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First published in January 1845, the poem is noted for its musicality, stylised language and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness. The lover, often identified as a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further distress the protagonist with its constant repetition of the word nevermore. The poem makes use of folk, mythological, religious and classical references.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

First published in 1931 by The Adelphi, this essay describes the execution of a criminal during Orwell's time in Burma. Britain ruled over Burma for 62 years (1824-86), during which three Anglo-Burmese Wars were fought and Britain incorporated it into its Indian Empire. Britain administered Burma as an Indian province until 1937, when it became a separate, self-governing colony. Burma declared independence in 1948.

In April 1945, as Hitler’s Third Reich was unravelling, George Orwell published 'Anti-Semitism in Britain'. The short essay sketches the contours of British anti-Semitism, an essentially non-virulent, though a tenaciously pervasive, societal attitude that ran deep and cut across class and ideological differences.

Books v Cigarettes is a funny and irreverent essay comparing the costs of reading to other forms of recreation including smoking. Originating from the experience of an editor friend who was firewatching during the Second World War, who was told by factory workers that they had no interest in literature because they could not afford books, the essay first appeared in Tribune in 1946.

According to biographer D. J. Taylor, the young Orwell displayed ‘an enthusiasm for poetry that in [his] formative years seems to have been as least as strong as any desire to write fiction’. Orwell’s poetry is not among his best known - or most highly praised - work but nonetheless shares similar concerns to (and displays the dry sense of humour present in) his prose. Mere foothills in the range of Orwell’s work perhaps - but building up to the summits later scaled.

Looking Back on the Spanish War contains George Orwell's reminiscences of the sights, smells and politics of the Spanish Civil War (1936-39) in which he almost lost his life.

George Orwell's moving reflections on the English character and his passionate belief in the need for political change. 'The Lion and the Unicorn' was written in London during the worst period of the Blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

In this insightful and politically powerful essay, Orwell attempts to evaluate non-violence as a method of political leverage outside of the unique circumstances in which Gandhi successfully deployed his method. He discusses the particular context that gave Satyagraha political force: the struggle for national self-determination in colonial India, and looks to Gandhi’s method as a reference for what he feels is a necessary discussion of alternative methods of political resistance.

Published a mere two and a half months after the bombings of Hiroshima and Nagasaki, Orwell’s 'You and the Atomic Bomb' is notable as one of the first efforts to divine the social and political implications of a new weapon of previously unimaginable power. Its fame arises from Orwell’s coinage of a new term for the permanent standoff the bomb would foster between two great powers, the United States and the Soviet Union: the 'cold war'.

'Decline of the English Murder' analyses the kinds of murders depicted in popular media during Orwell's life and why society of the time was obsessed with these grizzly crimes. Tribune published it on 15th February 1946, and Secker and Warburg republished it after his death in Shooting an Elephant and Other Essays in 1952.

Ursula has lived twice the normal human lifespan, courtesy of the latest technology. But now she’s struggling to find excitement and purpose, so signs up to the Polity’s military. She excels in weapons development, and progresses rapidly up the ranks. But after botching a powerful new ammunition test, she’s dismissed from service. Hunting for a simpler, more meaningful existence, the ex-soldier heads for the stars. And after founding a colony on the hostile planet of Threpsis, Ursula finally feels alive.

In this essay, Orwell discusses the notion of nationalism and argues that it causes people to disregard common sense and become more ignorant towards factuality. Orwell shows his concern for the social state of Europe, and in a broader sense, the entire world, due to an increasing amount of influence of nationalistic sentiment occurring throughout a large number of countries.

What if The Gladiator smashed into The Highlander, and then careened into Jason Bourne? You would get The Last Roman: Exile. Some debts you cannot repay, even if you live forever. Seasoned imperial officer Marcus Sempronius Gracchus leads the 9th Roman Legion into a bloody battle against a fierce barbarian tribe. It's a battle he won't survive. When he awakens three days later, clawing his way from a shallow grave, Marcus must face the reality of his new existence. He will never see the afterlife...but that won't stop him from dying time and again over the next 2,000 years.

When the pandemic hits, Kristofer is forced to shutter his successful restaurant in Reykjavik, sending him into a spiral of uncertainty, even as his memory seems to be failing. But an uncanny bolt from the blue—a message from Miko Nakamura, a woman whom he’d known in the sixties when they were students in London—both inspires and rattles him, as he is drawn inexorably back into a love story that has marked him for life.

After the bloody trials of Alexandria, Sir William Gold is readying for a pilgrimage to Jerusalem to ease the burden on his soul. He hopes, too, that the Holy City might allow his relationship with Emile, cousin of the Green Count of Savoy, to develop. But the Roman emperor of Constantinople has been taken hostage by an unknown enemy, and the Green Count is vital to the rescue effort. It is up to Sir William to secure his support, but he soon finds that his past, and his relationship with Emile, might have repercussions he had not foreseen.

It is summer in St Denis and Bruno is busy organising the annual village concert. He's hired a local Périgord folk group, Les Troubadours, to perform their latest hit 'A Song for Catalonia'. But when the song unexpectedly goes viral, the Spanish government, clamping down on the Catalonian bid for independence, bans Les Troubadours from performing it. The timing couldn't be worse, and Bruno finds himself under yet more pressure when a specialist sniper's bullet is found in a wrecked car near Bergerac.

Cambridge Archaeology Professor Alex Harker is drawn back into the twisted clutches of the Mithras, who are seeking to unearth a knowledge lost to humankind since the dawn of civilization. His journey will take him from the Bay of Bengal to the murky depths of the Gibraltar strait, from the Swiss Alps to an island untouched for over 30,000 years, all in pursuit of this fateful knowledge.

At a remote farmhouse outside Turin, a mysterious religious exorcism goes horribly wrong, setting in motion a series of catastrophic events, that threatens to bring the world to its knees... Meanwhile, Professor Alex Harker is settling into his new life in the Templar Brotherhood, when he is suddenly whisked away to the Tower of London. There he learns of a disturbing murder, and a strange riddle hinting at a sinister truth.

The Kingdom of Alanya is home to mystic warriors and mischievous djinns, vulgar poets and vain philosophers, soaring simurghs and scheming shahs. Little do the people know that a power struggle between an ancient sorceress and an upstart sultana threatens to bathe the sands in bile and bones. A bloody cauldron boils, and primeval gods laugh while they stir it. As warhorses charge, arrows shower, and cannon shots brighten the night, all must choose a side.