検索キーワード： 著者 "Marcel Proust" すべてのカテゴリー

In The Fugitive the sixth volume of Marcel Proust's monumental, seven volume Remembrance of Things Past, Albertine has finally made her escape from Marcel's Paris apartment, where his obsessive jealousy had turned her into a virtual prisoner. Not only is Marcel quite unprepared for the effect on him of her flight, but also soon he is devastated by news of an even more irreversible loss.

Marcel, pathologically possessive, continues to keep Albertine a virtual captive in his Paris apartment, while the Baron de Charlus, obsessed with the young violinist Charles Morel, receives an unexpected shock. A deeply perceptive study of love and jealousy.

Marcel's suspicions regarding Albertine's lesbian desires lead to his keeping her a virtual prisoner in his Paris apartment. The Captive is a masterly portrayal of obessional jealousy.

In Sodom and Gomorrah (Cities of the Plain), Part I, the fourth volume of Marcel Proust's monumental, seven volume Remembrance of Things Past, Marcel continues his voyage of discovery through the homosexual world, where the affairs of the ageing Baron de Charlus lead to unexpected and hilarious adventures.

Accidentally witnessing an encounter between the Baron de Charlus and the tailor Jupien opens Marcel's eyes to a world hidden from him until now. Meanwhile his love for Albertine is poisoned by the suspicion that she is attracted to her own sex. Sodom and Gomorrah (Cities of the Plain), Part I, the fourth volume of Marcel Proust's monumental, seven volume Remembrance of Things Past, addresses the subject of homosexual love with insight and understanding.

The Guermantes Way, Part 2, the third volume of Marcel Proust's monumental, seven volume Remembrance of Things Past, continues the story of Marcel's entry into the highest circles of French aristocracy. Having renewed his acquaintance with the enchanting Albertine, who now submits to his amorous advances, Marcel finds himself pursued by the predatory Baron de Charlus.

In The Guermantes Way, Part 1, the third volume of Marcel Proust's monumental, seven volume Remembrance of Things Past, Marcel penetrates the inner sanctum of Paris high society and falls in love with the fascinating Duchesse de Guermantes. With his unmatched powers of observation Proust vividly describes the struggles for political, social, and sexual supremacy played out beneath a veneer of elegant manners.

Within a Budding Grove, Part 2 is the second volume of Proust's monumental, seven volume, quasi-autobiographical novel Remembrance of Things Past, in which young Marcel falls under the spell of an enchanting group of adolescent girls. At first, intoxicated by their beauty and athletic energy, he finds it difficult to choose between them. But gradually he finds himself drawn to the beautiful Albertine, without guessing how much she is to mean to him in the future.

Within a Budding Grove, Part 1 is the second volume of Proust's monumental, seven volume, quasi-autobiographical novel Remembrance of Things Past, which has been described as "one of the greatest works of imagination of all time." As the young narrator succumbs to the charms of the enchanting Gilberte, the author presents us with an unparalleled account of the pangs of adolescent love.

Swann in Love is the continuation of Swann's Way, the first part of Marcel Proust's monumental, seven volume Remembrance of Things Past. It tells the story of man-about-town Charles Swann's passionate, tormented love affair with the courtesan Odette de Crecy, and of its surprising outcome.

Swann's Way is the first part of Marcel Proust's monumental seven volume Remembrance of Things Past. Here, Proust's vision, psychological understanding and vivid powers of description combine to create one of the most poetic and magical works in all literature.

Proust ci dice che non ha narrato la "Recherche" per dei lettori, i suoi: "Infatti non sarebbero stati, secondo me, lettori miei, ma lettori di se stessi [...], li avrei muniti, grazie al mio libro, del mezzo per leggere in se stessi." Sembra impossibile, ma "Alla ricerca del tempo perduto" è un audiolibro che contiene un mondo, forse il mondo, e con esso la dimensione più umana di tutte: il tempo. E come una luce o un preludio, "Dalla parte di Swann" ci introduce, illumina quest'opera monumentale, i suoi temi e i suoi personaggi;

"E d'improvviso il ricordo mi è apparso. Quel sapore era quello del pezzetto di madeleine che zia Léonie, la domenica mattina a Combray (perché quel giorno non uscivo mai prima dell'ora della messa) mi offriva dopo averlo inzuppato nel suo infuso di tè o di tiglio, quando andavo a darle il buongiorno in camera sua." "Dalla parte di Swann" è il primo volume di "Alla ricerca del tempo perduto" ("la Recherche"), l'opera più importante di Marcel Proust, scritta tra il 1909 e il 1922, pubblicata in sette volumi tra il 1913 e il 1927 (viene considerata il romanzo più lungo di sempre).

La versione AudioBook di questa novella, è tratta quasi certamente da una vicenda personale di Marcel Proust relativa al suo rapporto con la principessa Wagram. Anche se appartiene alle sue prime opere già evidenzia il talento e la direzione artistica che lo scrittore svilupperà nel suo capolavoro, il romanzo che più lo rappresenta: Alla ricerca del tempo perduto. Lepré un giovane uomo non proprio brillante, considerato poco più che una nullità da tutte le persone che appartengono al bel mondo, attrae, anche per queste sue insolite peculiarità che lo rendono diverso da tutti gli altri uomini, l'attenzione di Madeleine de Gouvres, avvenente e ricca vedova considerata la donna più bella e ricercata di Parigi. Nonostante le sue indubbie qualità e il suo aspetto davvero seducente, Madeleine fatica molto a conquistare il giovane.

Czwarta czesc slynnego cyklu powiesciowego. Poznajemy nowe, czesto zaskakujace cechy postaci wczesniej juz znanych. Proust w dalszym ciagu podejmuje próbe zdefiniowania milosci i jej przyczyn. Autor jak zawsze mistrzowsko kresli opisy zachowan, a przede wszystkim stanów ducha swoich bohaterów. Nierzadko sa one zabarwione duza doza poczucia humoru, co czyni dzielo, znacznie przystepniejszym w odbiorze.

Rodzina glównego bohatera zamieszkuje w skrzydle palacu rodu de Guermantes. On sam zakochuje sie w pani de Guermantes. Aby sie do niej zblizyc, za wszelka cene próbuje zdobyc przychylnosc rodziny.

Wszystkie wątki cyklu "W poszukiwaniu straconego czasu" zostają zamknięte w ostatniej,siódmej części- "Czasie odnalezionym". Schorowany Marcel przebywa w sanatoriach, odwiedzając Paryż tylko okazjonalnie. Odwiedza Guermantesów, spaceruje z Gilbertą lub samotnie po okolicy. Wspomina i podsumowuje swoje życie i wreszcie postanawia je opisać.

"Nie ma Albertyny" to szósta czesc cyklu "W poszukiwaniu straconego czasu". Bohater rozstal sie z Albertyna, ale zaluje tego i pragnie ja odzyskac. Niestety, dowiaduje sie, ze ukochana zginela w wypadku. Zyskuje tez potwierdzenie, ze byla homoseksualistka. Jest juz za pózno na wszystko... poza rozpacza i spózniona zazdroscia.

Marcel powoli godzi sie ze strata. Ponownie spotyka Gilberte, wyjezdza w podróz do Wenecji. Zycie bez Albertyny jest mozliwe.

Bislang unveröffentlichte Novellen des jungen Marcel Proust - erstmals auf Deutsch. Mit Anfang 20 verfasst der junge Marcel Proust kurze fiktionale Texte, Skizzen, zarte Geschichten, geprägt vom ersten Aufscheinen homosexueller Liebe, noch empfunden als Fluch und immer tragisch endend. Die Geschichten bleiben, wohl weil sie nicht den traditionellen Moralvorstellungen der Zeit entsprechen, unveröffentlicht und geraten in Vergessenheit, bis der Proust-Forscher Bernard de Fallois sie Anfang der 50er Jahre in einem Stapel Manuskripte findet, eigentlich für die Veröffentlichung in "Les Plaisirs et les Jours" gedacht, aber nie veröffentlicht.

"Sur la lecture" est un petit texte de Marcel Proust, qui servit de préface à la traduction du livre "Sésame et les lys" de Ruskin. Il propose une introduction à la lecture, par le biais de la description d'une journée d'enfance en compagnie d'un "livre préféré". Proust refuse de voir dans la lecture une communication avec le monde, un accès à l'extérieur, c'est au contraire la rencontre avec soi-même que met en place la confrontation avec les mots d'un autre.