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The world is burning, and Corinne will do anything to put out the flames. After her brother died aboard an oil boat on the Mississippi River in 2013, Corrine awakened to the realities of climate change and its perpetrators. Now, a year later, she finds herself trapped in a lonely cycle of mourning both her brother and the very planet she stands on. She's convinced that in order to save her future, she has to make sure that her brother's life meant something. But in the act of honoring her brother's spirit, she resurrects family ghosts she knows little about--ghosts her grandmother Cora knows intimately.

Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.

Cristina and Clement Trudeau have conjured the impossible: justice. They took back their family’s stolen throne to lead New Orleans’ magical community into the brighter future they all deserve. But when Cris and Clem restored their family power, Valentina Savant lost everything. Her beloved grandparents are gone and her sovereignty has been revoked—she will never be Queen. Unless, of course, someone dethrones the Trudeaus again. And lucky for her, she’s not the only one trying to take them down.

Eleven-year-old Micah has no interest in moving out of her grandfather’s house. She loves living with Poppop and their shared hobby of driving around rich neighborhoods to find treasures in others’ trash. To avoid packing, Micah goes for a bike ride and ends up at Finch House, the decrepit Victorian that Poppop says is Off Limits. Except when she gets there, it’s all fixed up and there’s a boy named Theo in the front yard. Surely that means Finch House isn’t Off Limits anymore? But when Poppop finds her there, Micah is only met with his disappointment.

Georgia, 1962. Rose Perkins Bourdon returns home to Parsons, GA, without her husband and pregnant with another man’s baby. After tragedy strikes her husband in the war overseas, a numb Rose is left with pieces of who she used to be and is forced to figure out what she is going to do with the rest of her life. Her sister introduces her to members of the Student Nonviolent Coordinating Committee—young people are taking risks and fighting battles Rose has only seen on television.

Raised by her beloved grandmother in tension-filled, post-segregation Virginia, Grace is barely a teenager when she loses her Maw Maw. Shellshocked, she is shipped up North to live with her formidably ambitious Aunt Hattie—a woman who firmly left behind her “undesirable” Southern roots in pursuit of upward mobility. Thrust into the world of the Black and socially ambitious, Grace finds herself trapped in a society of stifling respectability, fancy teas, and coveted debutante balls.

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side.

The First Amendment grants kids and every other citizen five monster privileges: freedom of religion, freedom of speech, freedom of the press, freedom of assembly, and the right to petition the government. If the First Amendment is everywhere in their lives, shouldn’t kids know more about it? Yes!

Marti Greenwood has just moved into a brand-new home after a bitter divorce from her husband Emery, and while she’s still not quite done with him - of course, some of her most cherished possessions are nowhere to be found once she unpacks her things - a fresh start in a beautiful LA neighborhood is exactly what she needs. But days after her arrival, Marti is attacked in her home. She's found shaken and beaten, and her neighbors who immediately call the police. She never saw the face of her attacker, and so there is little to go on as detectives open an investigation.

One of the leading physicists of her generation, Dr. Chanda Prescod-Weinstein is also one of fewer than one hundred Black American women to earn a PhD from a department of physics. Her vision of the cosmos is vibrant, buoyantly nontraditional, and grounded in Black and queer feminist lineages. Dr. Prescod-Weinstein urges us to recognize how science, like most fields, is rife with racism, misogyny, and other forms of oppression. She lays out a bold new approach to science and society, beginning with the belief that we all have a fundamental right to know and love the night sky.

A glance was all it took. That kind of connection, the immediate and raw understanding of another person, just doesn't come along very often. And as rising stars on their Texas high schools' respective basketball teams, destined for bright futures in college and beyond, it seems like a match made in heaven. But Carli and Rex have secrets. As do their families.

Living in a quiet seaside village with their overprotective mother, teenaged sisters Calliope, Clio, Melpomene, Terpsichore, and Thalia are talented performers with no audience. If Calli had her way, she'd pursue her dream of writing epic stories in the city of Thebes. But family comes first, and as the eldest, she'd never leave her beloved sisters behind.

Funded by the U.S. Reparations Act and a consortium of billionaires, Kingsland rose from the sea to become a haven for Black excellence—and one of the richest nations in the world. But as its 10th anniversary nears, a series of shocking murders rocks the island. Enter Jamison Wright. An elite profiler lured away from the FBI with an offer no one could refuse: a new life in Kingsland for him and his family. But the deeper he digs into the killings, the more he realizes that Kingsland isn’t just a utopia—it’s a mystery wrapped in surveillance, secrets, and power plays far beyond his imagination.

Yetunde awakens aboard a slave ship en route to the United States with the spirit of her dead sister as her only companion. Desperate to survive the hell that awaits her at their destination, Yetunde finds help in an unexpected form—the Devil himself. The Devil, seeking a way to reenter the pearly gates of heaven, decides to prove himself to an indifferent God by protecting Yetunde and granting her a piece of his supernatural power. In return, Yetunde makes an incredible sacrifice.

As a thief on the streets of Cairo, Ororo Munroe is an expert at blending in—keeping her blue eyes low and her white hair beneath a scarf. Stealth is her specialty . . . especially since strange things happen when she loses control. Lately, Ororo has been losing control more often, setting off sudden rainstorms and mysterious winds . . . and attracting dangerous attention. When she is forced to run from the Shadow King, a villain who steals people's souls, she has nowhere to turn to but herself.

Three women are tied together by blood, love and family secrets. Potent, poetic, powerful, told with deep love, and spanning from the Great Migration through the civil unrest of the ‘60s to the cultural shift of the early 2000s, Denene Millner’s beautifully wrought novel is a hymn to Black motherhood, exploring three women’s intimate struggle with generational trauma and healing.

Return to the world of the Marvellers and Conjurors in the third audiobook of the instant New York Times and #1 Indie Bestselling fantasy series. Year Three at the global magic school in the sky is back in session in The Deadly Fates. After saving the world from the diabolical Ace of Anarchy...

Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children flee, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony.

Ten-year-old Jada Sly is an artist and a spy-in-training. When she isn't studying the art from her idols like Jackie Ormes, the first-known African American cartoonist, she's chronicling her spy training and other observations in her art journal. Back home in New York City, after living in France for five years, Jada is ready to embark on her first and greatest spy adventure yet. She plans to scour New York City in search of her missing mother, even though everyone thinks her mom died in a plane crash. Except Jada, who is certain her mom was a spy, too.