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In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the 18th and 19th centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker - a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia.

The story is told by Coriander, daughter of a silk merchant in 1650s London. Her idyllic childhood ends when her mother dies and her father goes away, leaving Coriander with her stepmother, a widow who is in cahoots with a fundamentalist Puritan preacher. She is shut away in a chest and left to die, but emerges into the fairy world from which her mother came, and where time has no meaning. When she returns, charged with a task that will transform her life, she is seventeen.

Coriander Hobie, born in 1643, has a remarkable tale to tell, the tale of a childhood touched by unexplained bits of wonder, but too soon marked by tragedy. After her beloved mother dies and her father is forced to flee London, Coriander is left at the mercy of a stepmother full of cruelty.

One of Jane Austen's most popular novels. Arrogant, self-willed, and egotistical, Emma is her most unusual heroine.

This is a story from the Bliss & Other Stories collection.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

From Roald Dahl, the master of the sting in the tail, a newly collected audiobook of his darkest stories, read by Juliet Stevenson, Cillian Murphy, Adrian Scarborough, Tamsin Greig, Stephanie Beacham and Andrew Scott. 'There is a pleasure sure in being mad, which none but madmen know.' Our greatest fear is of losing control - of our lives, but, most of all, of ourselves. In these 10 unsettling tales of unexpected madness master storyteller Roald Dahl explores what happens when we let go our sanity.

Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.

"I have been acquainted with the smell of death." So begins Clytemnestra's tale of her own life in ancient Mycenae, the legendary Greek city from which her husband, King Agamemnon, left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover, Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for. The contrasting fortunes and temperaments of the two girls are portrayed by Jane Austen with her usual irony, humor, and profound sensitivity.

Penguin presents the unabridged, downloadable audiobook edition of Noonday by Pat Barker, read by Juliet Stevenson, Stephen Boxer, John Sackville, Anne Reid & Finlay Robertson. London, the Blitz, autumn 1940. Ambulance drivers Elinor Brooke and Kit Neville ferry injured survivors from bomb sites to hospitals while Elinor's husband, Paul, works as an air-raid warden.

April 1951. It is twenty years since the death of Rebecca, the beautiful first wife of Maxim de Winter. It is twenty years since the inquest, which famously - and controversially - passed a verdict of suicide. Twenty years since Manderley, the de Winters' ancient family seat, was razed to the ground. But Rebecca's tale is just beginning... This is Sally Beauman's companion to Daphne du Maurier's classic tale, Rebecca.

Lucy Honeychurch, accompanied by her vigilant guardian, Charlotte Bartlett, makes her first foray into the world, touring Italy and discovering a country very different to the English countryside she was brought up in.

To the Lighthouse tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessbile, an eternal presence in a changing wolrd. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity.

Arrogant, self-willed, and egotistical, Emma is Jane Austen's most unusual heroine. Her interfering ways and inveterate matchmaking are at once shocking and comic. She is "handsome, clever, and rich" and has "a disposition to think too well of herself." When she decides to introduce the humble Harriet Smith to the delights of genteel society and to find her a suitable husband, she precipitates herself and her immediate circle into a web of misunderstanding and intrigue, from which no one emerges unchanged.

Haunting, uplifting, beautiful: the final work from Helen Dunmore. Helen Dunmore passed away in June 2017, leaving behind this remarkable collection of short stories. With her trademark imagination and gift for making history human, she explores the fragile ties between passion, love, family, friendship and grief, often through people facing turning points in their lives.

First published in 1988 and described by Ali Smith as 'one of Muriel Spark's most liberating, and meditative novels' - A Far Cry from Kensington shows Muriel Spark at the mature height of her powers.The narrator is one Mrs. Hawkins. She writes from Italy, a far cry from Kensington indeed, taking us back to her threadbare years in postwar London. As a young, rather fat war-widow she spent her days working for a crazy, almost bankrupt publisher; and her nights offering advice from her boarding-house in South Kensington.

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life.

Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.