検索キーワード： ナレーター "Anne Hancock" すべてのカテゴリー

Patterson Greeves, a noted scientist and academic, is retiring to his family manse to write a book. But on arrival, he finds two letters, one from each of his daughters, announcing their imminent arrival. One plans to visit and the other to live with him. He panics: though a man of many accomplishments, he has been an abysmal and absent father.

Sir John Waveney has inherited Waveney Hall. A veteran of the Great War himself, his inheritance has come because of the deaths in action of his two distant cousins, leaving him as the next male heir. He hopes to make the acquaintance of his two remaining cousins, Lady Jenifer Marr and Anne Belinda. But Lady Marr proves very vague about her twin sister's whereabouts. Is she traveling with a friend or (as has been intimated) has she been incarcerated in a mental institution? No one seems to actually know, and several people seem bent on frustrating John's attempts to find her.

According to legend, in 1910, Marie Belloc Lowndes attended a London dinner party where a guest told her that his mother’s butler and cook claimed they had once rented rooms to Jack the Ripper, the notorious mass murderer. The idea for “The Lodger” was born. Mr. and Mrs. Bunting have sunk their savings into their house with plans to let rooms. But no lodgers have materialized, and they are on the verge of penury when, one foggy night, a knock on the door brings Mr. Sleuth, an unassuming gentleman whose needs are perfectly suited to the suite of rooms the Buntings have to rent.

Running away from an abusive stepmother, a little girl scrambles across London rooftops, a favorite hiding place. She peers through a window and sees a man apparently burglarizing a studio, but quickly realizes that she has witnessed the aftermath of a murder when the man puts a gun in the hand of a body on the floor. When she cries out he glimpses her and she escapes in terror. Very soon after, she is sent to live with her deceased mother’s aristocratic family and her secret is kept from the police.

Sixteen-year-old Effie Martin is in trouble. No one in her family understands her, some mean girls refuse to invite her to their picnic, her clothes are a mess, and she's mad at the world. Impulsively, she hops on her bike and soon finds herself in the middle of a drama where she saves the day. Her heroic act becomes a turning point in her life.

Grace Livingston Hill’s three novels about nineteenth-century small-town America remain relevant a century after they were first published. The timeless themes include the powerful influence of gossip, the importance of faith, and the precious gift of true friendship.

Laura Temple faces the predicaments of many British middle-class wives and mothers living in country villages between the World Wars. Her too-large house, inherited by her husband Alfred, requires three servants to keep it running: generally unsatisfactory servants whom she is perpetually concerned will leave her employ for greener pastures, which they inevitably do. Her modest success as a short story writer helps augment their income but still, there is never enough money. She is a devoted mother to her two sons, although she shamelessly prefers one over the other. And she is deeply unhappy.

A stormy night. A seemingly deserted farmhouse in the north of England. A young farmer returns to find a well-dressed woman seated at his desk, dead from a gunshot wound. John Leslie is completely mystified. Who is she? The police identify her as Mrs. Draycott, a visitor to the area. And since John cannot provide a plausible alibi, he is charged with her murder.

In the novel Little Women, Mr. March goes off to war. But in real life, it was Jo March (Louisa May Alcott herself, an avowed abolitionist) who traveled to Washington to nurse Northern soldiers. This is Alcott’s memoir but she chose to use the pseudonym “Tribulation Periwinkle” to tell her story. Despite the subject matter, her account is full of amusing anecdotes as she makes her way alone from Concord, Massachusetts to DC, trying to finagle a free ticket and convinced she will drown during the journey.

Ramona Ortegna, the foster child of Señora Moreno, is much loved by all who live and work at the Moreno ranch, except Señora herself, who cannot bring herself to think of the girl as anything but a mixed-blood child. Half white, half Indian, Ramona had been adopted by the Senora’s sister who then entrusted the child to her upon her death. Already embittered by the loss to the Americans of much of her southern California land as the result of the 1846 Mexican-American War, the pious old woman is also distraught by the near destruction of California’s Catholic missions.