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Two weeks before her wedding, a stranger stops Amy in the street and warns her she’s in danger. Then that night, Matt, her fiancé, doesn’t come home. Desperate, Amy calls the police - but when Matt fails to emerge, she’s forced to call off her wedding day. Then another man is reported missing, by a woman called Fiona - a man meeting Matt’s description, who was about to leave his fiancée for her. He was supposed to be moving in with her - but instead, he’s vanished.

Ever since the Nazis came to power, violence has spread through the city Esther Spielmann once called home. Each night she prays her family will be spared. But when her husband and father are murdered alongside fellow Jews during Kristallnacht, she has no choice but to send her beloved son, Sascha, to safety. Esther’s heart breaks as she watches his thin legs trembling in the cold as he is ushered with the other crying children towards the Kindertransport.

Henry V's second invasion of France in 1417 launched a campaign that would put the crown of France on an English head. Only the miraculous appearance of a visionary peasant girl - Joan of Arc - would halt the English advance. Yet despite her victories, her influence was short-lived: Henry VI had his coronation in Paris six months after her death and his kingdom endured for another twenty years. When he came of age he was not the leader his father had been. It was the dauphin, whom Joan had crowned Charles VII, who would finally drive the English out of France.

No Such Thing as Normal is a deeply researched, timely, essential book that will shine a light on the psychiatric industry: its genesis, its obsession with often ineffective, over-medicalised treatments, and its relationship with a pharmaceutical industry driven by profitability rather than meaningful social welfare and change.

Fifty-two-year-old Michelle Banks is struggling to keep all the plates spinning. She’s a perimenopausal district nurse, caring for elderly parents. Her husband is wasting their money on children’s TV memorabilia, her teenage daughter is riddled with anxiety and her 16-year-old son is behaving secretively. Alexa is the only one who knows how much Michelle is juggling. Listening in via four smart speakers, she also knows that it’s about to get even worse. So, when Michelle pleads for help, Alexa decides to go rogue.

You trust them with your child. You shouldn’t. Each Monday after school, I look after my daughter Coralie and four other kids from her class. We go to the park when it’s sunny, snuggle on the sofa reading books when it rains. Tuesdays to Fridays, the other parents take them. It’s perfect–a circle of free childcare, of fun and friendship for our children. But this morning, we all received an anonymous note. And now I’m terrified.

When the body of a retired police superintendent is found murdered at Hull Fair, Detective Hollie Turner is thrust into a case that will force her to confront her own painful history. Twenty-five years ago, Hollie's university friend Moira vanished without a trace at the very same fairground. Now, as she investigates the superintendent's death, long-buried secrets from that fateful night begin to surface.

Rhiannon Garth-Jones explores Rome's enduring legacy through three core themes: religion, empire, and culture. Each chapter examines how Rome’s history, governance, and mythology have been reimagined throughout centuries, and how these interpretations continue to shape our modern world.

When Jessica’s grandfather left for war, he promised to keep a record of each day he was apart from her grandmother. The diary was lost along with him—until now, when a mysterious, handsome Italian man named Alessandro shows up at Jessica’s door with the diary in hand. Immediately enchanted by her grandfather’s accounts of Italy’s glittering golden hours, Jess decides to spend a summer in Tuscany before she’s due to take over at her family’s farm. She hopes she can visit the places her grandfather once did—and finally find out what really happened the night he died.

Your son has gone missing. And then the police arrest the prime suspect. You. You know you're innocent. That someone else took your son. But the truth is never simple. Especially if you're forced to say nothing...

Stratford-upon-Avon, 1940. Rosalind Arden, born into one of the oldest families in England, has grown up running wild through the walled gardens and secret passages of historic Arden House, known to have once been frequented by Shakespeare himself. But centuries of squandered wealth have left the family destitute, and Papa Arden plans to replenish the coffers by securing hasty marriages to the highest bidder for Rosalind and her sisters. Passionate and headstrong, Rosalind is quickly running out of ways to avoid this fate.

August, 1940. The war is raging in Europe, but on the home front conflict still seems far away. Dot, living with her mother-in-law and dreading the day that her thuggish husband comes home on leave, is fighting her own battle to contribute to the war effort. Peggy has found confidence as an Air Raid Precaution Warden, despite the jeers of the men she works with - but beneath her pluck she fears for her close-knit family, scattered by the war. And glamorous Vivian, the former debutante, is running away from her own heart and into danger as a volunteer ambulance driver.

I’m out on an early morning dog walk when I find the body. It’s Harry, the man I was dating. It should be the worst thing that has ever happened to me.... But it has happened to me before. Six months ago I found the body of Ash, another man I’d been seeing. The police arrested me, and the trauma nearly destroyed me. I moved back home and changed my life. Now, it’s a bright sunny morning, the air is fresh, and I’m finally feeling like I can move on. I can’t wait for my second date with Harry....

I reach out, arms aching to hold my newborn baby, and catch just a glimpse of soft, dark brown hair before someone pushes me back onto the bed. "It’s alive," says the woman who delivered my child before she places something over my face. My last thought is of my baby’s first cry before my world goes dark.

I loved my husband, Doctor Drew Devlin, but he betrayed me. And now he’s dead. As I put the key in the lock and open the door to the luxurious new home I’ve purchased with Drew’s life insurance money, I’m certain the worst days are behind me. My secret is safe, and I can’t wait to enjoy my new wealth and freedom.

My husband, James, and I love living on Smith Street, with its neat houses and friendly family barbecues. Our daughter, Scarlett, can play outside with the other local kids–it’s somewhere nothing bad could ever happen. Or so I thought....

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

I was the other woman. The mistress. Everyone blamed Doctor Drew Devlin’s death on me. And I’ve paid the price for loving the wrong man. Now, I have dark circles under my eyes because I can’t sleep at night. I lost everything–friends, family, my home and even my freedom. Drew’s devious wife Fern tore my whole world apart. And she thinks she’s got away with murder.

For Iris, each visit to her mother in St Mabon’s Cove, Cornwall has been the same—a serene escape from the city. But today, as she breaths in the salt air on the doorstep of her beloved childhood home, a heavy weight of anticipation settles over her. Iris knows she’s adopted, but any questions about where she came from have always been shut down by her parents, who can’t bear to revisit the past. Now, Iris can’t stop thinking about what she’s read on the official paperwork: BABY GIRL, FRANCE, 1939 – the year war was declared with Nazi Germany.

This is not a taste, nor an anti-taste, manual. This is an interrogation of the importance we place on seemingly objective ideas of taste in a culture that is saturated by imagery, and the dangerous impact this has on our identities, communities and politics. This book is dedicated to understanding the industries of taste. From the food we eat to the way we spend our free time, Olah exposes the shallow waters of 'good' and 'bad' taste and the rigid hierarchies that uphold this age-old dichotomy.