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Taking listeners inside the songwriting mecca of Nashville’s Music Row for the real stories behind country’s most influential songs—and featuring exclusive interviews with songwriters like Vince Gill, Clint Black, Buddy Cannon, Jelly Roll, and Taylor Swift co-writer Liz Rose—Songs of Nashville gives you a front-row seat to the lives and work of the artists who’ve shaped country music.

Thirteen-year-old twins Gabby and Trent Manning are Connecticut's youngest paranormal investigators. Both have inherited "the gift" from their grandparents, the Mannings, whose legendary ghost hunts inspired several books and movies—but whose names have been nearly forgotten since their untimely deaths years ago. Armed with EMF machines, flashlights, and recording equipment, the twins' mom drags them all over New England in an attempt to bring their family back into the limelight.

He pulled off what some deem the crime of the century: skyjacking a commercial jetliner, collecting a ransom of $200,000, parachuting off the aft stairs of the Boeing 727 into the night, and simply disappearing. Since November 1971, “D. B. Cooper”—no one knows his real name or identity—has become a figure of enduring fascination and obsession. The FBI pursued him for over forty years, before closing the case and leaving it unsolved. Unsolved, perhaps, but much admired. D. B. Cooper’s exploit over the skies of the American Northwest has inspired books, films, and endless speculation.

In the middle of a raging storm in Alaska, Bess stops to tie her shoes. And just like that, the boy is lost, gone in a flash, swallowed up by the snow. Bess is a California girl, while Benedict, with whom she and the boy live, is the last in his family’s long line of rugged Alaskans. Benedict knows better than to venture out in such weather. But he has no choice. He must find Bess and the boy before it’s too late.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Cent and Torres have been trapped with evil before but this isn’t quite the same thing. Stuck on Harold Campbell’s island with nowhere to go and surrounded by a growing number of obayifo, they will have to find allies if they want to make it out. But not everyone can be trusted, and even those you think you can trust have ulterior motives. As the long night drags on, and with morning—and the promise of safety—still hours away, shadowy forces make their move, further complicating Cent and Torres’s plans.

Hurricane Matthew is a force to be reckoned with. It has been forecasted to drown the city of Houston in an unrelenting torrent of rain. In the days before its arrival, the city was evacuated, leaving behind only a skeleton police force and civilians unable to flee its destructive path. It’s the perfect time and the perfect place for the perfect crime.

After surviving one brutal night against a creature they call the obayifo, Cent and Torres are unexpectedly reunited when both are recruited by the mysterious billionaire Harold Campbell to join his fight against the creatures that lurk in the shadows. For Cent, it’s an easy decision: Find and kill the obayifo and rid the world of their scourge. For Torres, it’s a little more complicated. There are forces turning her against people she trusts, with her future—and those of the people she loves—in the balance.