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Twenty Drawings is a brief but evocative art volume first published in 1919 that gathers twenty of Kahlil Gibran’s drawings, presented with an introductory essay by Alice Raphael. Rather than telling a conventional story, the book offers a visual meditation on beauty, the human form, spirituality, longing, and the dreamlike union of Eastern and Western artistic sensibilities that shaped Gibran’s work.

Brought to you by Altrusian Grace Media and human-narrated by Matthew Schmitz. This combined edition of The Prophet and The Forerunner by Kahlil Gibran gathers two of the author’s most beloved spiritual and poetic works into a single volume of timeless reflection. In The Prophet, the wise seer Almustafa prepares to leave the city of Orphalese and, before departing, offers luminous meditations on the central experiences of human life: love, marriage, children, work, freedom, sorrow, joy, death, and the soul’s relation to the divine.

The Meaning of the Glorious Quran by Marmaduke Pickthall is a revered English rendering of the Qur’an that presents the central message of Islam: the oneness, majesty, and mercy of God; the call to faith, prayer, moral discipline, and compassion; and the repeated reminder that human life is a test whose final meaning is fulfilled in divine judgment and the hereafter.

The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs.

This book contains the record of a magical experiment relating to the invocation of an elemental, the thereafter of the Goddess or Force called Babalon, and the results thereof. An appendix contains some details of the method, published for the first time. The contents should be clear enough to those who are prepared for understanding, and a little study and effort should make it so for those who desire understanding. For the rest, each will no doubt interpret it in accord with his own predilections.

In “The Green Meadow,” an isolated narrator awakens in a strange, alien landscape between a sinister green forest and a distant, luminous meadow across blue water, with only fragments of memory and an overwhelming sense of cosmic dread. As the piece of land beneath him breaks away and drifts across the sea, he senses that the forest harbors hostile, sentient forces, while the radiant meadow exerts a terrible fascination and eerie promise of safety.

In “The Hoard of the Wizard-Beast,” the official Yalden discovers that the treasury of the strange city of Zeth has been emptied by corruption, and on the advice of the dubious oracle Oorn he is sent to recover the legendary treasure of the monstrous sorcerer Anathas, who dwells in the dreaded Cave of Three Winds. Armed with magical protections and driven by duty, greed, and youthful ambition, Yalden survives a hazardous journey across an alien wasteland and reaches the wizard-beast’s lair, where he finds an immense hoard of jewels and relics beyond a floor of blazing coals.

The New Testament tells the story of Jesus Christ and the beginning of Christianity. It starts with the four Gospels, which describe Jesus’ teaching, miracles, conflicts with religious leaders, death by crucifixion, and resurrection. Acts follows by showing how the apostles, empowered by the Holy Spirit, preach in Jerusalem and beyond, leading to the growth of the early church and the spread of the message throughout the Roman world, especially through the missionary work of Paul.

F. Lamplugh’s The Gnosis of the Light presents an esoteric “apocalypse” as a roadmap of initiation, in which salvation is not secured by belief alone but by awakening to an interior radiance that reorders the whole person. Moving through dense, emblematic visions and hierarchies, the work depicts the soul’s ascent from the world’s entanglements into a realm of intelligible Light, where names, powers, and ritual images function as stages of purification and recognition rather than mere mythology.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. The Cloud of Unknowing (an anonymous 14th-century Christian mystical text often presented in modern editions with Evelyn Underhill’s introduction/editorial work) is a practical guide to contemplative prayer that teaches the seeker to move beyond discursive thinking and images in order to “know” God by love rather than intellect.

Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. The Madman: His Parables and Poems" by Kahlil Gibran is a poetic collection that delves into profound themes of identity, existence, and the nature of humanity, characteristic of Gibran's literary style in the early 20th century. This work reflects a philosophical exploration of the human condition through parables and poems, imbuing them with spiritual and metaphysical insights. Written during the early modern period, the book brings a unique blend of mystical thought and artistic expression.

"Lamia" is the English Romantic poet John Keats's lush, eerie tale of enchantment defeated by merciless rationality. Set in the world of ancient Greco-Roman myth, the poem tells the story of the serpent-spirit Lamia, who talks the god Hermes into transforming her into a beautiful woman so she can pursue her beloved, a handsome young man named Lycius. The couple is blissfully happy for a time—but their joy can't last. Icy reason, in the form of the philosopher Apollonius, at last punctures their shared dream.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. Sanai's book, The Enclosed Garden of the Truth, a treatise on God and the seekers journey to Him, forms one part of three highly influential early Sufi works. The others being Attar's Conference of the Birds and Rumi's Masnavi. Sanai's work is considered to be the first to use poetry to express religious, spiritual and mystical ideas. Rumi acknowledges both Sanai and Attar as having a major influence on his own poetry and stated 'Attar is the soul and Sanai the two eyes'.

Written in the 19th century, this lengthy and thorough text documents the various manifestations of demons and devils in the Christian religion. The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. Meditations is a series of personal writings by Marcus Aurelius, Roman Emperor from AD 161 to 180, recording his private notes to himself and ideas on Stoic philosophy. Marcus Aurelius wrote the 12 books of the Meditations in Koine Greek as a source for his own guidance and self-improvement. It is possible that large portions of the work were written at Sirmium, where he spent much time planning military campaigns from 170 to 180.

TIME AND THE GODS is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It is a collection of short stories linked by Dunsany's invented pantheon of deities who dwell in Pegāna. It was preceded by his earlier collection The Gods of Pegāna and followed by some stories in The Sword of Welleran and Other Stories. Dunsany included a brief preface in the original edition and added a new introduction to the 1922 edition.

The Festival, written by H.P. Lovecraft in 1923 and first published in Weird Tales in 1925, is a dark and atmospheric tale steeped in ancient rituals, ancestral mysteries, and Lovecraft’s signature cosmic horror. Set in the fictional town of Kingsport, Massachusetts, the story exemplifies Lovecraft’s ability to weave together eerie folklore, haunting landscapes, and an overwhelming sense of dread. The narrative follows an unnamed protagonist who journeys to Kingsport to partake in an ancient Yuletide festival at the invitation of his ancestors.

The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension.

The Frost-Giant's Daughter, written by Robert E. Howard in 1932, is one of the earliest tales of Conan the Barbarian, set in the mythical Hyborian Age. Originally rejected by Weird Tales magazine during Howard's lifetime, the story was later published posthumously in 1953 in The Coming of Conan. This tale stands out for its dreamlike quality, blending raw, brutal action with haunting, mythic beauty.

The Hyborian Age is Robert E. Howard’s sweeping essay that serves as the mythological and historical backdrop to his legendary Conan the Barbarian stories. Written in 1932 and first published in The Phantagraph in 1936, this work is a vivid tapestry of fictional prehistory, weaving together epic migrations, fallen civilizations, and heroic struggles into a cohesive narrative that breathes life into Howard’s fantastical world.