検索キーワード： ナレーター "Matthew Schmitz" すべてのカテゴリー

The Turba Philosophorum, also known as Assembly of the Philosophers, is one of the oldest European alchemy texts, translated from the Arabic, like the Picatrix. It is considered to have been written c. 900 A.D.

One of the greatest thinkers on the origins of Christianity and a renowned expert on Gnostic and Hermetic literature presents, in this snug volume first published in 1907, the lost teachings of Jesus. Not found in the canonical Gospels and, indeed, frequently dismissed as blasphemous or heretical or "reworked" by later editors to comply with perceived tradition, this beautiful hymn is not just of interest to Christian mystics but to anyone who values wise words well spoken. For those interested in mysticism, Gnosticism, and esoteric traditions.

This is an ancient alchemy manuscript. Artephius (Artefius) (c. 1150) is a writer and alchemist to whom a number of alchemical texts are ascribed. Alchemical pseudepigraphy makes it difficult to identify who the historical Artephius may have been. His identity remains an open question. As The Secret Book of Artephius was respected and mentioned by Roger Bacon many times, Artephius' writing and alchemy is dated to around 1150.

Northcote Thomas provides an lengthy study of the history and practice of crystal gazing. He covers techniques for scrying utilizing a crystal sphere as an aid in clairvoyance and obtaining visions. A chapter on the incantation or "call" is included. In additional to practical techniques, the work covers the crystal ball's history. Thomas spends two chapters in an in depth discussion of Egyptian scrying. An early work on the subject, originally published in 1905.

This book having worth enough in itself needs not my commendation, this author in his lifetime being an eminent physician and most able philosopher as the discourse itself can best testify. The author builds on good principles, so that his theory is as true as it is plausible; and I presume he aimed at nothing more, leaving all particulars and their application to the industry of his listeners. He is sometimes pleased to descend to examples, but to such only as are natural, and they indeed are good to teach but hard to imitate. We see not all that nature does.

In this controversial book, Kersey Graves presents a historical and comparative analysis of the concept of Satan in various religious traditions. The book explores the origins of the devil figure, tracing its roots in ancient mythologies and religious beliefs. "The Biography of Satan" challenges conventional religious interpretations and sheds light on the diverse and evolving perceptions of evil and temptation throughout human history.

Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. "Applied Magic is a selection of Dion Fortune's writings on the practical applications of magical and esoteric techniques. Everyone has the ability to access the invisible planes of existence a whole kingdom of mind and spirit which cannot be perceived with the physical senses.

When Dion Fortune wrote Aspects of Occultism, "occultism" was an umbrella word used to describe hidden lore, secret traditions, and arcane knowledge. Today, when the word "occult" is often confused for "cult," and all its negative aspects, Fortune's essays would be better referred to as "esoteric studies."

For long I have been spending much of my time in a world of great beauty of thought and purity of feeling, created by the devotion and intelligence of one of the many theosophical fraternities of the ancient world. They called themselves disciples of Thrice-greatest Hermes, and sometimes spoke of their faith as the Religion of the Mind. They were prior to and contemporary with the origins and earliest centuries of Christianity, and they lived in Egypt.

The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension.

The Frost-Giant’s Daughter, written by Robert E. Howard in 1932, is one of the earliest tales of Conan the Barbarian, set in the mythical Hyborian Age. Originally rejected by Weird Tales magazine during Howard’s lifetime, the story was later published posthumously in 1953 in The Coming of Conan. This tale stands out for its dreamlike quality, blending raw, brutal action with haunting, mythic beauty.

The Hyborian Age is Robert E. Howard’s sweeping essay that serves as the mythological and historical backdrop to his legendary Conan the Barbarian stories. Written in 1932 and first published in The Phantagraph in 1936, this work is a vivid tapestry of fictional prehistory, weaving together epic migrations, fallen civilizations, and heroic struggles into a cohesive narrative that breathes life into Howard’s fantastical world.

The Descendant, written by H.P. Lovecraft in 1927, is a brief and tantalizing fragment that hints at a larger, untold story steeped in ancient horrors, forbidden knowledge, and the weight of ancestral guilt. Unpublished during Lovecraft’s lifetime, this unfinished piece explores themes central to his mythos, such as the peril of delving into arcane mysteries and the fragile boundary between human understanding and cosmic terror.

The Cats of Ulthar, written by H.P. Lovecraft in 1920, is a short yet striking tale that showcases his ability to blend dark fantasy with moral allegory. First published in Tryout in 1920, the story is a haunting meditation on justice, retribution, and the mystical bond between cats and the arcane. It occupies a unique place in Lovecraft’s body of work, weaving a fable-like narrative that retains the eerie undertones characteristic of his writing.

The Doom That Came to Sarnath, written by H.P. Lovecraft in 1919 and first published in The Scot in 1920, is a haunting tale of arrogance, hubris, and cosmic retribution. Set in Lovecraft’s fictional dreamland, the story weaves a narrative of an ancient city’s rise and catastrophic fall, showcasing his talent for crafting rich, otherworldly settings imbued with mystery and terror.

Cool Air, written by H.P. Lovecraft in 1926, is a chilling tale that masterfully blends gothic horror with the scientific and psychological themes characteristic of Lovecraft's work. First published in Tales of Magic and Mystery in 1928, this story explores the fragility of human life and the lengths to which one might go to preserve it, set against the backdrop of a decaying New York City apartment.

The Alchemist, written by H.P. Lovecraft in 1908, is one of his earliest works, showcasing his budding talent for atmospheric storytelling and his lifelong fascination with themes of ancestral guilt, curses, and the occult. Set in a decaying, isolated castle in the heart of medieval France, this gothic tale is steeped in the dark traditions of vengeance and supernatural retribution.

The Beast in the Cave, written by H.P. Lovecraft in 1905 when he was just 14 years old, is one of his earliest forays into the world of macabre fiction. Despite its brevity and the youthfulness of its author, this tale demonstrates Lovecraft's early talent for crafting an atmosphere of suspense and his fascination with the grotesque and the unknown.

The Book is an enigmatic and fragmentary story written by H.P. Lovecraft in 1933, left incomplete and unpublished during his lifetime. It stands as a tantalizing glimpse into the core of Lovecraft’s mythos, where forbidden knowledge and ancient horrors intertwine to create a sense of cosmic dread. Though brief, the piece carries the essence of Lovecraft's obsession with the dangers of delving into mysteries beyond human comprehension.

The Diary of Alonzo Typer is a haunting story crafted by H.P. Lovecraft in collaboration with writer William Lumley. Written in 1935, it unfolds in the form of a found manuscript—a diary belonging to Alonzo Typer, an investigator who vanishes after exploring an eerie, abandoned mansion steeped in mysterious and occult history. This story combines Lovecraft’s fascination with ancient evils, forbidden knowledge, and crumbling old New England settings with Lumley’s intense interest in mysticism and the supernatural.