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Reviews events in the London Festival of the Cultural Olympiad. Writer Alexandra James visits a variety of exhibitions, music, and performances, staged through July 2012, witnessing a range of creative voices drawn from the international arena.

Magdalena Wasiura returns to Morocco after a holiday to live and work with the Berber community, sharing their experiences, customs, and way of living. Part One describes the author's first step into the life of her Moroccan family hosts, takes you to the souk and hammam, explains the importance of Fridays for Muslim society, sulks itself in whisky and the problems caused by it. In this part we are introduced to countless opportunists and amiable characters, and we visit a rather lavish circumcision party.

Once upon a time in Düsseldorf, in the 1970s, there was an astonishing art academy, the Kunstakademie, with amazing teachers, and amazing students. Düsseldorf was a very proud art city, and even published at the time, a book of photographs called Düsseldorf City of Artists. The presence of that great, messianic leader, Joseph Beuys loomed large. Gerhard Richter, (and Gotthard Graubner among others), taught painting, and an outstanding couple, Bernd and Hilla Becher, taught photography.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

The second part of Magdalena's journal recording her life with the Berber community in Khenifra in the Middle Atlas mountains: their homes, social gatherings and her work with their children in the Association Hannan. Get a good wash in hammam, eat boucheyar, drink shiba, meet my friends Mahamed and Ali and go with us to Arougou, wakha?

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.

Linnaeus Tripe? Shades of a minor character in Dickens or Trollope, but in fact the resoundingly named Tripe (1822-1902), army officer and photographer, was the sixth son and ninth child of a professional middle-class family from Devonport, his father a surgeon in the Royal Navy. He joined, as so many of his background did - younger son, but of a certain social status - the East India Company's army (the 12th Madras Native Infantry) aged only 17, the third Tripe son to do so.

The extraordinary exhibition of thousands of photographs ranging from cumbersome, beautifully detailed, sharply acute photographs of the aftermath of the 1860s American Civil War to mundane landscapes taken in 2013, are based on an enlivening, provocative, and even perhaps controversial organizing principle. What is novel is the unusual premise: eschewing more conventional and immediate reportage, or documentary series, the selection moving from gallery to gallery - and section by section in the catalogue - is defined by time.

An in-depth study by Marina Vaizey explores the lives and art of David Hockney and Vanessa Bell, drawing on exhibitions at the Tate and Dulwich Picture Gallery.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions, the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes.

The fourth volume of the Tracks directory gives information about career pathways in construction, land and sea work, sports, and fitness.

Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events. Reality is colored by a seamless flow of messages of promise and dereliction that gently gather strands of communal imagination into a protective shell. Entries recorded in 2010-11 of encounters and observations; citizens, builders, office workers, young and senior.

Francesca Woodman killed herself at the age of 22, the biographical fact that colors her work and which it is de riguer to mention. She left behind paintings it is said, as yet publicly unseen, and literally hundreds upon hundreds of negatives and 800 proofs of black and white pre-digital photography.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions, the title has been revised and updated. The new edition carries several work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes. The 2017 edition covers over 150 career paths in 14 sections from banking and financial services to sports and fitness.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

The project of surveying Gloucestershire at first seemed to be almost too big to handle, indeed it involved multiple journeys crisscrossing the county. But I think the result reveals the great range of individual character in its many towns and villages: compare traditional Cotswold centers such as Great Barrington and Upper Slaughter in the north east with the intensely industrialized districts of Yate and Filton above Bristol, or the freshness of the Vale of Berkeley bordering the Severn Estuary.

Cv/VAR 155 presents a review by James Cahill of an exhibition by the renowned artist Francesco Clemente (b. 1952), exploring his first show in London for seven years. The monograph includes a conversation recorded with the artist in which he discusses the new paintings, and the ideas which grounded their development.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008, and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events.

A collection of recordings made between 1988 and 1996 with emerging and established artists, from Anthony Caro and Arman to James Turrell and Rachel Whiteread. In considering their work, often in the context of a current exhibition, they discuss their ideas in formation and factors which informed their development.