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The Problem of Cell 13 is a short story by Jacques Futrelle. It was first published in 1905 and later collected in The Thinking Machine (1907), which was featured in crime writer H. R. F. Keating's list of the 100 best crime and mystery books ever published. Like Futrelle's other short stories, The Problem of Cell 13 features Augustus S. F. X. Van Dusen as the main character, although most of the story is seen through the perspective of a prison warden.

Konstantin Paustovsky was a Russian writer nominated for the Nobel Prize for literature in 1965, 1966,1967,1968. Paustovsky began writing while still in Gymnasium. His first works were imitative poetry but he restricted his writing to prose after Ivan Bunin wrote in a letter to him: "I think that your sphere, your real poetry, is prose. It is here, if you are determined enough, that I am sure you can achieve something significant."

In Notes from Underground by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works.

This comprehensive presents the complete extant works of Marcus Aurelius relating to Marcus' life and works. Marcus Aurelius was a Roman Emperor from 161 to 180, known as one of the last of the Five Good Emperors, and is also considered one of the most important Stoic philosophers. Contents: Meditations, The Speeches of Marcus, The Sayings of Marcus.

This collection brings together stories and reflections in which Leo Tolstoy turns inward. Stripped of grandeur, these works offer something more intimate: the inner noise of conscience, the weight of faith, the silence before death. A servant's silence, a horse's memory, a dying man's doubt—these are not performances. They are questions, waiting quietly for whoever dares to ask the same. Tolstoy isn't offering answers. He's writing toward something deeper. And the questions haven't aged a day.

Ralph Waldo Emerson's Spiritual Laws is more than an essay—it's an invitation to align with the rhythm of the universe. With clarity and poetic force, Emerson strips away illusions of control, urging us to trust the quiet power within. For him, law isn't rigid or imposed; it's a natural flow, always present, waiting to be recognized. True self-reliance isn't defiance but harmony with this deeper order. The world moves for those who walk with conviction. The awakened soul follows a path beyond logic, yet never loses its way. Emerson doesn't instruct; he sparks something.

The Law of Success in 16 Lessons was initially published in 1928 as a multi-volume correspondence course. According to Hill, the work was commissioned at the request of Andrew Carnegie, at the conclusion of a multi-day interview with Hill. It was allegedly based upon interviews with over 100 American millionaires, including self-made industrial giants such as: Henry Ford, J. P. Morgan, John D. Rockefeller, Alexander Graham Bell and Thomas Edison, over 500 of the most successful people of the planet across nearly 20 years.

In the shadowed corners of Barchester Cathedral, a dark and unsettling secret lies hidden, waiting to be uncovered. M. R. James, master of the eerie and the supernatural, weaves a tale of mystery that drips with suspense and an ever-looming sense of dread. The story entangles curiosity with fear as it explores the strange occurrences in a sacred space, offering an atmospheric journey into the unknown. Prepare to be both mesmerized and unnerved by this hauntingly atmospheric tale of forbidden knowledge and the restless dead.

A relic buried. A secret watched. A warning unheeded. In this chilling tale by master of the supernatural M. R. James, the boundaries between legend and reality dissolve into coastal mist. A Warning to the Curious draws the listener into a bleak and beautiful world where ancient guardians still linger—and curiosity can awaken things best left undisturbed. A haunting meditation on the price of trespass, this is classic ghost storytelling at its most precise and unnerving.

On a winter's night, as the old year slips silently into the new, shadows stir in forgotten corners, and the past refuses to rest. In The Experiment, M. R. James once again proves himself a master of quiet horror—where the chill creeps not from the cold, but from something far older, and far less forgiving. Subtle, strange, and unsettling, this is a tale that whispers its secrets, if you dare to listen. Perfect for a solitary listen by candlelight, just as midnight strikes.

Step into the quiet English countryside, where serenity hides shadows, and ancient grounds guard forgotten secrets. In M. R. James's chilling tale The Rose Garden, a simple act—planting roses on a peaceful estate—unearths more than just soil. Whispers in the wind, a cursed corner of land, and a long-buried injustice begin to stir. Elegant, eerie, and steeped in the uncanny, this masterfully told ghost story unfolds with James's signature subtlety and scholarly dread.

A child's memory, a shadowed path, a glimpse of something that should not be. In A Vignette, M. R. James offers a final brushstroke of quiet terror—intimate, elusive, and disquietingly real. This short, unsettling piece lingers like a half-remembered dream, evoking the moment when the everyday slips into the uncanny. With masterful restraint and emotional undercurrent, James reminds us that the most chilling hauntings are those born in the mind—and never truly forgotten.

A mournful cry, a well that echoes the past, and an invitation to remember the forgotten. In Wailing Well , M. R. James crafts a haunting tale of mystery and spectral terror, where the quiet of a rural landscape is disturbed by a cry from the past—an eerie wail that resonates through time. As James unearths the secrets buried in the forgotten well, he masterfully builds a sense of creeping dread and inevitable doom, reminding us that some things—once heard—can never be forgotten.

There are rooms best left unopened. In Rats, M. R. James guides us into one such space—silent, neglected, and waiting. Known for his restrained, academic horrors, James delivers here a tale that creeps up slowly and lingers uncomfortably. With a master's touch, he suggests far more than he shows, letting unease breed in the shadows and silence. This story is a quiet descent into something primal and cold, where the mundane turns menacing, and a moment's curiosity opens a door to ancient fear. Listen carefully—some noises can't be explained.

A child's toy, a cursed relic, a mystery that refuses to stay hidden. In The Haunted Dolls' House , M. R. James weaves a tale of exquisite unease, where the innocent facade of a dollhouse reveals a terrifying world of spirits long forgotten. Here, the past and present collide, and the boundaries between the living and the dead blur in unsettling silence. With his signature restraint and an eye for the uncanny, James transports the listener to a place where even the most innocent of objects can conceal a dark history—and a terrible secret that demands to be uncovered.

John W. Campbell Jr.'s "The Classic Collection" is a remarkable anthology that showcases the genius of one of science fiction's most influential writers.

To listen to The Sayings of Marcus is to walk beside an emperor who governed not through cruelty or conquest, but by reason, restraint, and virtue. This collection presents rare, firsthand glimpses of Marcus Aurelius not as a distant symbol of power, but as a human being navigating the immense burden of imperial responsibility with unwavering Stoic discipline. Here is Marcus confronting betrayal with mercy, rejecting revenge in the arena, and speaking candidly of philosophy, war, death, and duty. His words, at once spare and profound, offer a timeless testament to character under pressure.

Something ancient lingers beneath the surface of Castringham Hall. In the stillness of the Suffolk countryside, a presence takes root—silent, watchful, and patient. The Ash-tree is M.R. James at his most unsettling: a precise exercise in creeping dread, where history never rests easy and vengeance grows in shadow.

A curious traveler. A forbidden tomb. A name best left unspoken. When Mr. Wraxall digs into the past of a long-dead Swedish nobleman, he unearths more than just history. Something stirs beneath the surface—something ancient, waiting, watching. Count Magnus is a masterpiece of restrained horror by M. R. James, where dread builds slowly and silence says more than screams. Atmospheric, eerie, and unforgettable.

A picture that changes. A scholar who watches. A nightmare unfolding one shadow at a time. Forget jump scares—this is horror in its most refined form. The Mezzotint is a slow-burn classic where dread creeps in like fog and nothing is ever quite as it seems. M. R. James delivers a ghost story that gets under your skin—and stays there. Mysterious, unsettling, and quietly terrifying.