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When a six-foot-tall tan giant of man comes into Albert Blunt's International Detective agency, Tommy and Tuppence - married couple and detective aficionados - are in for a treat. Not only has Mr. Stavansson emerged after a two-year Arctic adventure, but he's lost his fiancée, Hermione, too. What telegrams and scraps of information Tommy and Tuppence can gather are all the hope the adventurer has in finding her. But this information leads the duo into dangerous situations, investigating secluded country houses in the dead of night. And that's only the start of it....

Mystery writer Anthony Eastwood is lured to the crime scene of a faked murder, where two individuals masquerading as police officers arrest him and charge him with murder. As the phony police officers escort Mr. Eastwood home, the true goal of the masquerade becomes apparent.

James has found himself at the fashionable resort Kimpton-on-Sea, all due to the persuasion of his girlfriend, Grace, who during the last few months of their courtship has become more difficult to deal with. Among the upper echelons of society, including the Rajah of Maraputna, James feels disgruntled and out of place. Eager to both irritate and win over Grace, James bypasses the queue to the changing rooms and ducks into the private huts on the beach so that he can be the first into the sea. It is only later that he realizes he has accidentally come into possession of a very valuable and sought-after object.

Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sat the corpse of Mrs Boynton. A tiny puncture mark on her wrist was the only sign of the fatal injection that had killed her.

Mr Shaitana was famous as a flamboyant party host. Nevertheless, he was a man of whom everybody was a little afraid. So, when he boasted to Poirot that he considered murder an art form, the detective had some reservations about accepting a party invitation to view Shaitana's private collection.

Sir Gervase Chevenix-Gore suspects he is the victim of fraud and contacts Hercule Poirot. The host's failure to answer to the dinner gong leads to the discovery of his body in the study. A gun, a shattered mirror - the obvious inference is suicide until Poirot begins his investigation... Hugh Fraser, known to millions as Captain Hastings in the Poirot productions on television, gives a first-class performance.

The recently married Alix Martin is obsessed with a recurring dream of her new husband's murder. Each time she can see the murderer clearly, and it's the mild-mannered man she had previously been engaged to, taking his revenge. But, what's worse is that at the end of the dream she thanks the murderer. Perplexed, Alix tries to calm herself by spending time in the garden of her picturesque cottage. But her gardener confuses her further by wishing her well on her trip to London - a trip which Alix knows nothing about. Now Alix is scared: Is the gardener imagining things, or is she?

Mr. Satterthwaite and Colonel Melrose are comfortably ensconced in the Colonel's study when the phone suddenly rings. Someone has been murdered, and, as the county chief constable, the Colonel lets Satterthwaite accompany him to the scene of the crime. The two of them have opposing opinions on why Sir James Dwighton has been bashed over the head with a blunt instrument. Rumor had it that red-haired beauty Laura Dwighton and her guest, the very attractive Mr. Paul Delangua, were engaged in an illicit affair, and Paul was thrown out by the disgruntled Sir James. But the facts of the murder all seem to add up too nicely....

In a remote house in the middle of Dartmoor, six shadowy figures huddle around a small table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan...dead...murder."

"The Ravenscrofts didn't seem that kind of person. They seemed well balanced and placid..." And yet, twelve years earlier, the husband had shot the wife, and then himself - or perhaps it was the other way around, since sets of both of their fingerprints were on the gun, and the gun had fallen between them. The case haunts Ariadne Oliver, who had been a friend of the couple. The famous mystery novelist desires this real-life mystery solved, and calls upon Hercule Poirot to help her do so.

Thirteen guests arrived at dinner at the actor's house. It was to be a particularly unlucky evening for the mild-mannered Reverend Stephen Babbington, who choked on his cocktail, went into convulsions and died. But when his martini glass was sent for chemical analysis, there was no trace of poison, just as Poirot had predicted. Even more troubling for the great detective, there was absolutely no motive.

Hercule Poirot is reluctant to answer a letter demanding his services by the reclusive and eccentric millionaire Benedict Farley. Farley wants him to diagnose his recurring dream of death, in which he shoots himself at precisely 3:28 p.m. Then, a week after dismissing Poirot, the dream becomes real. Each member of the Farley household that Poirot questions seems to be more puzzled than the one before. Was Benedict Farley's death a suicide? Or are darker forces at work?

As instructed, stenographer Sheila Webb let herself into the house at 19 Wilbraham Crescent. It was then that she made a grisly discovery: the body of a dead man sprawled across the living-room floor. What intrigued Poirot about the case was the time factor. Although in a state of shock, Sheila clearly remembered having heard a cuckoo clock strike 3.00. Yet, the four other clocks in the living room all showed the time as 4.13. Even more strange: only one of these clocks belonged to the owner of the house.

Agatha Christie’s classic thriller. Features the recurring character Colonel Race from Death on the Nile, Cards on the Table and The Man in the Brown Suit. Six people sit down to dinner at a table laid for seven. In front of the empty place is a sprig of rosemary – in solemn memory of Rosemary Barton who died at the same table exactly one year previously.No one present on that fateful night would ever forget the woman’s face, contorted beyond recognition – or what they remembered about her astonishing life.

Three single girls shared the same London flat. The first worked as a secretary; the second was an artist; the third, who came to Poirot for help, disappeared, convinced she was a murderer. Now there were rumours of revolvers, flick-knives, and blood stains. But, without hard evidence, it would take all Poirot's tenacity to establish whether the third girl was guilty, innocent - or insane.

Dr. Arthur Calgary takes a ferry across the Rubicon River to Sunny Point, the home of the Argyle family. A year before, the matriarch of the family was murdered and a son, Jack, was convicted and sentenced to spend the rest of his life in prison. Dr. Calgary is surprised when his revelation has a disturbing effect on the family: it means one of the family is a murderer.

In appearance Hercule Poirot hardly resembled an ancient Greek hero. Yet, reasoned the detective, like Hercules, he had been responsible for ridding society of some of its most unpleasant monsters. So, in the period leading up to his retirement, Poirot makes up his mind to accept just 12 more cases: his self-imposed "Labors". Each would go down in the annals of crime as a heroic feat of deduction.

Agatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure and a mystery too in the manner in which she achieved her astonishing success. HRF Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery.

Brought to you by Penguin. In this collection of profiles, essays and travel stories, Chatwin takes us to Benin, where he is arrested as a mercenary during a coup; to Boston to meet an LSD guru who believes he is Christ; to India with Indira Ghandi when she attempted a political comeback in 1978; and to Nepal where he reminds us that 'Man's real home is not a house, but the Road, and that life itself is a journey to be walked on foot'.

Brought to you by Penguin. The songlines are the invisible pathways that criss-cross Australia, ancient tracks connecting communities and following ancient boundaries. Along these lines Aboriginals passed the songs which revealed the creation of the land and the secrets of its past. In this magical account Chatwin recalls his travels across the length and breadth of Australia seeking to find the truth about the songs and unravel the mysteries of their stories.