検索キーワード： 著者 "E F. Benson" すべてのカテゴリー

E. F. Benson's (1867-1940) ghost and supernatural stories are marvellous jewels, that combine elegant writing with moments of blood-curdling horror. This collection comprises thirteen of his finest stories: The Man Who Went Too Far; The Horror Horn; The Other Bed; Gavon's Eve; The Room in the Tower; Ali Abdul's Grave; How Fear departed from the Long Gallery; The Shootings of Achnaleish; The Dust-Cloud; The Confession of Charles Linkworth; Caterpillars; At the Farmhouse; The Bus-Conductor.

E. F. Benson's ghost story In The Tube is posited as an exposition of a vast metaphysical question that we as human beings cannot understand. Our suppositions of time and space are taken to task. This is fiction with historical significance.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!

A recurrent dream you have goes on for years and years. Well, actually, it’s not a dream, it is, most assuredly a nightmare. Every night in sleep, you encounter the same people, you hold the same conversations, you witness the same disturbing sights and invariably you wake up in a muck sweat, screaming, believing yourself to be in the room in the tower. But it’s just a nightmare, nothing to it, nothing remotely tangible, until… This is the premise of E. F. Benson’s celebrated ghost story, ‘

In the beautiful Villa Cascana on the Italian Riviera, all is not as it seems. Why does the hostess leave a perfectly charming bedroom unoccupied? Why does Arthur Inglis present our hero with a caterpillar in a cardboard pill-box one lunchtime? And rather more bizarrely, why do luminous, bloated and gigantic versions of this creature haunt his dreams? Or could it possibly be that he is wide awake?

"The Thing in the Hall", by E.F. Benson, is a rather macabre and strange story - retold by Mike Vendetti - of two friends living in London, one of whom tempts fate by inviting a spirit to visit without limiting what type of spirit he is inviting. As we know, there are "evil" spirits just awaiting a home or a victim.

A third collection of 18 classic tales of the weird and supernatural by some of the best known writers in these genres.

Fifty of the greatest classic horror stories ever written: 1. "The Beast with Five Fingers" by W. F. Harvey 2. "The Well" by W. W. Jacobs 3. "The Nightmare Room" by Sir Arthur Conan Doyle 4. "The End of a Show" by Barry Pain 5. "Bagnell Terrace" by E. F. Benson 6. "Fingers of a Hand" by H. D. Everett 7. "The Interruption" by W. W. Jacobs 8. "Gavon’s Eve" by E. F. Benson 9. "The Ring of Thoth" by Sir Arthur Conan Doyle 10. "Moon’s Gibbet" by Egerton Castle 11. "The Mystery of Sasassa Valley" by Sir Arthur Conan Doyle

E. F. Benson (1867-1940) is probably best known today for his sparkling, comic Lucia novels. In his own day it was his ghost stories that were his most popular works. "Naboth's Vineyard" exemplifies Benson's fine literary style and his ability to create the most frightening of supernatural and macabre tales.

E.F. Benson (1867-1940) is probably best known today for his sparkling, comic Lucia novels. In his own day, it was his ghost stories that were his most popular works. "Mrs Amworth", with its theme of vampirism, exemplifies Benson's fine literary style and his ability to create the most frightening of supernatural and macabre tales.

E.F. Benson (1867-1940) is probably best known today for his sparkling, comic "Lucia" novels. In his own day it was his ghost stories which were his most popular works. The Sanctuary exemplifies Benson's fine literary style and his ability to create the most frightening of supernatural and macabre tales, this one being particularly disturbing.

E.F. Benson (1867-1940) is probably best known today for his sparkling, comic "Lucia" novels. In his own day it was his ghost stories which were his most popular works. At the Farmhouse exemplifies Benson's fine literary style and his ability to create the most frightening of supernatural and macabre tales.

Another collection of 16 classic tales of the macabre and supernatural by some of the best-known writers in these genres.

1. "August Heat" by W. F. Harvey 2. "A Madman’s Manuscript" by Charles Dickens 3. "The Hair" by A. J. Alan 4. "My Favourite Murder" by Ambrose Bierce 5. "Cannibalism in the Cars" by Mark Twain 6. "Gabriel-Earnest" by Saki 7. "The Pistol Shot" by Alexander Pushkin 8. "The Mark of the Beast" by Rudyard Kipling 9. "At the Farmhouse" by E. F. Benson 10. "The Parasite" by Sir Arthur Conan Doyle 11. "The Murder of the Mandarin" by Arnold Bennett 12. "Moon’s Gibbet" by Egerton Castle 13. "Query" by Seamark

A spectacular collection of classic ghost stories from some of the masters of spooky fiction. 'On the Brighton Road' by Richard Middleton; 'A Ghost Story' by Mark Twain; 'The Everlasting Club' by Arthur Gray; 'The Snow' by Hugh Walpole; 'Rose Rose' by Barry Pain; 'The Ghost Ship' by Richard Middleton; 'The Bus Conductor' by E. F. Benson; 'The Tarn' by Hugh Walpole; 'The Diary of Mr. Poynter' by M. R. James.

Edward Frederic Benson (1867 - 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, best known as the true master of the gothic ghost story. "The Cat" is an odd story about a young man who suffers a severe shock reaction to the unexpected ending of his engagement. Initially he is thrown into a deep depression which lasts several months, but then all of a sudden something snaps in his brain and he undergoes a phenomenal transformation.

A gripping collection of classic stories in which the central figures are highly dangerous female characters - ranging from the creepy and unsettling to the utterly terrifying.

Arch enemies Mapp and Lucia return in the next instalment of E.F. Benson’s classic series of rural snobbery. Lucia is now a permanent resident of Tilling and continues her way up the social ladder with gusto, making attempts through the Town Council, finance, a platonic marriage and even the cricket club.

Barbara Jefford is the hilariously outrageous Lucia in this BBC Radio 4 dramatisation of the novel by E.F. Benson. Lucia is the uncrowned queen of 1920s provincial society, the Everest of social climbers and the most delicious of snobs. In the pastoral serenity of the village of Riseholme, Lucia and her unforgettable cronies face up to an Indian guru, spiritualism, and a cultural usurper.

Taking a winter holiday in a splendid resort in the Swiss Alps our hero finds himself billeted in a surprisingly large room, furnished with two beds. He checks with the man at the bureau, but there’s no mistake: it’s all his, a veritable snip at 12 francs a night! What a stroke of luck! And what could possibly connect this alpine idyll with Boston, Massachusetts? E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror.