検索キーワード： ナレーター "Lucy Scott" すべてのカテゴリー

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

Lisbeth Fischer has lived in the shadow of her beautiful cousin Adeline for much of her life. Pampered while Lisbeth works in the fields, Adeline makes an enviable leap in status when Baron Hulot offers her his hand in marriage. Out of kindness, they bring Lisbeth to Paris, where she falls in love with the artist Wenceslas, her protege. However, when she is jilted for Adeline's daughter Hortense, her jealousy and rage exponentially intensify, and she resolves to bring the Hulot family to ruin, employing the cold seductress Valerie Marneffe as her vehicle for revenge.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Often compared to Madame Bovary and Anna Karenina, Theodor Fontane's Effi Briest tells the poignant story of a passionate and spontaneous young woman who becomes trapped in a dull and restrictive upper-class existence. Married at the tender age of 17 to Geert von Innstetten, an ambitious nobleman and civil servant nearly 20 years her senior, unworldly Effi is whisked away to the quiet town of Kessin, on the Baltic coast of Prussia, where she is left to raise a daughter alone while her husband travels for work.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

In The Interior Castle, Carmelite nun, mystic, and patron saint of Spain Teresa of Ávila uses the metaphor of a giant crystal castle to explain her theory of the soul and the various stages it passes through as it progresses towards God. Beginning in the outer rooms, where demons are fought and vices are purged, the soul must reach the inner chambers, where it will enter betrothal and intimate union with God. Prayer is central to the journey, as the soul is guided by its practice and each phase represents a different category of devotion.

Producers Garrick Hagon and Liza Ross discuss Samuel Richardson's landmark novel Clarissa with Lucy Scott, who plays the part of Clarissa in the Naxos AudioBooks recording. Clarissa is one of the longest novels in the English canon; its epistolary form and narrative experimentation made it a huge challenge for the veteran team of audiobook producers and narrators.

Will Shakespeare is about to meet the girl who will change his life forever. After a mixed-up courtship with the Hathaway sisters ends badly, Will jumps at the chance to go to London, where he can pursue his dream of becoming an actor. There, Will meets the unusually tall (and strong) Meg who has earned the nickname "Long Meg" for her height. She's also fleeing her own past as an orphan turned thief. Disguised as "Mack", Meg was once a member of a band of boy thieves who betrayed her.

Three-a-Penny describes what it is like to be a woman in a man's world - about the ups and downs of earning a living as a writer in the 1920s and '30s. Lucy Malleson wrote over 70 crime novels and was part of what is often referred to as the Golden Age of crime writing. But in order to be published she used a male pseudonym and successfully concealed her true identity for many years.

The haughty Beverley family is obsessed with regaining Mannerling, the exquisite 17th-century mansion gambled away by their now-deceased father, Sir Beverley. Three of the six Beverley daughters have failed to win back their ancestral estate - settling for love matches over mere bricks and mortar. Now it is Rachel's turn to woo the latest eligible bachelor-in-residence, handsome widower Charles Blackwood.

As scandal and intrigue swirl around her, Jessica must discover where the heart finds true happiness. Mannerling, the splendid family estate gambled away by Sir Beverley, remains the passion of his daughters. Beverley himself has died; the eldest daughter, Isabella - having failed in her bid to reclaim the family home - is blissfully wed. The mantle of saviour now falls to the next eldest daughter, Jessica. How fortunate then that the new owner of Mannerling had a marriageable son.

On a delayed train, deep in the English countryside, two strangers meet. It is 1942, and they are both men of fighting age, though neither is in uniform. As strangers do in these days of war, they pass the time by sharing their stories. But walls have ears, and careless talk costs lives.... At Bletchley Park, Honey Deschamps spends her days at a Typex machine in Hut 6, transcribing decrypted signals from the German army. One winter's night, as she walks home in the blackout, she meets a stranger in the shadows.

There are those who never grow old because they are taken too soon. There are those who grow old without worries, enjoying everything life has to offer. There are those who desperately try to slow down the ticking clock. And then there's Betty. Betty, who mysteriously stops growing old on her thirtieth birthday - the same age as her mother when she died. The years leave no trace on Betty's face, but as everyone around her is transformed by the relentless march of time, her once golden life begins to come apart.

Carla Roberts lives alone in a high-rise in Hackney. The lift keeps stopping on her floor, but nobody gets out. Days later, she's found brutally murdered. Samson Segal has taken to spying on his neighbours, particularly beautiful and successful Gillian Ward. And when Gillian's daughter finds herself locked out the house, Samson takes her in. But her lack of appreciation makes him angry, and he vents to his diary, unaware that his sister-in-law cracked his password long ago.... When Gillian's husband is murdered, Samson finds himself under intense scrutiny.

1553: deeply divided England rejoices as the rightful heir, Mary Tudor, sweeps to power on a tide of populist goodwill. But the people should have been careful what they wished for: Mary's mission is to turn back time to an England of old. Within weeks there is widespread rebellion in favour of her heir, her half-sister, Princess Elizabeth, who is everything that Mary isn't. From now on, Elizabeth will have to use her considerable guile just to stay alive.

Lizzie is the sixth and youngest daughter of the late Sir Beverley, the patriarch who gambled away their beloved estate, Mannerling. Each of Lizzie's sisters had been entrusted by their ambitious mother to cast lures for the various owners of their former home. Instead, each one happily married for love. Now it's Lizzie's turn to save Mannerling. Yet the new owner, the Duke of Severnshire, is far too arrogant for Lizzie's heart. And while the duke has no intentions toward the saucy chit, her curt dismissal of him is perplexing - for no woman has ever refused him!

As one of the two remaining unmarried Beverley sisters, Belinda considers herself the last hope for Mannerling, the beloved estate gambled away by their father. Each of her four elder sisters had hoped - even schemed - to marry one of Mannerling's successive owners. But all had chosen true love over their ancestral home. Practical and duty-bound, Belinda will woo and wed Lord St. Clair, current holder of the estate. True, he is a silly fop, hardly what she desires in a husband, but she vows to make the man love her - even at the expense of her own happiness.

When one of her sisters is attacked by Harry Devers, the lecherous son of Mannerling's present owner, Abigail Beverley puts her obsession with reclaiming the mansion on hold. Then Abigail meets the dashing and extremely eligible Lord Burfield, fresh back from the army and in full-time pursuit of a bride. Yet unexpected circumstances force the insufferable Harry Devers to recuperate from a riding accident in the Beverley home, where Abigail's twin sister Rachel nurses him back to health - and into betrothal.

Isabella Beverley is blessed with unparalleled beauty but, unfortunately, has been raised in the most snobbish and haughty of families. And when her father gambles away their fortune - including Mannerling, the exquisite family mansion - Isabella discovers that there is very little sympathy for her plight. As the eldest, Isabella is chosen to court Mr. Judd, the roguish bachelor who won Mannerling. Surely no sacrifice is too great to regain Mannerling? But tempting her away from Mr. Judd is Lord Fitzpatrick....

Measuring out the wartime days in a small town on the Thames, Miss Roach is not unattractive but no longer quite young. The Rosamund Tea Rooms boardinghouse, where she lives with half a dozen others, is as grey and lonely as its residents. For Miss Roach, 'slave of her task-master, solitude', a shaft of not altogether welcome light is suddenly beamed upon her with the appearance of a charismatic and emotional American lieutenant.