to conclusion. The 21st’s manpower was made up of 160 patrolmen, 11 sergeants and four lieutenants, under the command of one Captain - Frank Kennelly, played by Everett Sloane, who was also the show’s narrator.