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The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension.

The Frost-Giant’s Daughter, written by Robert E. Howard in 1932, is one of the earliest tales of Conan the Barbarian, set in the mythical Hyborian Age. Originally rejected by Weird Tales magazine during Howard’s lifetime, the story was later published posthumously in 1953 in The Coming of Conan. This tale stands out for its dreamlike quality, blending raw, brutal action with haunting, mythic beauty.

The Hyborian Age is Robert E. Howard’s sweeping essay that serves as the mythological and historical backdrop to his legendary Conan the Barbarian stories. Written in 1932 and first published in The Phantagraph in 1936, this work is a vivid tapestry of fictional prehistory, weaving together epic migrations, fallen civilizations, and heroic struggles into a cohesive narrative that breathes life into Howard’s fantastical world.

The Descendant, written by H.P. Lovecraft in 1927, is a brief and tantalizing fragment that hints at a larger, untold story steeped in ancient horrors, forbidden knowledge, and the weight of ancestral guilt. Unpublished during Lovecraft’s lifetime, this unfinished piece explores themes central to his mythos, such as the peril of delving into arcane mysteries and the fragile boundary between human understanding and cosmic terror.

The Cats of Ulthar, written by H.P. Lovecraft in 1920, is a short yet striking tale that showcases his ability to blend dark fantasy with moral allegory. First published in Tryout in 1920, the story is a haunting meditation on justice, retribution, and the mystical bond between cats and the arcane. It occupies a unique place in Lovecraft’s body of work, weaving a fable-like narrative that retains the eerie undertones characteristic of his writing.

The Doom That Came to Sarnath, written by H.P. Lovecraft in 1919 and first published in The Scot in 1920, is a haunting tale of arrogance, hubris, and cosmic retribution. Set in Lovecraft’s fictional dreamland, the story weaves a narrative of an ancient city’s rise and catastrophic fall, showcasing his talent for crafting rich, otherworldly settings imbued with mystery and terror.

Cool Air, written by H.P. Lovecraft in 1926, is a chilling tale that masterfully blends gothic horror with the scientific and psychological themes characteristic of Lovecraft's work. First published in Tales of Magic and Mystery in 1928, this story explores the fragility of human life and the lengths to which one might go to preserve it, set against the backdrop of a decaying New York City apartment.

The Alchemist, written by H.P. Lovecraft in 1908, is one of his earliest works, showcasing his budding talent for atmospheric storytelling and his lifelong fascination with themes of ancestral guilt, curses, and the occult. Set in a decaying, isolated castle in the heart of medieval France, this gothic tale is steeped in the dark traditions of vengeance and supernatural retribution.

The Beast in the Cave, written by H.P. Lovecraft in 1905 when he was just 14 years old, is one of his earliest forays into the world of macabre fiction. Despite its brevity and the youthfulness of its author, this tale demonstrates Lovecraft's early talent for crafting an atmosphere of suspense and his fascination with the grotesque and the unknown.

The Book is an enigmatic and fragmentary story written by H.P. Lovecraft in 1933, left incomplete and unpublished during his lifetime. It stands as a tantalizing glimpse into the core of Lovecraft’s mythos, where forbidden knowledge and ancient horrors intertwine to create a sense of cosmic dread. Though brief, the piece carries the essence of Lovecraft's obsession with the dangers of delving into mysteries beyond human comprehension.

The Festival, written by H.P. Lovecraft in 1923 and first published in Weird Tales in 1925, is a dark and atmospheric tale steeped in ancient rituals, ancestral mysteries, and Lovecraft’s signature cosmic horror. Set in the fictional town of Kingsport, Massachusetts, the story exemplifies Lovecraft’s ability to weave together eerie folklore, haunting landscapes, and an overwhelming sense of dread. The narrative follows an unnamed protagonist who journeys to Kingsport to partake in an ancient Yuletide festival at the invitation of his ancestors.

William Lilly (May 11, 1602–June 9, 1681), was a famed English astrologer and occultist during his time. Lilly was particularly adept at interpreting the astrological charts drawn up for horary questions, as this was his specialty. He caused much controversy in 1666 for allegedly predicting the Great Fire of London some 14 years before it happened. For this reason, many people believed that he may have started the fire, but there is no evidence to support these claims.

Enheduanna, also known as En-hedu-ana or Enheduana, is widely regarded as the world's first known author and poet, as well as one of the earliest recorded female figures in history. She lived in ancient Mesopotamia during the 23rd century BCE, and held the esteemed position of high priestess in the city of Ur, which was a thriving center of Sumerian civilization.

Dion Fortune is acknowledged as one of the most knowledgeable and level-headed writers on esoteric matters. In Sane Occultism, she is adamant that magic and occult studies, though often dealing with unseen forces, must still be grounded in reason, and she explains how claims of psychic ability and past lives can, and should, be verified. The book covers a vast swath of topics, from meditation and psychism, through numerology and astrology, to such "black" occult practices as psychic vampirism, blood sacrifice, and other aspects of the Left-Hand Path.

This book having worth enough in itself needs not my commendation, this author in his lifetime being an eminent physician and most able philosopher as the discourse itself can best testify. The author builds on good principles, so that his theory is as true as it is plausible; and I presume he aimed at nothing more, leaving all particulars and their application to the industry of his listeners. He is sometimes pleased to descend to examples, but to such only as are natural, and they indeed are good to teach but hard to imitate. We see not all that nature does.

G. R. S. Mead has issued a translation of the whole body of extant literature, with extended prolegomena, commentary, etc. There is a wide difference of opinion as to the date at which this literature was produced. Mead believes that some of the extant portions of it are at least as early as the earliest Christian writings, while von Christ assigns them to the third Christian century. To affirm that they influenced New Testament usage would be hazardous, but they perhaps throw some light on the direction in which thought was moving in New Testament times.

The Turba Philosophorum, also known as Assembly of the Philosophers, is one of the oldest European alchemy texts, translated from the Arabic, like the Picatrix. It is considered to have been written c. 900 A.D.

One of the greatest thinkers on the origins of Christianity and a renowned expert on Gnostic and Hermetic literature presents, in this snug volume first published in 1907, the lost teachings of Jesus. Not found in the canonical Gospels and, indeed, frequently dismissed as blasphemous or heretical or "reworked" by later editors to comply with perceived tradition, this beautiful hymn is not just of interest to Christian mystics but to anyone who values wise words well spoken. For those interested in mysticism, Gnosticism, and esoteric traditions.

This is an ancient alchemy manuscript. Artephius (Artefius) (c. 1150) is a writer and alchemist to whom a number of alchemical texts are ascribed. Alchemical pseudepigraphy makes it difficult to identify who the historical Artephius may have been. His identity remains an open question. As The Secret Book of Artephius was respected and mentioned by Roger Bacon many times, Artephius' writing and alchemy is dated to around 1150.

Northcote Thomas provides an lengthy study of the history and practice of crystal gazing. He covers techniques for scrying utilizing a crystal sphere as an aid in clairvoyance and obtaining visions. A chapter on the incantation or "call" is included. In additional to practical techniques, the work covers the crystal ball's history. Thomas spends two chapters in an in depth discussion of Egyptian scrying. An early work on the subject, originally published in 1905.