検索キーワード： ナレーター "Mark Meadows" すべてのカテゴリー

Harald Sigurdsson burst into history as a teenaged youth in a Viking battle from which he escaped with little more than his life and a thirst for vengeance. But from these humble origins, he became one of Norway’s most legendary kings. The Last Viking is a fast-moving narrative account of the life of King Harald Hardrada, as he journeyed across the medieval world, from the frozen wastelands of the North to the glittering towers of Byzantium and the passions of the Holy Land, until his warrior death on the battlefield in England.

As revenge for marrying a man he didn't approve of, Véronique d'Hergemont's father, Professor Antoine d'Hergemont, kidnapped her baby and, while escaping, drowned with the baby at sea. Fourteen years later, in 1917, Véronique is watching a film and spots her quite unique signature written on the side of a hut in the background of a scene. The signature, V d'H, prompts her to visit the location where the movie was shot and launches her into a deep and ancient mystery that only one man can solve.

Alec Reid’s ghosts of the 21st century seldom lurk in old houses or waft across chilly moors. His dark tales may breathe alongside the supernatural, but they take place in broad daylight, in our daily lives. Their themes include dead warriors resurrected via Bluetooth, Rumpelstiltskin in the suburbs, an algorithmic fear of ghosts, and the shattered dreams of immortality. The world they describe is the one you inhabit, but you would live in terror were you to recognize it for what it is.

We are supposed to have more information at our disposal now than at any time in history. So why, in a world of rising sea levels, populist leaders, resurgent fascism, and a global pandemic, do so many people believe bizarre and untrue things about the world we live in? In After the Fact?, Marcus Gilroy-Ware shows us what really created the conditions for mis- and disinformation, from fake news and conspiracy theories, to bullshit journalism and the resurgence of the far-right, and why liberal newspaper columnists and centrist politicians are unable to turn back this tide.

Shaun is finally free of responsibilities to anyone but himself; single, with two grown up daughters, he is just embarking on a new life in a new country when he gets a call to say his father is dying. His mother has Parkinson's Dementia and is in a care home. Shaun faces a stark choice: should he give up his new-found freedom, or turn his back on the woman he'd fought so hard to protect, not least from his own father? Shaun's mother had loved and cared for her son all her life. Could he now do the same for her?

Denis is searching for his mother’s past, knowing she had secrets. In Nice, he finds her friends, Monique and Clemence. In the 1950s, they were Matisse’s assistants when he was old and ill, pinning up his coloured paper shapes, putting the great cut-out works together. Monique inspired his great designs in the chapel at Vence, Clemence, in pursuit of love, was caught in an affair that led to violence and disaster. So they have their own intense and colourful past - but they hold the key to Denis’s past, too. He’s about to face the greatest challenge of his life.

Fitness trainer Erik Lingoss is found dead in his West London flat, his head smashed by one of his own dumbbells. His heartlessly dumped girlfriend, blood on her clothes and hands, is the prime suspect. She had means, opportunity and motive. But is the case as clear-cut as it seems? Handsome Erik Lingoss had clients in his places; and he seemed to engender powerful emotions. If it was a crime of passion, there was plenty of that to go round: love strong as death, jealousy cruel as the grave.

These classic mystery short stories feature Maurice Lebanc’s famous rogue, Arsène Lupin. A master of disguise, Lupin moves between high society and a burglar’s life, stealing from the rich and powerful and creating mischief for Detective Ganimard.

When Inspector Montalbano receives an early-morning phone call it proves to be the start of a very trying day. For the caller expects Montalbano to arrive imminently at a rendezvous with some friends. But before he can reply, the caller announces himself as someone called Riccardino and hangs up. Later that day, news comes in of a brutal slaying in broad daylight by an unknown assassin who makes his getaway on a motorbike. And when the Inspector learns of the victim’s identity - a man called Riccardino - his troubles are only just beginning.

Two deaths - the suicide of a recently fired worker and the murder of an unscrupulous businessman - lead Inspector Montalbano to the Halcyon, a mysterious ship that visits Vigàta's port each day. With very few crewmen, no passengers and a stern large enough to land a helicopter, it piques the Inspector's interest straight away. And whilst all this is going on, a rare trip to Genoa to visit Livia ends with the Vigàta police department in disarray, and Inspector Montalbano's position as the head of the commissariat in jeopardy. It will be up to Montalbano to fix the damage done.

Cesare Aldo, a former soldier and now an officer of the Renaissance city's most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany—or suffer the consequences. During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de' Medici. If the duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin.

Brimming with wisdom and humour, David Kynaston’s diaries written over one football season offer up his most personal take on social history to date. David Kynaston was seven and a half years old when he attended his first Aldershot match in the early months of 1959. So began a deep attachment to the game and a lifelong loyalty to an obscure, small-town football club. Though as he sits down to write his diaries almost 60 years on, he reflects that life might have been simpler if his father had never taken him to that first match at the Rec....

It is September 1939. Shortly after war is declared, Anthony Rhodes is sent to France, serving with the British Army. His days are filled with the minutiae and mundanities of army life - friendships, billeting, administration - as the months of the 'Phoney War' quickly pass and the conflict seems a distant prospect. It is only in the spring of 1940 that the true situation becomes clear; the men are ordered to retreat to the coast and the beaches of Dunkirk, where they face a desperate and terrifying wait for evacuation.

IWM was founded on 5th March 1917 when the War Cabinet approved a proposal by Sir Alfred Mond MP for the creation of a national war museum to record the events still taking place during the First World War. The intention was to collect and display material as a record of everyone's experiences during the war - civilian and military - and to commemorate the sacrifices of all sections of society.The First World War Retold tells the story of that war from a fresh perspective from IWM's unparalleled collections.

Masculinity has reached a moment of crisis. From the erosion of unifying institutions, such as marriage, to a rise in male suicide rates, the last century and a half has been a particularly turbulent time to be a man. Increasing numbers of men are finding themselves anchorless, uprooted from the conventions and certainties of their forefathers. Today masculinity itself has come under attack, relentlessly maligned in the media. Now, more than ever, the long and perilous journey from infant to old age is fraught with strange complexities, moral dichotomies and maddening contradictions.

Oslo, 1938. War is in the air and Europe is in turmoil. Hitler’s Germany has occupied Austria and is threatening Czechoslovakia; there’s a civil war in Spain and Mussolini reigns in Italy. When a woman turns up at the office of police-turned-private investigator Ludvig Paaske, he and his assistant – his one-time nemesis and former drug-smuggler Jack Rivers – begin a seemingly straightforward investigation into marital infidelity.

November 1853. Inspector Field has summoned his friends Charles Dickens and Wilkie Collins to examine a body found in an attic studio, its throat cut. Around the body lie the lacerated fragments of canvas of a painting titled A Winter of Despair. Wilkie realises he recognises the victim, for he had been due to dine with him that very evening. The dead man is Edwin Milton-Hayes, one of Wilkie's brother Charley's artist friends. With his own brother under suspicion of murder, what secrets lie among the close-knit group of Pre-Raphaelite painters who is the killer in their midst?

When Inspector Field shows his friend Charles Dickens the body of a young woman dragged from the River Thames, he cannot have foreseen that the famous author would immediately recognise the victim as Isabella Gordon, a housemaid he had tried to help through his charity.

Every captain would love Brearley's degree in people, as well as a hardhitting all-rounder like Botham. But theirs was a barely recognisable game from the one we play on often dishevelled grounds up and down the country with ragtag teams of ageing, deluded or hungover friends and acquaintances. Now, Charlie Campbell offers us a New Testament to Brearley’s Old Testament, as he guides us through the realities of captaining an amateur team.

Hate crimes are spiralling to an all-time high on both sides of the Atlantic, with minorities experiencing the largest increase in hostility towards their race, nationality, sexuality and religion since records began. Whilst recent political turmoil could be a contributing factor to this spike, professor Matthew Williams shows that there is nothing temporary about the hate that has been stirred up.