検索キーワード： 著者 "Michael Connelly" すべてのカテゴリー

Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from 30 years with the LAPD speak for themselves. Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire has less than six months to live and a lifetime of regrets. He hires Bosch to find out whether he has an heir.

A body has been found on the overlook near Mulholland Drive. The victim, identified as Dr. Stanley Kent, has two bullet holes in the back of his head, from what looks like an execution-style shooting. LAPD detective Harry Bosch is called out to investigate. As soon as Bosch begins retracing Dr. Kent's steps, contradictions emerge. While Kent doesn't seem to have had ties to organized crime, he did have access to dangerous radioactive substances from just about every hospital in Los Angeles County.

Here are three award-winning Harry Bosch thrillers, all voiced by standout Broadway veteran Len Cariou: The Narrows, Echo Park, and The Overlook.

Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none, as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn.

Here is LAPD Detective Harry Bosch as we've never seen him before, in three never-before-collected stories. In "Suicide Run", the apparent suicide of a beautiful young starlet turns out to be much more sinister than it seems. In "Cielo Azul", Bosch is haunted by a long-ago closed case: the murder of a teenage girl who was never identified. In "One Dollar Jackpot", Bosch works the murder of a professional poker player whose skills have made her more than one enemy.

Harry Bosch is back as a volunteer working cold cases for the San Fernando Police Department and is called out to a local drugstore where a young pharmacist has been murdered. Bosch and the town's three-person detective squad sift through the clues, which lead into the dangerous, big business world of pill mills and prescription drug abuse.

LAPD Detective Harry Bosch tackles three tough cases that span a legendary career in this never-before-collected trio of stories. Utterly unputdownable, they are proof that "Connelly never stops doling out the suspense.... Once it grabs you in those first few pages, it won't let go of you" ( Boston Globe).

Harry Bosch has been given three years before he must retire from the LAPD, and he wants cases more fiercely than ever. In one morning, he gets two. DNA from a 1989 rape and murder matches a 29-year-old convicted rapist. Was he an eight-year-old killer, or has something gone terribly wrong in the new Regional Crime Lab? Then Bosch and his partner are called to a death scene fraught with internal politics....

Detective Harry Bosch has retired from the LAPD, but his half-brother, defense attorney Mickey Haller, needs his help. The murder rap against his client seems ironclad, but Mickey is sure it's a setup. Though it goes against all his instincts, Bosch takes the case. With the secret help of his former LAPD partner, Lucia Soto, he turns the investigation inside the police department. But as Bosch gets closer to discovering the truth, he makes himself a target.

The vision has haunted him for four years: a young woman lying crumpled in death, her hand outstretched in silent supplication. Harry Bosch was taken off the Angella Benton murder case when the production assistant's death was linked with the violent theft of two million dollars from a movie set. Both files were never closed. Now retired from the LAPD, Bosch is determined to find justice for Angella. Without a badge to open doors and strike fear into the guilty, he's on his own.

In the LAPD's Open-Unsolved Unit, not many murder victims die almost a decade after the crime. So when a man succumbs to complications from being shot by a stray bullet nine years earlier, Bosch catches a case in which the body is still fresh, but all other evidence is virtually nonexistent. Now Bosch and rookie Detective Lucia Soto, are tasked with solving what turns out to be a highly charged, politically sensitive case.

À ses débuts, Bosch a eu un certain John Jack Thompson comme mentor. Un homme qui lui a appris à toujours prendre une affaire personnellement et à déployer tous ses efforts pour la résoudre. À la mort de Thompson, sa veuve confie à Bosch un dossier volé par son mari aux scellés avant sa retraite. Il s'agit d'une affaire non résolue : un jeune homme abattu dans une ruelle coupe-gorge de Los Angeles des années plus tôt.

Harry Bosch-Renée Ballard : le face-à-face tant attendu. En revenant au commissariat d'Hollywood après une mission de son quart de nuit, l'inspectrice Renée Ballard tombe sur un inconnu en train de fouiller dans les meubles à dossiers. L'homme, elle l'apprend, est un certain Harry Bosch, un ancien des Homicides du LAPD qui a repris du service au commissariat de San Fernando, où il travaille sur une affaire qui le ronge depuis des années. D'abord sceptique, Ballard le chasse puis, intriguée, ouvre le dossier qu'il feuilletait... et décide de l'aider.

Un trafic de drogue de grande ampleur et une vérité à deux visages. Travaillant toujours bénévolement aux affaires non résolues pour la police de San Fernando, Harry Bosch est appelé sur une scène de crime dans une pharmacie. Les deux employés, père et fils, viennent d'être assassinés par des tueurs à gages et toutes les pistes s'orientent vers un trafic de médicaments antidouleurs qui, pris inconsidérément, se transforment en véritables drogues.

Découvrez l'inspectrice Renée Ballard, la nouvelle héroïne de Michael Connelly. Reléguée au quart de nuit du commissariat d'Hollywood, l'inspectrice Renée Ballard se lance dans des enquêtes qu'elle n'a pas le droit de mener à leur terme. Le règlement l'oblige en effet à les confier aux inspecteurs de jour dès la fin de son service. Mais, une nuit, elle tombe sur deux affaires qu'elle refuse d'abandonner : le tabassage d'un prostitué laissé pour mort dans un parking, et le meurtre d'une jeune femme lors d'une fusillade dans un night‑club.

"La scarica di adrenalina adesso era una locomotiva in corsa nelle sue vene. Nel profondo di sé, Renée Ballard sapeva che era per via di momenti come questo che non avrebbe mai mollato, qualsiasi cosa dicessero di lei, in qualsiasi turno la obbligassero a lavorare." La polizia di Los Angeles non è stata gentile con Renée Ballard: ex reporter di nera, è entrata in polizia stufa di scrivere di crimini, e impaziente di risolverne qualcuno, e in poco tempo è diventata detective alla Omicidi. Ma poi qualcosa è andato storto.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

Suspense! Baseball! Here are two tales that combine both, written by master storytellers Michael Connelly and Elmore Leonard.

Harry Bosch, inspecteur aux Affaires non résolues, reprend du service pour trois ans avant de partir à la retraite...

Grand avocat de la défense, Mickey Haller est fort surpris lorsque le procureur du comté de Los Angeles lui demande de plaider pour l'accusation. Et l'affaire est importante : incarcéré depuis vingt-quatre ans pour le meurtre d'une fillette, Jason Jessup vient d'être libéré, le tribunal souhaitant une révision de son procès après un test ADN qui semble l'innocenter. Haller est persuadé que Jessup est coupable et prend Harry Bosch comme enquêteur.