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First published in The World in June 1887. Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar-the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

When a family from the United States buys Canterville Chase, they are told it is haunted by a horrible spirit, but this does not deter them in the slightest. Indeed, when they find a recurring blood stain on the floor, and hear creaking chains in the night, even seeing the ghost himself, all they do is clean up the blood and insist that the ghost oil his manacles if he is going to keep living in the house. This perturbs the ghost to no end, and he does everything he can to try to frighten the family.

Sherlock Holmes was not happy. "No, Mrs. Hudson, I will not see her now. Send her away and tell her to come back later." It was just past seven in the morning and we were enjoying an early coffee on a pleasant Sunday in the first week of June 1902, when Mrs. Hudson interrupted us. Holmes's longsuffering landlady did not leave.

Royston Giles Tamblyn III paid a visit to 221B Baker Street without a prior appointment on the morning of Saturday, 4 May 1901. He was a handsome young fellow, with flawless pale skin, well-combed hair that was blond-on-its-way-to-brown, and straight, gleaming teeth. He was dressed in a blazer and flannels, a creaseless white shirt, and an expertly tied old-school tie. In his polished boots, I could have seen my reflection had I bent over to inspect them.

"To the man who loves intellectual stimulation," remarked Sherlock Holmes, "London in August is the lowliest month on the calendar. Those with the means to do so have departed for the Algarve and the Riviera. Those without are off to Blackpool and Brighton." "And what about those," I asked, "who are left behind? You and I are still here." "You at least have your sensational accounts of my efforts to keep scribbling. I, on the other hand, am losing faith in the enterprising criminal class."

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. POEMS IN PROSE: One evening there came into his soul the desire to fashion an image of The Pleasure that abideth for a Moment. And he went forth into the world to look for bronze. For he could think only in bronze.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. LECTURE TO ART STUDENTS: Delivered to the Art students of the Royal Academy at their Club in Golden Square, Westminster, on June 30, 1883. The text is taken from the original manuscript. In the lecture which it is my privilege to deliver before you to-night I do not desire to give you any abstract definition of beauty at all.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. THE RISE OF HISTORICAL CRITICISM: This essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. LONDON MODELS: Professional models are a purely modern invention. To the Greeks, for instance, they were quite unknown. Mr. Mahaffy, it is true, tells us that Pericles used to present peacocks to the great ladies of Athenian society in order to induce them to sit to his friend Phidias, and we know that Polygnotus introduced into his picture of the Trojan women the face of Elpinice, the celebrated sister of the great Conservative leader of the day.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. HOUSE DECORATION: A lecture delivered in America during Wilde's tour in 1882. It was announced as a lecture on 'The Practical Application of the Principles of Aesthetic Theory to Exterior and Interior House Decoration, With Observations upon Dress and Personal Ornaments.' The earliest date on which it is known to have been given is May 11, 1882.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. ART AND THE HANDICRAFTSMAN: The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.

The Life and Adventures of Martin Chuzzlewit (commonly known as Martin Chuzzlewit) is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised in 1843 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels. Like nearly all of Dickens' novels, Martin Chuzzlewit was released to the public in monthly instalments. The main theme of the novel, according to a preface by Dickens, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family.

A Modern Utopia is a 1905 novel by H. G. Wells. Because of the complexity and sophistication of its narrative structure, A Modern Utopia has been called "not so much a modern as a postmodern utopia." The novel is best known for its notion that a voluntary order of nobility known as the Samurai could effectively rule a "kinetic and not static" world state so as to solve "the problem of combining progress with political stability".

This book sets out as forcibly and exactly as possible the religious belief of the writer. That belief is not orthodox Christianity; it is not, indeed, Christianity at all; its core nevertheless is a profound belief in a personal and intimate God. There is nothing in its statements that need shock or offend anyone who is prepared for the expression of a faith different from and perhaps in several particulars opposed to his own.

Five new pastiche stories of the world's greatest detective. These stories are shorter than the other novellas in the New Sherlock Holmes Mysteries set and were published earlier in either the MX Books or Belanger Books anthologies of Sherlock Holmes stories (Edited by David Marcum). 'The Singular Tragedy of the Atkinson Brothers at Trincomalee' is one of the unpublished cases we hear about in The Canon. The story Takes Holmes and Watson to the tropical island of Ceylon on behalf of the Foreign Office to investigate the murder of one of the Atkinson brothers.

The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February-September 1930, it was first published in Weird Tales, August 1931.[1] Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.

"The Unnamable" is a horror short story by American author H. P. Lovecraft. It was written in September 1923, first published in the July 1925 issue of Weird Tales, and first collected in Beyond the Wall of Sleep. The corrected text appears in Dagon and Other Macabre Tales, (revised ed, 1986). The story's locale was inspired by the Charter Street Historic District Burying Ground in Salem.

The story involves a mine that uncovers a very deep chasm, too deep for any sounding lines to hit bottom. The night after the discovery of the abyss the narrator and one of the mine's workers, a Mexican called Juan Romero, venture together inside the mine, drawn against their will by a mysterious rhythmical throbbing in the ground. Romero reaches the abyss first and is swallowed by it. The narrator peers over the edge, sees something - "but God, I dare not tell you what I saw!" and loses consciousness. The next morning, the narrator and the deceased Romero are both found in their bunks.

In 1923, an American named Delapore, the last descendant of the De la Poer family, moves to his ancestral estate in England following the death of his only son during World War I. To the dismay of nearby residents, he restores the estate, called Exham Priory. After moving in, Delapore and his cat frequently hear the sounds of rats scurrying behind the walls. Upon investigating further, and through recurring dreams, Delapore learns that his family maintained an underground city for centuries, where they raised generations of "human cattle".